Campion

Campion

1989
Campion
Campion

Campion

7.6 | en | Drama

Campion is a television show made by the BBC, adapting the Albert Campion mystery novels written by Margery Allingham. Two series were made, in 1989 and 1990, starring Peter Davison as Campion, Brian Glover as his manservant Magersfontein Lugg and Andrew Burt as his policeman friend Stanislaus Oates. A total of eight novels were adapted, four in each series, each of which was originally broadcast as two separate hour-long episodes. Peter Davison sang the title music for the first series himself; in the second series, it was replaced with an instrumental version.

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Seasons & Episodes

2
1
0
EP8  Mystery Mile Part 2
Mar. 16,1990
Mystery Mile Part 2

Judge Lobbett mysteriously disappears, Biddy Pagett is kidnapped and Lugg tries to warn Campion off the Simister mob investigation, but he refuses to give in.

EP7  Mystery Mile Part 1
Mar. 09,1990
Mystery Mile Part 1

American Judge Crowdy Lobbett has suffered several attempts on his life and has decided to leave the United States and travel to England in the hope of finding a safe haven. The Lobbett family meet Campion on board their transatlantic liner, and the Judge's son Marlowe asks him to help with their problems. Campion takes the Lobbetts to the village of Mystery Mile, where he has friends, but the Simister gang is on the Judge's trail and he soon disappears, leaving Campion and the Lobbetts with a kidnapping to solve in a hurry.

EP6  Flowers for the Judge Part 2
Mar. 02,1990
Flowers for the Judge Part 2

Campion is determined to prove the innocence of his friend Mike Barnabas, arrested for the murder of Paul Brande, but in trying to do so he puts his own life in jeopardy.

EP5  Flowers for the Judge Part 1
Feb. 23,1990
Flowers for the Judge Part 1

Campion is drawn into the family feuds besetting the Golden Quill publishing business. One of the Barnabas family, who own the company, is found dead, leaving Campion's friend, Mike Barnabas, as the chief suspect.

EP4  Dancers in Mourning Part 2
Feb. 16,1990
Dancers in Mourning Part 2

Influenced by his feelings for Linda Sutane, Campion refuses to believe the evidence against her husband Jimmy, and continues trying to clear his name. But when another murder occurs, Sutane's innocence becomes impossible to sustain.

EP3  Dancers in Mourning Part 1
Feb. 09,1990
Dancers in Mourning Part 1

Campion visits the country house of the famous dancer Jimmy Sutane to investigate a string of unpleasant practical jokes, and falls in love. On Campion's first night at White Walls, another guest, Chloe Pye dies - though whether by accident, murder or suicide remains to be seen. Then there are more deaths, and Campion finds himself under pressure.

EP2  Sweet Danger Part 2
Jan. 19,1989
Sweet Danger Part 2

Campion returns to Pontisbright in disguise in order to track down Savanke.

EP1  Sweet Danger Part 1
Jan. 12,1990
Sweet Danger Part 1

Campion searches for the crown of a lost kingdom. Campion is asked to find documents that will prove that the Frittons are the rightful owners of a tiny Dalmatian state where oil has been discovered.

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7.6 | en | Drama , Comedy , Mystery | More Info
Released: 1989-01-22 | Released Producted By: , Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

Campion is a television show made by the BBC, adapting the Albert Campion mystery novels written by Margery Allingham. Two series were made, in 1989 and 1990, starring Peter Davison as Campion, Brian Glover as his manservant Magersfontein Lugg and Andrew Burt as his policeman friend Stanislaus Oates. A total of eight novels were adapted, four in each series, each of which was originally broadcast as two separate hour-long episodes. Peter Davison sang the title music for the first series himself; in the second series, it was replaced with an instrumental version.

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Cast

Peter Davison , Brian Glover

Director

Nigel Hess

Producted By

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Reviews

martin-intercultural This show has a number of sexy ingredients - English countryside, 1930s glamour, grand mansions and stately homes. Yet on balance, I found it less satisfying than other literary adaptations from this era. In seeking to be faithful to the original written stories, it picks up quite a bit of baggage that seems to speak to now-dated, prewar female sensibilities. This includes the central character's 'privileged' yet unexplained background. I'm sure 80 years ago, the very notion of a mysterious do-good aristocrat opting to fight crime would leave the ladies with a tingling sensation in their undergarments; not so much nowadays. There are other scenes, and twists and turns, which feel bookish and just packed in for good measure; they may have worked at the time, and especially on paper, but contribute little to the TV version. Mr. Campion himself fits the bill well - after all, avoiding to cast any remotely dashing male characters has been de rigueur in portraying 30s England. But after a while, his eternally goofy grin gets tiresome, particularly as there is not much else we learn about his background, childhood, career, personal life or romantic entanglements. The same applied to Lugg -- yes, the acting is amazingly realistic but after two episodes, the expression 'one-trick pony' will come to mind. All in all, a nice show to spend a quiet Saturday evening with, without getting shaken and stirred in the process.
blanche-2 Peter Davison is perfect as "Campion" in these mysteries from 1989-1990.If I were to compare this series to Inspector Alleyn, the difference is in the personality of the detectives. The Campion episodes are more lively, as Campion rubs elbows with both the low and the high classes with ease. He also is very whimsical.I believe this is a take-off on Lord Peter Wimsey, more of one than the Inspector Alleyn mysteries. Campion has his manservant, Lugg, who is devoted to him and obviously from the streets. Brian Glover is great in the role.Campion always looks very dapper and wears wonderful horn-rimmed glasses. The episodes are brighter in look than the Alleyn mysteries, and, like the Alleyn mysteries, they have high production values. Campion's background is a mystery. He's obviously well-educated. In the books he's supposedly related to royalty and cut off from his family, and he's not using his real name.High quality mysteries, very well acted, with a lovely song which Peter Davison sings at the beginning which sets up the series perfectly: lyrical, tuneful, and bright.
Techvet I think the other reviews cover the lion's share of what there is to say, but just a few comments: As of this writing, "Campion" is available on streaming Netflix, unabridged and with no commercials.I love the opening and closing theme music, especially from the first season. I am not sure why they changed it up for the second season."Sweet Danger" is my favorite episode of the bunch, without a doubt.Peter Davison did a fabulous job in all the episodes and he is dressed to the nine's. No one else but Brian Glover could have been Lugg. The production values are quite high.I have not read the books but plan to start sometime this summer.
lfisher0264 Peter Davison is an excellent Campion and Brian Glover perfect as the lugubrious Lugg. I've just watched Look to the Lady. The adaptors had the sense to stick to the book with all its weirdness and ghosts that aren't - or are they? Additional dialogue by Alan Plater might have been improvised by Campion himself (I love the bit about not being about to find eye of newt at Fortnum's or Harrods). All the actors are good, and the stately home plus ruined monastery is perfect. My only gripes: poor Beth is forced to wear some of the dowdiest outfits I've ever seen on an actress. All in shades of mud, lacking any shape and with awful additional frills, capes etc. And Professor Carey's last line is changed to the cliché'd quotation "There are more things in heaven and earth..." I think in the book he says "My very dear young man, it doesn't do to think too much about these things." Barbara Jefford is good as Mrs Dick, but some of her dialogue revealing her true horribleness is cut. Read the book - it'll send shivers down your spine. It's one of Margery Allingham's best.