New York: A Documentary Film

New York: A Documentary Film

1999
New York: A Documentary Film
New York: A Documentary Film

New York: A Documentary Film

9.1 | en | Documentary

This eight-part, 16½-hour television event explores New York City's rich history as the premier laboratory of modern life. A sweeping narrative covering nearly 400 years and 400 square miles, it reveals a complex and dynamic city that has played an unparalleled role in shaping the nation and reflecting its ideals.

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Seasons & Episodes

1
EP8  The Center of the World (1946–2003)
Sep. 08,2003
The Center of the World (1946–2003)

Examines the rise and fall of the World Trade Center -- from its conception in the post-World War II economic boom, through its controversial construction in the 1960s and 1970s, to its tragic demise in the fall of 2001 and extraordinary response of the city in its aftermath.

EP7  The City and the World (1945–2000)
Oct. 01,2001
The City and the World (1945–2000)

In exploring the social, economic and physical forces that swept through the city in the post-war period, Episode Seven examines the great African-American migration and Puerto Rican immigration of the '40s, '50s, and '60s; the beginnings of white flight and suburbanization; and the massive physical changes wrought by highways and urban renewal -- all of which were directed, to a surprising degree, by one man: Robert Moses. The film comes to a climax with the destruction of Penn Station, the battle over the Lower Manhattan Expressway, the social and fiscal crises of the '60s and '70s, and New York's miraculous revival in the last quarter-century.

EP6  City of Tomorrow (1929–1941)
Sep. 30,2001
City of Tomorrow (1929–1941)

In little more than ten years, immense new forces were unleashed in New York, from the Depression itself to the New Deal, which permanently altered the city and the country. Along the way, two of the most remarkable New Yorkers of all time came to the fore: Mayor Fiorello La Guardia and master builder Robert Moses, both of whom attempted to create, in the darkest of times, a bold new city of the future. The episode examines their careers in detail, as well as the immense public works that transformed the city in the '30s. Also explored are the demise of Mayor Jimmy Walker, the coming of the New Deal, the fate of Harlem during the Depression, and the increasingly complex impact of the automobile on the city.

EP5  Cosmopolis (1919–1931)
Nov. 18,1999
Cosmopolis (1919–1931)

In this short but dazzling period, New York became the focal point of an extraordinary array of human and cultural energies, reaching its highest levels of urban excitement and glamour. In just over a decade, New York gave birth to its signature skyscrapers, the Chrysler and Empire State Buildings, and to artistic creations like F. Scott Fitzgerald's THE GREAT GATSBY, George Gershwin's "Rhapsody in Blue," and to the jazz compositions of Duke Ellington and Louis Armstrong. Along the way, Harlem emerged as the undisputed capital of the African- American experience and the new media industries of advertising, radio networks, public relations, and magazines found their homes in midtown Manhattan.

EP4  The Power and the People (1898–1918)
Nov. 17,1999
The Power and the People (1898–1918)

As New York spilled into the new century, the extraordinary interplay of capitalism, democracy and transformation surged to a climax. During a single generation, over 10 million immigrants arrived in New York. The city itself became an even more dramatic lure with the construction of the first subways and skyscrapers. And arising from the plight of New York's most exploited citizens came landmark legislation that would eventually transform the lives of all Americans.

EP3  Sunshine and Shadow (1865–1898)
Nov. 16,1999
Sunshine and Shadow (1865–1898)

Now the spotlight shines on the growth, glamour and grief of New York during America's giddy postwar "Gilded Age." Exploring the incomparable wealth of the robber barons and the unabashed corruption of political leaders, such as Tammany Hall boss William M. Tweed, the episode examines the era when the expansion of wealth and poverty -- and the schism between them -- built to a crescendo. The program ends as the city itself dramatically expands its boundaries, annexing Brooklyn, Queens, the Bronx and Staten Island into a single massive metropolis -- Greater New York.

EP2  Order and Disorder (1825–1865)
Nov. 15,1999
Order and Disorder (1825–1865)

Already established as America's premier port, New York City swelled into the nation's greatest industrial metropolis as a massive wave of German and Irish immigration turned the city into one of the world's most complex urban environments, bringing with it a host of new social problems. Episode Two reveals how the city's artists, innovators and leaders, from poet Walt Whitman to Frederick Law Olmsted and Calvert Vaux (the designers of Central Park) grappled with the city's growing conflicts -- which culminated in the catastrophic Civil War Draft Riots of 1863.

