Public Morals

Public Morals

2015
Public Morals
Public Morals

Public Morals

6.9 | en | Drama

Set in the early 1960's in New York City's Public Morals Division, where cops walk the line between morality and criminality as the temptations that come from dealing with all kinds of vice can get the better of them.

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Seasons & Episodes

1
EP10  A Thought and a Soul
Oct. 20,2015
A Thought and a Soul

The streets of Hell's Kitchen run red with the blood of the Irish Mafia, as the west side war comes to a head. Muldoon treats Christine to a night on the town, and makes a decision. Duffy gets surprising news from Deirdre. As Bullman's feelings for Fortune intensify, he's forced to make a decision about their relationship.

EP9  Starts with a Snowflake
Oct. 20,2015
Starts with a Snowflake

Muldoon gets a surprising tip. Patton is officially done with Rusty and starts making moves. Christine makes plans to leave Hell's Kitchen, with or without Muldoon. Deirdre gets unexpected news that forces her to look at her relationship with O'Bannon.

EP8  No Crazies on the Street
Oct. 13,2015
No Crazies on the Street

Muldoon must make a final decision about whether Shea should be in Public Morals and puts him to the test. Kane finally returns to Hell's Kitchen, and it is soon a race between Rusty and Kane to get to each other first.

EP7  Collection Day
Oct. 06,2015
Collection Day

Muldoon juggles tensions at home with his family, warns Latucci about his relationship with the Moose, while also pursuing the Pattons. Lt. King helps out an old flame and assembles some fellow officers to take care of a situation. Kane and Hopkins have been hiding upstate and plot their revenge. Patton questions his brother's loyalty as tensions rise.

EP6  A Good Shooting
Sep. 29,2015
A Good Shooting

While looking for a killer, Muldoon and Bullman find themselves in the line of fire. Sgt. Mike invites Patton out to visit him to gain traction with the Mr. O investigation. O'Bannon is put to the test when Muldoon includes him in a pursuit.

EP5  A Token of Our Appreciation
Sep. 22,2015
A Token of Our Appreciation

Rusty takes revenge after making a major discovery. Muldoon steps in when Latucci's friendship with a well-known Italian Mobster is questioned. Bullman's relationship with high-end call girl Fortune is further complicated. Smitty quickly discovers that being a boss brings unexpected danger.

EP4  Ladies Night
Sep. 15,2015
Ladies Night

Muldoon and Latucci take their wives on a double date, using the perks of the job to have a night on the town. Shea is partnered for the night with O'Bannon, who has some fun at Shea's expense when arresting a couple of hookers. Kane takes the first step in avenging Mr. O's death.

EP3  O'Bannon's Wake
Sep. 08,2015
O'Bannon's Wake

Mr. O's wake brings together Muldoon and the west side Irish Mob, where Muldoon and Patton agree to meet and discuss the case. Also, Muldoon gets a tip about a high stakes, illegal card game run by the Italian Mob.

EP2  Family is Family
Sep. 01,2015
Family is Family

Muldoon is tasked by his Aunt Kay to find the person behind his uncle, Mr. O's murder. Mr. O's son, Sean O'Bannon, also a Public Morals officer, starts a romance with best friend Duffy's sister, Deirdre. Shea gets a taste of the fun side of working in Plainclothes when Bullman takes him to a private, illegal casino.

EP1  A Fine Line
Aug. 25,2015
A Fine Line

In early 1960s New York City, Officer Terry Muldoon runs the Public Morals Division, a plainclothes unit of the NYPD whose job it is to police vice crimes such as gambling and prostitution. Muldoon juggles various situations and struggles to raise his family in the increasingly violent Hell's Kitchen neighborhood.

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6.9 | en | Drama , Crime | More Info
Released: 2015-08-25 | Released Producted By: Amblin Television , Marlboro Road Gang Productions Country: United States of America Budget: 0 Revenue: 0 Official Website: https://amblin.com/tv/public-morals
Synopsis

Set in the early 1960's in New York City's Public Morals Division, where cops walk the line between morality and criminality as the temptations that come from dealing with all kinds of vice can get the better of them.

