Gilligan's Island

Gilligan's Island

1964
Gilligan's Island
Gilligan's Island

Gilligan's Island

7.4 | TV-G | en | Comedy

The slapstick adventures of hapless Gilligan, long-suffering Skipper and their gang of mismatched castaways, all stranded on an uncharted desert isle after their tiny ship hit stormy weather.

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Seasons & Episodes

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EP30  Gilligan, the Goddess
Apr. 17,1967
Gilligan, the Goddess

King Killiwani and two other natives come to the island looking for a 'White Goddess.' Ginger and Mary Ann are likely candidates, until the Castaways discover that the natives plan to take the ""White Goddess"" back to their island to marry a volcano and then be sacrificed into it. After seeing Gilligan in a wig and heels, the natives choose him as the ""White Goddess.""

EP29  Bang! Bang! Bang!
Apr. 10,1967
Bang!  Bang!  Bang!

A crate that washes ashore contains a top secret plastic explosive developed by the US Government. The Castaways make use of the plastic in a variety of objects, including nails for the Skipper, dishes for Mary Ann, jewelry for Ginger, golf balls for Mr. Howell, and even fillings for Gilligan's teeth, unaware that once hardened it becomes a dangerous explosive which will detonate on impact!

EP28  The Pigeon
Apr. 03,1967
The Pigeon

The Professor sees the arrival of a homing pigeon on the island as an opportunity to be rescued, and immediately begins to feed it a special diet designed to strengthen it so that it can fly again. In an attempt to speed the recovery time, the other Castaways also feed the pigeon, causing it to become too fat to fly. The pigeon is also trapped for a short while in a cave by a ""deadly six-foot black morning spider.""

EP27  It's a Bird, It's a Plane
Mar. 27,1967
It's a Bird, It's a Plane

A U.S. Air Force jetpack washes ashore in the lagoon. After close inspection of the jetpack, the Professor determines that the tanks contain just enough fuel to carry Gilligan to Hawaii. However, that determination was made before Gilligan wasted most of the fuel while proceeding to goof-up several attempts to be discovered and rescued. While flying the jetpack near where Navy search vessels are reported to be lurking, Gilligan is so scared by a radio report of an ""Unidentified Flying Object in the area"" that he blasts higher and hides in a cloud, not realizing that the UFO the Navy ships see is actually him with the jetpack!

EP26  Slave Girl
Mar. 20,1967
Slave Girl

After Gilligan saves a beautiful native girl from drowning, she vows to be his slave forever. Later, her ex-boyfriend comes to the island and challenges Gilligan to a duel to the death. The Professor concocts a drug to cause Gilligan to fall into a catatonic state, so that the natives will think he is dead, but they then insist on a native funeral . . . by burning the body!

EP25  The Secret of Gilligan's Island
Mar. 13,1967
The Secret of Gilligan's Island

Gilligan discovers some ancient stone tablets that the Professor thinks may contain the secret of getting them off the island. That night, Gilligan dreams that he is a caveman chiseling a story on a stone tablet three million years ago.

EP24  The Second Ginger Grant
Mar. 06,1967
The Second Ginger Grant

Mary Ann falls backwards while watching Ginger perform on stage, and, when she awakens, she thinks that she is Ginger. Meanwhile, Gilligan accidentally watches as the Professor attempts to hypnotize Mary Ann, and thus he begins to think that he is Mary Ann.

EP23  High Man on the Totem Pole
Feb. 27,1967
High Man on the Totem Pole

Gilligan and the Skipper find an ancient Kupaki totem pole which is topped with a head that looks just like Gilligan. When fierce Kupaki headhunters come to the island, Gilligan must convince them that he is their ""mashuka"" or sacred ancestor.

EP22  Splashdown
Feb. 20,1967
Splashdown

The Professor determines that a manned space craft will pass over the island, and attempts to fashion a telegraph machine. When that fails, the Castaways try to spell out SOS using burning logs as a rescue signal, but Gilligan catches fire and runs into the logs, causing them to spell out SOL, the name of one of the astronauts! Blooper watch: as Gilligan is lighting the logs, you can see his pants smoking before he backs up into the flaming logs!

