Polka Dot Door

Polka Dot Door

1971
Polka Dot Door
Polka Dot Door

Polka Dot Door

7.6 | en | Family

Polka Dot Door was a long-running Canadian children's television series produced by the Ontario Education Communications Authority from 1971–1993. PDD was created and developed by a team of employees from TVOntario hired and led by original series producer-director, Peggy Liptrott. Significant contributors to the creation and development of the series in 1971 included Executive Producer Dr. Vera Good who laid the conceptual foundation of the show, Educational Supervisor, Marnie Patrick Roberts, Educational Consultant L. Ted Coneybeare, Script Writers/Composers, Pat Patterson and Dodi Robb, Animator Dick Derhodge and Dr. Ada Scherman, a professor at the prestigious Institute of Child Study in Toronto who was consulted in the early stages of PDD's development and is responsible for giving the show its name.

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22
1
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EP383  Episode 383 - Finale
Jul. 27,1993
Episode 383 - Finale

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7.6 | en | Family , Kids | More Info
Released: 1971-01-01 | Released Producted By: TVO , Country: Canada Budget: 0 Revenue: 0 Official Website:
Synopsis

Polka Dot Door was a long-running Canadian children's television series produced by the Ontario Education Communications Authority from 1971–1993. PDD was created and developed by a team of employees from TVOntario hired and led by original series producer-director, Peggy Liptrott. Significant contributors to the creation and development of the series in 1971 included Executive Producer Dr. Vera Good who laid the conceptual foundation of the show, Educational Supervisor, Marnie Patrick Roberts, Educational Consultant L. Ted Coneybeare, Script Writers/Composers, Pat Patterson and Dodi Robb, Animator Dick Derhodge and Dr. Ada Scherman, a professor at the prestigious Institute of Child Study in Toronto who was consulted in the early stages of PDD's development and is responsible for giving the show its name.

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strachansi While I was never personally a fan of the show, even though my Gramma created the Polkaroo costume, I do understand that it was for preschoolers. Clearly the show had fans, it ran for two decades. I can, however, relate to those who, even as children, found it annoying. I was one of those kids. The songs, the stories, AND the so much more really got under my skin. It wasn't long before I realized, though, that there were kids out there who really loved Polk, and the whole concept of the show. It is for this reason that, like it or not, I have a very deep appreciation for what the show, and my Gramma (Tanya Petrova, now deceased), did for all those kids. May you always hold those memories dear to your hearts. S. Strachan
Electrified_Voltage It appears that "Polka Dot Door" started out fifteen years before I was born, but ran for over twenty years in total. I first saw it at a very early age, and think I saw reruns of it shortly after its demise (even though I may not have liked it as much by then, as I may have been slightly past the age group it was meant for). It may not have been one of my childhood favourites, but I still found it entertaining for a while, enough for me watch many episodes, leaving me with permanent memories.The show featured two hosts, one male and one female. The hosts of the show would change from time to time. It took place inside a large playhouse, which the hosts would enter through the Polka Dot Door. The two hosts of the episode would provide the young viewers with "songs, stories, and so much more." A group of stuffed toys, Marigold, Humpty, Dumpty, and Bear, lived in this playhouse. After the hosts came in, they would take these stuffed toys out of the box and do various activities with them. Towards the end of the episode, the Polkaroo (a mischievous kangaroo in polka dots who never said anything other than "Polkaroo!") appeared just outside the playhouse.Some parts of that description may sound a bit silly, but remember, this was a programme for the very young folk, and despite how incredibly simple it was, it pleased many of those in the age group it was meant for in Canada, as well as some in the United States! It could also be educational for them in some ways. Since the show ran for over twenty years, it was obviously very successful, and people from several generations can say they watched it during an early part of their childhood! For all those reasons, "Polka Dot Door" definitely deserves some credit.
Lee Edward McIlmoyle I see a number of commentors over the year have felt the need to lambaste this perfectly innocent program. The central themes were about playing fair and making believe, and if it seems to be a simple premise, I'd like to hear where a sophisticated premise was used for a children's show that succeeded. The age group this show was created for was essentially preschool to kindergarten, and managed to coexist with the likes of Mr. Rogers and Sesame Street for decades, so it couldn't have been that gawdawful.I seem to remember the show was a sweetly naive little half hour of kindergarten teacher types directing 'children' who were really toys how to behave together. This may regarded as insidious socialization, but it was created and ran through the very liberal 70s, so that claim is paranoid anti-government nonsense.As for this show having no child actors, the toys made perfect surrogates, both because they were portrayed as childlike and because they reinforced the notion of abstraction necessary to allow children to see themselves in the same position. That level of abstraction was a necessary ingredient to instructing children to use their imagination.As well, shows that primarily feature children often ran afoul of one of two problems with child stars: amateurs and professionals. The amateurs couldn't be relied upon to react properly to the puppets and toys, and the professionals come off so rehearsed and plastic as to be offensively unbelievable.In the end, it's an argument over which philosophy for child education yields the best results. Personally, I don't think children's shows have been improved upon appreciably since the 70s, when at least diversity and imagination were openly encouraged, and the moral lessons were delivered a little more clearly without the obsequious and nauseating touchy feelie performances modern children's shows tend to use in lieu of actually explaining things to children. The assumption that children cannot or should not be told anything not relevant to playing in the schoolyard is utter nonsense.With that in mind, I'd like to offer that The Polka Dot Door was actually a wonderful preschool children's show which hasn't been improved on by the likes of The Teletubbies.
cattygurl This show was great, maybe someone can't appreciate it because they're used to nonstop crap being pummeled at them through their countries shows. I found this site searching for the seasons to buy, for my 3 kids. This show made kids use their minds and imaginations as opposed to most of the cartoon or mind numbing shows that are on now. And it was from Canada - but how can it compare with jewels like KFed and Brit from your great country, I guess. Loved this show when I was a kid, I know lots of other people did too. I wish I could find some toys and memorabilia to buy, all of the shows that were on when I was little were so much better than the majority of stuff now.