Michael_Elliott Zombies: The Beginning (2007) * 1/2 (out of 4)Italian director Mattei ended his career with this sequel to ISLAND OF THE LIVING DEAD but don't expect a typical zombie flick. This film picks up right where the previous left as the sole survivor is asked by the government to head back to the island where her crew was killed by the zombies. That's pretty much all you need to know in terms of story as you really don't even need that considering this movie completely ignores what happened at the very end of the previous one. Yes, Mattei's final flick has a lot of zombies but it's actually just a direct rip off of ALIENS. This isn't the first time Mattei has ripped ALIENS and even though this movie is extremely bad, you can't help but somewhat admire how much ripping this guy can do. Not only do we get dialogue and scenes ripped from the Cameron flick but we get the typical stock footage stolen from other movies and this time it's CRIMSON TIDE. How Mattei got away with doing this his entire career is beyond me but quite a few of the sub scenes from that movie are lifted and used here. The movie actually looks like it had a fairly decent budget as the set design is actually pretty good and this is especially true at the end when we visit the alien/zombie tombs. Fans of gore will get quite a bit of that here as the red stuff is constantly flowing with various heads being shot off and parts being ripped or eaten. The CGI effects are quite poor but it adds a somewhat campy feel to the film. The performances, like the previous film, are hard to judge considering how bad the dubbing is but most people don't come to movies like this for the acting. The film doesn't mind ripping off other movies including dialogue from DAY OF THE DEAD and Mattei even rips off his own RATS: NIGHT OF TERROR. Fans of exploitation will probably want to check this out just for the cheese but the biggest problem is that it runs way too long and there's just not enough here to warrant the long running time. Mattei certainly went out with his comeback and this film contains all the bad stuff he'll always be remembered for.

udar55 Bruno Mattei's final film picks up directly after ISLAND OF THE LIVING DEAD with Sharon (Yvette Yzon), the lone survivor, being rescued at sea. Back on the mainland, Sharon is having nightmares and execs at Tyler, Inc. don't buy her story on how the ship and crew disappeared. Six months later, Sharon is a monk but is contacted by Tyler, Inc. to participate in a rescue mission after contact with a colony on a nearby island is lost. Sound familiar? Yup, ol' Bruno gets his James Cameron on in his pumped up sequel. Actually, I should say Mattei is getting his James Cameron on again as this is his second film to rip off ALIENS nearly scene-for-scene (after 1990's equally amazing SHOCKING DARK).This is truly a high note for Bruno to go out in for his long career of xerox cinema. Why? Is it a technical masterpiece? Does it contain amazing acting? Hell no! It is because Bruno has the gall to lift tons of scenes from CRIMSON TIDE and shamelessly steal the TERMINATOR 2 theme. There is also stolen footage of an oil plant blowing up, but I couldn't place it. I was equally disappointed and impressed that Mattei didn't steal anything in the previous ISLAND, so this was a welcome return. Plus, you have to love a direct sequel titled ZOMBIES: THE BEGINNING. What? The mimicking of the plot of ALIENS, 21 years after the fact, is just hilarious. Every major scene is here, just with 1/50th of the budget. Yzon gets all tough like Sigourney Weaver's Ripley and the film's bloody finale has her in a big breeding chamber where there is a huge talking brain (no, it is never explained).In terms of entertainment, I would rate this one above ISLAND, for the sheer ripoff factor. But they both need to be seen together. I did them back-to-back and that might be the best way as you feel like you are getting a 3-hour zombie mini-series. The flick ends with a short clip of Bruno saying something on the set and the words, "Ciao Bruno..." on screen. Indeed, many thanks for all of your fine films. And also many thanks to Cameron, Romero, Stallone, Spielberg and all of the other director's who have given Mattei "inspiration" over the years.

ultra_tippergore Zombies:The beginning is not a beginning in any way. In fact is a sequel to Island of the Living Dead and also is the last movie from Italian exploitation director Bruno Mattei. Mattei made a lot of movies, more than 100, and he was famous for using footage from other movies, music from other movies and also plots from other movies, he was a professional rip-off director, but he managed to made some really entertaining movies (zombie movies, WIP movies, erotic, gore, action, nun exploitation,etc) . Zombies The beginning is his last movie and, fortunately, it's a good end for Bruno. The movie delivers the goods, is a blood packed action zombie movie, with the usual stock stolen from other movies and the complete lack of originality, but its very good in his own way. Lots of action, lots of zombies, good fx and good costumes, lots of torched babies and atrocities. The movie is shot on digital video and that's the only reason this one is not as good as mattei 80s zombie movies, the film look. But in action, gore and entertainment this one is as good (in terms of entertainment that is what matters after all more than cinematography) as those ones. Bruno is dead. Long Live Bruno.7/10

TheOpinionGuy Sharon, the only survivor of the explosion of the salvage ship Dark Star, is having a hard time with the insurance company in furnishing them with a satisfactory explanation about her accident. She tells the story of her horrible experience, but is considered crazy - no one believes her when she tells about the existence of living dead on an island that can't be found on any nautical map. About one year later... Barker, representative of an important pharmaceutical company, is the only one to believe Sharon, and as there is no news of a scientific crew sent six months earlier to capture some samples of those beings, he convinces her to join the rescue team and take part in the mission. Sharon and the rescue team arrive on the island armed and equipped like marines, and set forth to carry out their task. They reach what seems to be a lab, and discover diverse glass coffins containing horrible genetically-altered mutants, apparently dead. All of a sudden a woman with her belly torn open emerges from the vapours and attacks Barker, who is saved by the swift intervention of Taylor. Their detectors signal another moving presence... they find a baby boy-monster... they are able to destroy it with the help of a flame-thrower. When the members of the scientific crew are located, it is decided to go and recover them in order to leave the island. They come across remains of human fetuses. They battle against horrible creatures - the living-dead children of genetic mutations. Some of them fall prey to those monsters... They must leave the island, but the submarine won't be back for another ten days. An S.O.S. is sent. Truth comes to light: it is Barker who has the task of bringing back one of those creatures to his company... even at the cost of their lives. After escaping from the attack of a myriad of living-dead mutants, Taylor and Sharon discover something hellish: The Nest, where the female members of the scientific crew are used as incubators for those horrendous mutant children - a new generation of zombies. With their flame-thrower they burn all those little zombies. An explosion follows. Sharon manages to escape, but...