EP21  Gilligan's Personal Magnetism
Feb. 06,1967
Gilligan's Personal Magnetism

Lightning strikes Gilligan during Skipper and Gilligan's bowling tournament, and his stone bowling ball becomes molecularly attached to him. The Professor tries to help Gilligan, but ends up causing him to become invisible.

EP20  Our Vines Have Tender Apes
Jan. 30,1967
Our Vines Have Tender Apes

An loin-cloth clad ape-man (Tongo) comes to the island, and makes off with their food and supplies. Actually, he is an out of work actor, who tries to convince the Castaways that he is a real uncivilized ape-man while studying for an upcoming role. After he cowers when confronted by a ""real"" gorilla, he leaves the island and the Castaways behind.

EP19  Lovey's Secret Admirer
Jan. 23,1967
Lovey's Secret Admirer

Mrs. Howell starts receiving mysterious love notes, and the source remains a mystery until Mr. Howell is caught in the act. Mrs. Howell dreams that she is Cinderella, and Gilligan is her fairy godfather. The Professor rigs up a lie detector using the ship's horn and batteries from the radio.

EP18  The Hunter
Jan. 16,1967
The Hunter

Famous big-game hunter Jonathan Kincaid and his assistant, Ramoo land on the island in search of new game to hunt. Since they have hunted just about every kind of animal on earth, they then decide that the ultimate challenge would be to hunt a human. After much debate, they choose Gilligan as their target, and state that if Gilligan can stay alive for 24 hours, they will rescue the castaways. After Gilligan manages to outwit and outrun the armed hunters for 24 hours, Kincaid does not uphold his promise of rescue for fear they will report him to the authorities.

EP17  Court-Martial
Jan. 09,1967
Court-Martial

The Castaways hear on the radio that the Maritime Board of Inquiry has blamed the Skipper for the Minnow crash. In an attempt to disprove the board's verdict, they reenact the shipwreck themselves, only to find out that the cause appears to be Gilligan's ineptness. Later, a radio update reports that the Board of Inquiry has cleared the Skipper of the charges, as the Weather Service mistakenly read the wrong forecast that morning causing the crew to be unaware of the impending storms.

EP16  Take a Dare
Jan. 02,1967
Take a Dare

George Barkley enters the ""Take a Dare Contest"". He will receive $10,000 if he can spend a week alone on an island, fending for himself. However, he is not alone on the island on which they drop him. Once again, however, rescue eludes the castaways as Mr. Barkley deduces that he can not tell anyone about the castaways without having to forfeit the $10,000 for not spending the week alone.

EP15  Gilligan Goes Gung-Ho
Dec. 26,1966
Gilligan Goes Gung-Ho

Gilligan is made a deputy sheriff, and begins to take his job too seriously. He ends up locking everyone up in a make-shift jail, including himself! Of course, while the castaways are locked up tight, another potential rescue plane flies over the island.

EP14  All About Eva
Dec. 12,1966
All About Eva

A drab, plain-jane woman lands on the island seeking privacy. The girls give her a beauty make-over to lift her spirits, and she ends up looking like Ginger's twin. While the castaways were hoping to lift her spirits enough so that she would want to return to civilization (she has a boat, but has hidden the key), she ends up leaving them on the island and going back to Hollywood to attempt to assume Ginger Grant's movie career.

EP13  And Then There Were None
Dec. 05,1966
And Then There Were None

One by one, all of the Castaways mysteriously disappear. Gilligan then dreams that he is Dr. Jekyll and Mr. Hyde. In the end, Gilligan rescues them from the hidden World War II munitions pit that they have all fallen into.

