Zatoichi and the Chess Expert

Zatoichi and the Chess Expert

1965 ""
Zatoichi and the Chess Expert
Zatoichi and the Chess Expert

Zatoichi and the Chess Expert

7.3 | 1h27m | en | Adventure

Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.

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7.3 | 1h27m | en | Adventure , Drama , Action | More Info
Released: December. 24,1965 | Released Producted By: Daiei Film , Country: Japan Budget: 0 Revenue: 0 Official Website:
Synopsis

Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.

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Cast

Shintarō Katsu , Mikio Narita , Kaneko Iwasaki

Director

Akira Naitô

Producted By

Daiei Film ,

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Reviews

kluseba Zatoichi and the Chess Expert is the twelfth entry in the franchise and one of the best movies about the blind masseur, skilled gambler and skillful swordsman. The story of this film is unusually clever, complex and twisted. Zatoichi meets a smart chess player while traveling on a ship and the two end up respecting one another so much that they start traveling together. When Zatoichi is attacked by some folks whom he tricked during a dice game on the ship, a young girl traveling with a beautiful woman gets injured, so Zatoichi organizes some medicine and travels with the two as he grows fond of the joyful child. Zatoichi also encounters a sick man and his sister who is disguised as a man to avoid trouble on the road who travel with a helpful retainer who gets brutally murdered during a prayer. Soon enough, these three seemingly different story lines end up being connected in most surprising ways as Zatoichi needs to figure out who is friend and who is foe.What I really liked about this film is the complex story with its numerous clever twists. The characters also have great depth. Even Zatoichi seems more emotional than usual as he opens up about the love of his life and his low self-esteem while being caring, helpful and respectful to those who need his help. The perfectly portrayed chess expert is hard to figure out because of his harsh convictions versus his impressive intelligence. The young woman Zatoichi travels with falls in love with the blind samurai and is at times desperate and at other times joyful about their complicated relationship. Her child is quirky but polite and its heart-warming to see how the girl and Zatoichi grow fond of one another. The sick man, his mysterious sister and his helpful retainer are also quite intriguing characters. This movie is more than just a classic chambara film and also a drama for all the complex relationships going on and a thriller because of the cruel murder of the retainer. The movie's atmosphere gets more and more mysterious throughout the nicely paced film. The landscapes are memorable, gorgeous and authentic, especially the port and ship in the beginning of the film and the modest inn with the hot springs that plays a central role in this film. The fight scenes are more vivid than in the preceding film. Most sword fights occur at the beginning and in the final five minutes but they are nicely choreographed. My favorite fight scene was when Zatoichi got ambushed in the middle of the night in the muddy meadows while carrying the expensive medicine for the sick child.There really isn't much to criticize regarding one of the franchise's very best films. Obviously, there are some recurring elements in the movie such as numerous gambling scenes, traditional sword fights and Zatoichi traveling through rural landscapes but these predictable elements give each film about the blind masseur their very own identity.If you like sword fighting movies or care for Japanese culture, history and nature, you will particularly like Zatoichi and the Chess Expert. You an learns more about Japan in one hour and a half here than you could by watching anime for a whole year. Since this is one of the most profound entries in the franchise, this movie would be recommendable to get to know a true piece of Japanese art.
mevmijaumau Zatoichi and the Chess Expert (Zatoichi #12), known under the more obscure title Showdown for Zatoichi (while the original title translates to something like Zatoichi's Infernal Journey) is director Kenji Misumi's third Zatoichi film and is often brought up by fans when discussing the best entries of the series. While I certainly understand why some people would think this was one of the better ones, I don't really hold it in much of a high regard, especially when compared to previous Misumi films.