EP1  The Country and the City (1609–1825)
Nov. 14,1999
The Country and the City (1609–1825)

The series begins by identifying the key themes that shaped New York's history: commerce and capitalism, diversity and democracy, transformation and creativity. The episode charts the development of the city founded by the Dutch as a purely commercial enterprise, first as New Amsterdam, a freewheeling enclave of trade and opportunity; then as the British New York, a colony fueled by slavery which was bestowed as a birthday gift upon the Duke of York by his brother, King Charles; soon after as a strategically pivotal locale in the American Revolution; and ultimately as the city of New York: the nation's first capital and the place destined to define urban life in America -- and American ideals.

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9.1 | en | Documentary | More Info
Released: 1999-11-14 | Released Producted By: GBH , Thirteen Country: Budget: 0 Revenue: 0 Official Website: http://www.pbs.org/wnet/newyork/
Synopsis

This eight-part, 16½-hour television event explores New York City's rich history as the premier laboratory of modern life. A sweeping narrative covering nearly 400 years and 400 square miles, it reveals a complex and dynamic city that has played an unparalleled role in shaping the nation and reflecting its ideals.

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The tv show is currently not available onine

Cast

David Ogden Stiers , Mike Wallace

Director

Buddy Squires

Producted By

GBH , Thirteen

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Reviews

bananafisher I like New York. I think it is a fascinating city, one of the earliest skyscraper cities of the West, one of the most cosmopolitan and dynamic places, and I don't really care about the slow pace of the documentary, but really, to tolerate the sheer number of ludicrous statements in every chapter is too much for me. Whatever the subject, be it the amount of immigrants, the speed of construction, even the metro system, everything is in superlative. Hearing those 'historians' speaking about New York one might think there has never been urban history outside of it. It is always the best, the most, the densest, unheard of, unparalleled and etc. I mean, there are many valid points to make, as New York was a kind of first vertical metropolis of the West but the constant gratuitous exaggeration of everything annoyed the hell out of me. In episode 4 I hear one of the historians saying that those immigrants from Russia where (I am paraphrasing) nothing has changed much from the medieval times suddenly found themselves in the most modern city on Earth. Really? I mean, Russia wasn't the most advanced state in the end of the XIXth century, but it was still one of the biggest empires and Saint-Petersburg was one of the most beautiful cities in Europe. Or when they say that the density of population of East Harlem was the biggest ever seen in the history of humanity. Wow, why not in the history of the universe? Why be so modest? These constant exaggerations really spoils what is otherwise an interesting deep insight into the urban history of the Western immigrant culture.
Rafael Azize Touching, well-researched and featuring great contributors. I couldn't recommend strongly enough the 6th and 7th parts, where an analysis is made of how the urbanistic principles of modernism (Le Corbusier) were fiercely implemented in NY, and from there almost worldwide. Men like Robert Moses took away from us the streets which used to be ours to live, rendering them to cars, monofunctional buildings and monofunctional "zones". The result, a couple of decades later, is that our cities are no longer organic entities where different social actors interact, for good and for worse, in each of its parts, but are socially divided and made into machines, each zone with its specific function, separated from each other by non-places designed for mobility. The saying that what matters is the journey itself took a cruel turn in this ideology: for the journey was made into an experiential nullity. Don't miss also, in the 7th part, activist Jane Jacobs, who fought back.
acton_bell01 While Ric Burns' documentary has been lauded for its comprehensive overview of NYC's history, it contains a number of unfortunate historical errors. Most of these are minor (saying, for instance, that Henry Hudson arrived in New York harbor in 1610 when it happened in 1609), but when they pile up, sentence upon sentence, episode after episode, it makes one wonder who fact-checked this series. More importantly, it makes the entire production suspect. If some of the facts are definitely wrong, how many others are wrong, too?
dlieb777 This documentary (7 DVD's) takes you from the beginning of New York City as a Dutch colony to somewhere around 1990. Unfortunately, much of the wonderful photography of the modern skyline is tragically dated, since the project was completed well before September 11th, 2001.Regardless, what this documentary does best is to give you an insight into the most important personalities that shaped this city, e.g., Robert Moses, Al Smith, LaGuardia, Stuyvesent, etc. As a viewer, you get a feel for what it was like to live during all of the periods that were covered. The real detail of the series ends around 1970, so its better for covering earlier New York History.