EP12  The Kidnapper
Nov. 28,1966
The Kidnapper

Someone kidnaps Mrs. Howell, Mary Ann, and Ginger, and then demands ransom money. The kidnaper turns out to be a compulsive gambler who fled civilization to avoid temptation. While the Castaways attempt to rehabilitate him, he ends up leaving the island, accompanied by Mrs. Howell's pearl necklace, Mr. Howell's wallet, and Ginger's earrings!

EP11  The Invasion
Nov. 21,1966
The Invasion

While fishing, Gilligan and the Skipper reel in a briefcase, stamped with the words ""Property of the U.S. Government."" Everyone believes that the case contains top secret government material. Gilligan accidentally handcuffs the briefcase to his wrist, and has a wild dream about secret agents, evil enemy spies, and deadly spy games!

EP10  Topsy-Turvy
Nov. 14,1966
Topsy-Turvy

Gilligan bumps his head and suddenly sees everything upside down. The Professor tries to help by brewing an antidote made of keptibora berry extract, but the antidote causes Gilligan to see double. After consuming more juice, he sees four of everything. Meanwhile, the island is invaded by three headhunters who slowly capture all of the other castaways. Gilligan saves the day by serving the headhunters lots and lots of keptibora berry extract, which causes them to see ""hundreds"" of castaways running toward them!

EP9  Ring Around Gilligan
Nov. 07,1966
Ring Around Gilligan

A mad scientist lands on the island, and makes the castaways work for him through the use of rings that, when placed on their fingers, cause them to fall under a hypnotic trance. What are his evil plans? To use the hypnotized castaways to rob Fort Knox!

EP8  Hair Today, Gone Tomorrow
Oct. 31,1966
Hair Today, Gone Tomorrow

Gilligan wakes up with white hair, and thinks he overhears the Professor say that he has a rare disease that has made him age quickly (the disease? ""follicular albinism""). When Mrs. Howell attempts to fix the problem by dyeing Gilligan's hair brown, the dye causes his hair to fall out. A classic line occurred as the other Castaways tried to act as though they don't notice Gilligan's baldness … Mrs. Howell's famous breakfast order: ""I think I'll have a hard-bald egg."" Later, the Skipper exhibits the same symptoms. The Professor determines the problems are caused by the crude bleach that Gilligan and the Skipper have been using while washing the castaways clothing.

EP7  Man With a Net
Oct. 24,1966
Man With a Net

Lord Beasley Waterford, a famous butterfly collector, lands on the island searching for the world's rarest butterfly, the pussycat swallowtail. While he vows that he will not leave the island until he has found his prey, the castaways eagerly try everything to persuade him to fire his flare gun early. He (like all of the other visitors to the island) leaves without sending help.

EP6  Where There's a Will
Oct. 17,1966
Where There's a Will

Mr. Howell revises his will, and leaves a large chunk of his estate to each castaway. They decide to throw him a party to show their appreciation, but when he overhears them talking about which one of them is going to have to ""cut the pigs throat"" he thinks they are planning to kill him in order to collect their inheritance. Later, he discovers that they have actually trapped a wild boar in an effort to serve him bar-b-que spareribs as a surprise.

EP5  Voodoo
Oct. 10,1966
Voodoo

A witch doctor makes voodoo dolls from the Castaways' personal objects, which he has stolen from their huts. Gilligan stumbles upon the hidden voodoo dolls and brings them back to the Castaways. He then fashions a voodoo doll in the likeness of the witch doctor, to fight fire with fire! Even though the Professor was turned into a motionless zombie for a short time, he refuses to acknowledge a scientific acceptance of voodoo.

EP4  The Producer
Oct. 03,1966
The Producer

Famous Hollywood director Herald Hecuba lands on the island during his world-wide talent search. The castaways put on a musical version of Hamlet in order to impress the director, with hopes that he will take them back to Hollywood when he leaves.

EP3  Pass the Vegetables, Please
Sep. 26,1966
Pass the Vegetables, Please

Gilligan finds a crate of radioactive vegetable seeds. The plants grow quickly and grossly misshapen, but the Castaways are so hungry for new items in their diet that they consume them quickly. The plants, when eaten, give the castaways super-human powers. Of course, after he realizes that the vegetables are radioactive, the Professor saves the day by making a homemade soup to absorb the radioactivity.