#12 doesn't throw a lot of its budget on action sequences, focusing instead on character-driven drama and suspense. The few action scenes we get sadly can't hold a candle to sword-fight choreography of previous installments, although the violence in #12 is a bit more brutal at some points. The characters are nothing new, really. There's the love interest, the endangered kid and the obligatory up-to-no-good ronin dressed all in black (the titular chess master). However, we do get an ass-kicking lady taking vengeance on the said ronin, and this isn't really the shiniest spot in Zatoichi's career either. His gambling streak oscillates and he is really clumsy in this movie.It is kinda refreshing that there is no criminal organization in cahoots with the officials this time, but the major problem of the film that it spends too much of its running time on numerous run-on-the-mill gambling scenes instead of developing the female samurai sub-plot. Also, the ending is rushed. So, so rushed. The only thing I got out of this movie is that chess figures had a very unimaginative design in feudal Japan.Highlight of the film would probably have to be Zatoichi's mini-speech on dirt: "The man you're looking at is dirt. And everyone who comes close to him or touches him, in one way or another gets muddied by that dirt. There's nothing I can do about being dirt myself, but I don't what you to get mired in my dirt."
MartinHafer Towards the beginning of the film, you have a scene that was often (too often) repeated in this series of films. It's very clever and funny, but was used in at least three different film--possibly more. It's where Ichi is the dealer with dice and "accidentally" drops dice out of the cup again and again--so the other gamblers know whether it will be odds or evens. However, using this ploy, he is able to film-flam the other gamblers by eventually dropping a much larger bet--at which time he springs his little surprise for them. Cute, but way overdone.As a result of Ichi's gambling, a certain family is angry and set out to teach Zatoichi a lesson. In a tough scene to watch, they try to break his fingers. However, Ichi escapes and in a chaotic scuffle, he starts breaking their fingers again and again. While all this seems pretty funny, the end result is that an innocent and adorable little girl is accidentally stabbed in the foot. Tetanus sets in and unless she gets medicine, she will die. Of course, despite the cost, the good Ichi promises to somehow get the medicine and save the child.Along the way, Ichi strikes up a friendship with a rather fierce ronin (a master-less samurai) who loves to play chess. Despite being a very tough character, he promises to go along with Zatoichi to protect him--mostly because this warrior is very taken with Ichi. Well, once again, Ichi does the same gambling bit he did at the beginning of the film, though things don't work out exactly the same. So, instead of a big haul, he and the ronin hit on another moneymaking plan. Thanks to their efforts, the medicine is obtained and the child quickly recovers.Ichi accompanies the lady with the child to a nearby hot spring known for its curative powers. Now the child refers to Ichi as "Uncle" and he learns that the lady is not the child's mother but a relative who has taken in the child after the death of her parents. The lady also begins to show more than just casual interest in Ichi--after all, he's awfully lovable and women in quite a few films have tried to marry him. But, like Spiderman, he knows he can't settle down, as his lifestyle and idiots seeking him out for revenge make for a miserable and very short life for any woman. In addition, the woman holds on to a secret--something she only reveals to Ichi near the end of the movie.At the spring, there are also two main characters who are introduced--a sickly young man and his sister who has traveled dressed like a man in order to come meet him. However, this plot point is kind of silly, as Kume is an exceptionally beautiful lady. Sure, she has her hair up in a ponytail like some men, but she is just too pretty to be mistaken for a man--even by Ichi! For some time you have no idea what they are up to, but Ichi knows it's something. After their servant is murdered, the young man divulges to Ichi that they have been tracking a samurai who murdered their father over a chess game and the servant was the only one who could identify the murderer. The young man assumes that now there is no way to find the killer, but Ichi realizes this sounds a lot like his new friend, the ronin.Overall, this is one of the better Zatoichi films despite the repetitive gambling scenes. That's because the plot is very complex, relationships are stressed over the action scenes and there is no usual "boss battle" at the end of the film. Sure, there are a couple serious fights, but not the usual type nor does the film end exactly as you might assume. Very good stuff, here.
zetes There's little to recommend about this cheaply made samurai film. The films of this genre boast great patience, but within that patience there ought to be at least a few good samurai battles. There are only two real battles in this one. The first one has a neat setting, but it takes place during the night and it is so dark that it is difficult to see anything. The climactic battle, which is actually two consecutive battles, is very good but nothing compared to those in much more well known samurai flicks. The editing of the film is consistently poor and reduces the effectiveness of many of its scenes. This movie is only 90 minutes long, but it feels as long as The Seven Samurai. 5/10.