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Cast

Edward Burns , Michael Rapaport , Katrina Bowden

Director

Producted By

Amblin Television , Marlboro Road Gang Productions

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Reviews

vanettelstarr Sometimes, the commercials and the early build up is better then the actual experience. this is not the case here, as I thought it was better than the build up! This one gets my standing ovation for not being a "loser" series, like so many remake, make over and redone series, of late, which we're being bombarded with, over the last decade. Anyone can take a book or a movie and turn it into a slow role, fall asleep as yo go, TV series. This is all new material and doesn't feel recycled, even though its period and loosely based on past "plain clothed cops" in the big city. There are lots of surprises. Should be top of the line, highly rated TV series for many seasons to come, if there are no politics involved. Has the feel of several movies of this period, but seems to have real originality in that it may be taking from true criminal case files. I guess I should do some research, because I'm not sure of the background for the material. Not knowing, however, thats a draw for me. I do know, though, that for me, I always enjoy knowing a story has a link to a true crime, somewhere? I hope to see this as one of the draws, as this creates a dynamic feel. So far, I can see so many ways this type of series can go, and because it's period, there is numerous possibility for going forward in terms on chronological adventure. The writers are top notch, already accredited rights in their own field; nice character development as the plot and characters have plenty of well thought out preparation, execution and follow through, while actors chosen for each character is well cast and plenty of room for more diversity, plus every one of these people are a group of fully accredited and seasoned actors,with all of their own following, so no need for much "selling" or marketing, in this department. I do like how they've taken nostalgia and redressed it to look as if its a little further along in the forensics and policing field. I think we will see the writers pushing the envelope in other ways, as well, which will be adding a new slant on good times to be had by all in the late 60's early 70's as well as all the drama and social unrest felt during this period. Which reminds me, noted that there is diverse set of circumstances and social standings in the story line, family, group, etc... so a vast representation of all strata of cultures and morals situations will arise. We see where the first season has set up so many different pathways for the next season to follow, that I think there will excitement to be had in the writing room. This series is strong, diverse, dynamic, shows an inside slant on what unclothed officers might have done or could do in their position and how it might affect all around them, while giving us nostalgia to draw in all types of viewers, young and old. I enjoy that it feels edgy...no time for getting popcorn! The series Public Morals will gain public ovation, so forget popcorn! You'll be too into the story and each new weekly installment!
kareng81 I wanted to love this series. I was even an extra in three of the episodes and I love era pieces. I binge watched the entire series on TNT over Labor Day when all episodes were made available and I was truly disappointed. Had all the episodes not been available I probably would have quit after the third episode. Some really great character actors and some great set design and wardrobe but the story line did not interest me. perhaps Ed Burns should have focused on either directing or acting and perhaps employed some professional screenwriters who know how to carry episodic television. The actors were great, Brian Dennehy, Michael Rappaport, Kevin Corrigan, Keith Nobbs. Tim Hutton, Elizabeth Mascucci but the lines they delivered were just not interesting or even that believable. On an ecoomic level for NYC and for some BG acting days, A second season would be nice I just wont be watching.
MamiyaPress I really wanted to like this show a lot more than I did. Found the characters to be rather one-dimensional and stereotypical. Acting is spotty and production leaves something to be desired. Writing is uninspired, dialogue is cliché and story seems predictable - not expecting too many surprises going forward... Hope they can turn this one around 'cause it actually could have the potential to be an interesting a new twist on the ubiquitous "TV Cop Drama" genre if it were done right... Not to mention, (and now I'm just nitpicking) how do you start a show about the police "set in the early 1960's in New York City" with a song by The Doors?
sofianabelle I decided to give Public Morals a shot and I was not disappointed. This show is great! It feels authentic to the times, everything from the accents to the set. Not too overdone either, it doesn't look costume-y nor doesn't it feel like they are trying to hard.Basically the show is about cops in the 60's and how they deal with crime. Actually, most importantly, it's about how they are a part of crime. They play the line between cops and criminals. Just in the first episode we see them taking bribes, lying, playing illegal games, etc. Yet (so far) they seem like good cops when it matters.I see it as a show about how people dealt with crime in a time when the law was too restrictive to be enforced. Even gay bars were illegal! These cops are trying to keep the city in order, knowing the law as it is can not be properly enforced. Of course there are some points that cross the line and have us wondering on which side they actually stand.With plenty of good characters, Public Morals explores not only the crime scene in 1960's New York, but also the family life, values, and the sense of morality of the times.The show has an interesting premise, and I for one am excited to see where it goes.