EP2  Gilligan vs. Gilligan
Sep. 19,1966
Gilligan vs. Gilligan

Gilligan meets his double, a foreign spy who has undergone plastic surgery in order to look like Gilligan (why, we're not sure!). Gilligan gets in lots of trouble as his double steals Mary Ann's pies, etc . . ..

EP1  Up at Bat
Sep. 12,1966
Up at Bat

Gilligan is bitten by a bat, and then dreams that he has turned into a vampire. Fortunately the Professor knows about bats (what DOESN'T he know about?!), and is able to identify the bat that bit Gilligan as a common red fruit bat, rather than a vampire bat.

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7.4 | TV-G | en | Comedy , Family | More Info
Released: 1964-09-26 | Released Producted By: CBS , United Artists Television Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

The slapstick adventures of hapless Gilligan, long-suffering Skipper and their gang of mismatched castaways, all stranded on an uncharted desert isle after their tiny ship hit stormy weather.

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Cast

Bob Denver , Alan Hale Jr. , Russell Johnson

Director

Sherwood Schwartz

Producted By

CBS , United Artists Television

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Reviews

nsequeira-50288 I have a love/hate relationship with this show. First, I'll tell you the good. Then, I'll tell you the bad. This is the good:This show is a good sitcom, one of the best sitcoms ever made. It has an original premise, all seven characters are unique and complex. This is one of Sherwood Schwartz's gems. He also made The Brady Bunch, a tasteless garbage fire of a boring white bread family lovey-dovey comedy. He made this one first, and I don't know how he could make a good sitcom like this and then go make The Brady Bunch. This one is at least interesting. This one is cool, classic, timeless. It has a good aesthetic. I can't believe Sherwood Schwartz made both of them. This one has some real jokes. This one has conflict.It's family friendly. My favorite character is probably The Skipper. He's funny because he's fat. Everybody else is also OK. The concept is relatively original, sort of like a contemporary Robinsonade. This TV show is, uh, really good. It's from back when TV was original and fun. I can sit through this sitcom because it's wacky and every episode is different, but it feels real. The colors are vibrant.Now for the part that I hate. mainly, that it's based off Robinson Crusoe, which was written centuries before this show. Robinson Crusoe was written back when people still hadn't gotten to California. It was written before the age of radar, motors, GPS, or the like. Gilligan's island is set in the present day (and by that I mean the sixties), when finding seven people on an island would be very easy. Thus, the whole premise of the show is absurd and laughable, and is such a plothole that it prevents you from enjoying very much else.The first episode is the only really believable one. Gilligan and Skipper go out on a raft to try to find help, then give up and end up back on the island. That's the only one that feels as if it's set in the real world. If I was stuck on an island, the first thing I'd do would be maybe try to build a raft and get off the island. That first episode is the only time we see any characters on the water, or trying to get off the island in any sort of way. The first season is the only one that feels all that real. The last two seasons are fantasy. Multiple people get on the island- but they always get amnesia, or something, and never bother to tell the world that there are seven people on the island. It's a bizarre coincidence which I prefer to call a plot device. These seven people never get off the island. Why not?Do they want to stay there? I don't think they do. They all have lives apart from being on the island. so why don't they ever try getting off? This show, behind all the jokes, is depressing. I don't like watching people suffer. It's not enjoyable. Mr. Howell, in one episode, is revealed to have been rumored to be dead back on the mainland, but an impostor tries to impersonate him and says that Mrs. Howell died on the Minnow. That's Creepypasta level horror. How can seven people just vanish without being noticed? Gilligan might not be noticed- Skipper might not be noticed- Mary Ann might not be noticed- Professor would probably be noticed, considering he's a genius- Mr. Howell would be noticed, considering he's a billionaire, and Ginger would be noticed, since she's a movie star and everything. What sort of universe does this take place in? Seven people disappear, and everybody just thinks they died? Nobody searches for them, or anything? That's ridiculous. It's not even Mary Celeste level perplexing. they're on an island. It's a pretty big island, as far as I can tell- and random islands don't just happen. Most Pacific islands are known about. I mean, they had satellites and stuff back in the Sixties! And airplanes! They didn't have Google Maps, but they weren't barbarians!But society as a whole isn't entirely to blame for this tragedy. The castaways themselves are just as much to blame. At any time, they could lash together a few palm trees and make a crude sailing vessel- not as good as The Minnow, but just enough to take them back to the Mainland. They act completely helpless. Over the course of the show, they make all kinds of things that real castaways would never need- washing machines, bathtubs, huts that rival huts in Florida- I mean, they can do all that, but they can't make a boat? That's nuts. The island has plenty of vegetation that they could use to get off- but they never do. Are they stupid?Yes, to some extent. Skipper says that he's good at ocean navigation, but never tries to save them or get them off the island. Gilligan is irritating and immature. Mary Ann knows almost nothing. Ginger is vain. Mr. Howell is selfish and egotistical. Mrs. Howell is just as bad. The Professor is the only smart one out of the bunch, and even he doesn't realize that they could just make a raft, so I don't really have much sympathy for him, either. This is a show about idiots suffering. I don't like idiots, but I can't stand watching them suffer, either. Of course, they're not really suffering- but they're isolated from civilization and they're broken husks of their former selves. This show is really very dark. The show could give a reason as to why they couldn't get off. The trees are all too heavy, and can't float, or the island has no trees, or something like that. Or maybe the island has a forcefield that's invulnerable to radar. I don't know. Just some sort of explanation. There never is any explanation.But what bothers me most of all- is that this show had really good potential for a series finale. In the finale, they could finally get off the island. In the last episode, do they get rescued? No, of course not. It's just another plot, like all the other ones. Why? If the show was ending, they should have resolved the main conflict- the conflict of them being on the island. That would have been a good ending. it would have wrapped up everything, made it all seem complete. Instead, they had to make a movie about them getting off the island- which isn't good. I just don't get it. If they had ended the conflict, that would be fine- because we'd know what happened to them. The good? Well, the dream sequences are fantastic- and serve to give the show some diversions away from the setting. My two favorite episodes are the one where they switch bodies and the one about the mutated vegetables. Alan Hale is funny. The theme song is catchy. That's it. That's what I can say about this show. I like it.
crendine I find this show to be an absolute original classic. Why else would it have spanned 6 decades to date. The plot is very original and is actually a social microcosm of the time (the 1960's). Granted, many shows from this era were on the silly side (Munsters, Addams Family, I Dream Of Jeannie, and even Batman). The really outstanding element of this show is how well it was cast. All 7 cast members are very convincing and their chemistry is outstanding. I'm the first to admit that some of the humor is silly. But some of it is not. It also falls under the banner of TV sitcoms with a very catchy soundtrack. The guest stars on this show were very entertaining for the most part (including a very young Kurt Russell). In my opinion, I don't believe that there has ever been a more scrutinized, criticized, nor analyzed show in the history of television. The very exaggerated detail that's questioned is what makes it funny (ie for a 3 hour tour, the Howells are carrying about 30 million dollars). Besides: if they have THAT much money, why are they on a 3 hour tour when they should be sailing on one of their own yachts? See what I mean? To me, there will never be another Gilligan's Island, Honeymooners, or I Love Lucy simply because they are timeless classics.
jlivesay2010 I have been watching this show forever. Its a great show I got the first 2 seasons when I was in the 8th grade for Christmas. Then my fresh min year for Christmas I got the 3rd season. With my favorite episode I cant decide because all 98 episodes have there own specialties. You can learn a lot from some of the episodes when you think about it. Its just a shame the show didn't try going for a fourth season. Gilligan is my favorite character because hes the one who makes the show. The 2 movies that were made about them years later were good to. But what did curious me about this show is if Mary Ann got the Professor and Ginger got the Skipper then who had Gilligan. Anyone who hasn't seen this show should watch it. I am sure everyone that has watched it has got some kind of big kick out of it. Its one of my favorite TV shows and always will be.
John T. Ryan A Quantum Leap in the Evolution of the Sitcom. Honest, really, no sh*t! Little old GILLIGAN'S ISLAND! It's considered to be much funnier than NOVA.Jerry Van Dyke has often mentioned in his appearances on our Late Night talk shows how he had turned down the Title Role of Gilligan, but had accepted the lead in "MY MOTHER, THE CAR"(NBC, 1965-66). Oh well, HE moves in mysterious ways; for thanks to the Good Lord for allowing that questionable career move, or we may not have had the pleasure of Jerry as Luther Van Dam, Asst. Football Coach to Craig T. Nelson's Hayden in "COACH" (1989-97).To comment on the Gilligan phenomenon, we first should take an overview of the TV Sitcom.Born out of necessity, following the shot gun marriage of the old silent and sound two reeler Comedies and the Radio's Comedy series. The Sitcom has been with us ever since the dawn of commercial Telecasts in the 1940's. (The first commercial TV stations were licensed in 1940, but development of the medium was delayed by a little event called World War II.) Some of our earliest series were THE BUSTER KEATON SHOW (1950) ,THE COLLEGE BOWL (1950-51) with Chico Marx and the HANK McCUNE SHOW (1950-53). Hank who (?), we hear you ask.We couldn't find a more obscure name and title if we tried, but on his show, Hank McCune initiated a feature that was found to be an indispensable tool and an outright necessity to all of the comedy series that would follow. And that invention would be the use of the "technically augmented audience reaction", the Recorded Laugh Track.So when the GILLIGAN show hit the TV screen via CBS in 1964, the Television industry had some 15 years or so experience in producing these "ha-ha-ha" sitcom shows that they surely did some studying of what flew and what bombed. Slowly, some variation began to show. Some were successful and others were canned early, their innocuous plot lines and characters to spend their lives in a sort of Limbo of forgotten series.GILLIGAN seems to have done things just a little different. First of all, there were seven (7), count 'em folks, seven regular characters, and everyone was worked into the stories each week. Of course the 7 castaways were the only people on the Island; if one doesn't count the hundreds of temporary visitors who had come and gone their way, week to week.In any play, be it live on stage or a filmed episode, be it comedy or any drama, there is a certain need for exposition and having the story line propelled along its way. So that in a sitcom, each scene should serve some such purpose; and be there not just making for funny dialog and situations. (If you think that there is no such thing as trying to be too funny, just watch an old silent film of comedian Larry Semon.) Once again in getting back to GILLIGAN'S ISLAND, we contend that this series made an additional improvement on the use of the short, little comedy vignettes. In the GILLIGAN Show, the little scenes are devised to bring all of the characters into play, one or two at a time. They also made use of comical situations to move the story along. But they were fashioned in a manner so as to be able to virtually stand on their own without the rest of the story. (Not that there would be any call for a 3 to 4 minute comedy film!) The other achievement of the Production Staff of GILLIGAN'S ISLAND is one that they most probably did not accomplish on purpose. And that would be (My Theory) that in fashioning the short scenes in this manner, almost always using regular characters well known to viewers, have created the celluloid equivalent of the Daily Newspaper Comic Strip. This strong similarity in form and literary device is most apparent in comparing GILLIGAN to the 3 or 4 panels of daily strips like: MUTT & JEFF, BRINGING UP FATHER (Maggie & Jiggs), BLONDIE, BEETLE BAILEY, MOON MULLINS and even PEANUTS (with good ol' Charlie Brown.).Otherwise, the series ranks very high on the all time list of the Situation Comedy and was the subject of several "back-to type of Made-for-TV Movies as well as animated series of "THE NEW ADVENTURES OF GILLIGAN.