Simon Schama's Power of Art

Simon Schama's Power of Art

2006
Simon Schama's Power of Art
Simon Schama's Power of Art

Simon Schama's Power of Art

8.5 | en | Documentary

Documentary series in which historian Simon Schama recounts the story of eight moments of high drama in the making of eight artistic masterpieces.

View More
AD

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now

Seasons & Episodes

1
0
EP8  Rothko
Dec. 07,2006
Rothko

Born in Dvinsk, Russia (now Daugavpils, Latvia) Rothko moved with his family to Portland, Oregon in 1913. His painting education was brief - he moved to New York to study under the artist Max Weber and then struck out on his own. Rothko is known for his abstract expressionism paintings, but he moved through more traditional styles in his early career, including Surrealist paintings in the 1940s. In 1947 he embarked on the first of his large abstract 'colour-field' paintings, formalising their structure further in the 1950s. Rothko had huge success with largescale solo shows, but committed suicide in 1970.

EP7  Picasso
Nov. 30,2006
Picasso

Born in Malaga, Spain, Picasso's many styles and prolific work rate have marked him out as one of the most recognised artists of the twentieth century. Not limited to one medium he created sculptures, etchings and prints. His artistic career only began to boom once he moved to Paris in the early 1900s. His Blue Period, reflecting the colour and his mood at the time was followed by his Rose Period, work inspired by primitive art and then Cubism, which shocked the critics, but ultimately made his name. Guernica (1937) was created during Picasso's Surrealist period and captures the horror of the bombing of the Basque town of Guernica during the Spanish Civil War. By the end of World War II, Picasso had become an internationally known artist and celebrity.

EP6  Van Gogh
Nov. 23,2006
Van Gogh

Born in Groot-Zundert, The Netherlands, Van Gogh spent his early life as an art dealer, teacher and preacher in England, Holland and Belgium. His period as an artist began in 1881 when he chose to study art in Brussels, starting with watercolours and moving quickly on to oils. The French countryside was a major influence on his life and his early work was dominated by sombre, earthy colours depicting peasant workers, the most famous of which is The Potato Eaters, 1885. It was during Van Gogh's studies in Paris (1886-8) that he developed the individual style of brushwork and use of colour that made his name. In 1888 he moved to Arles where the Provençal landscape provided his best-known subject matter. However, it also marked the start of his mental crisis following an argument with his contemporary Paul Gauguin. Van Gogh was committed to a mental asylum in 1889 where he continued to paint, but he committed suicide in 1890.

EP5  Turner
Nov. 16,2006
Turner

One of Britain's most celebrated artists, Turner showed exceptional artistic talent from an early age and entered the Royal Academy aged fourteen. His English landscapes made his name but there was a darker side to his paintings that was difficult for the critics to swallow, both in the increasingly informal use of paint and the subject matter that was critical of the romanticised vision of Britain in the late nineteenth century. Turner bequeathed 300 of his paintings and 20,000 watercolours and drawings to the nation. He led a secretive private life. He never married, but had a mistress and fathered two children. He died in a temporary lodging in Chelsea, under the assumed name of Booth.

EP4  Jacques-Louis David
Nov. 09,2006
Jacques-Louis David

Born to a wealthy Parisian family, Jacques-Louis David was aged seven when his father was shot dead in a pistol duel. Brought up by his uncles, his desire was to paint and he was eventually sent to his mother's cousin, Francois Boucher, the most successful painter in France at the time. Painting became an important means of communication for David since his face was slashed during a sword fight and his speech became impeded by a benign tumour that developed from the wound, leading him to stammer. He was interested in painting in a new classical style that departed from the frivolity of the Rococo period and reflected the moral and austere climate before the French Revolution. David became closely aligned with the republican government and his work was increasingly used as propaganda with the Death of Marat proving his most controversial work.

EP3  Rembrandt
Nov. 02,2006
Rembrandt

Born to a family of millers in Leiden, Rembrandt left university at 14 to pursue a career as an artist. The decision turned out to be a good one since after serving his apprenticeship in Amsterdam he was singled out by Constantijn Huygens, the most influential patron in Holland. In 1634 he married Saskia van Uylenburgh. In 1649, following Saskia's death from tuberculosis, Hendrickje Stoffels entered Rembrandt's household and six years later they had a son. Rembrandt's success in his early years was as a portrait painter to the rich denizens of Amsterdam at a time when the city was being transformed from a small nondescript port into the economic capital of the world. His historical and religious paintings also gave him wide acclaim. Despite being known as a portrait painter Rembrandt used his talent to push the boundaries of painting. This direction made him unpopular in the later years of his career as he shifted from being the talk of the town to becoming adrift in the Amsterdam art scene and criticised by his peers.

EP2  Bernini
Oct. 26,2006
Bernini

Born in Naples, Bernini was an exceptional talent from an early age and went on to dominate the art world of 17th century Rome. His work epitomised the Baroque style and his sculpture, church interiors and exteriors and town planning could be seen everywhere. He was also a painter, playwright, costume and theatre designer. Bernini worked under successive Popes; Pope Gregory XV made him a knight and Pope Urban VIII took him as his best friend. He was revered in his time until a jealous rage caused him to have the face of his mistress slashed after discovering her romance with his brother. His reputation fell further after his bell towers for the Cathedral of St Peter's started cracking in 1641. He redeemed himself and kick started his career again with arguably his most famous work, The Ecstasy of St Theresa, in 1652.

EP1  Caravaggio
Oct. 19,2006
Caravaggio

Michelangelo Merisi left his birth town of Caravaggio in the north of Italy to study as an apprentice in nearby Milan. In 1593 he moved to Rome, impatient to use his talents on the biggest stage possible. Caravaggio's approach to painting was unconventional. He avoided the standard method of making copies of old sculptures and instead took the more direct approach of painting directly onto canvas without drawing first. He also used people from the street as his models. His dramatic painting was enhanced with intense and theatrical lighting. Caravaggio's fate was sealed when in 1606 he killed a man in a duel. He fled to Naples where he attempted to paint his way out of trouble, he became a Knight, but was then imprisoned in Malta and then finally he moved to Sicily. He was pardoned for murder in 1610, but he died of a fever attempting to return to Rome.

SEE MORE
SEE MORE
8.5 | en | Documentary | More Info
Released: 2006-10-19 | Released Producted By: , Country: United Kingdom Budget: 0 Revenue: 0 Official Website: https://www.bbc.co.uk/programmes/b006ml08
Synopsis

Documentary series in which historian Simon Schama recounts the story of eight moments of high drama in the making of eight artistic masterpieces.

...... View More
Stream Online

The tv show is currently not available onine

Cast

Simon Schama

Director

Producted By

,

AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Reviews

surangaf This is a fake series on several levels. It features Simon Schama, whose credentials as an historian have been long suspect, and who has no credentials at all as an art critic with any aesthetic sensitivity. Instead he has a substantiated record as a propagandist, for modern western establishment and regimes, especially as a war mongering one. As for the content, series has less to do with works of art themselves, but is more concerned with retelling of anecdotes, of very doubtful veracity, about artists, their patrons, and rivals. These anecdotes, some of them entertaining, were obviously selected to prejudice the viewer favorably, or unfavorably, according to views of Schama or his producers. Anecdotes are illustrated with badly acted reenactments. In contrast, artworks themselves are shown only in badly lighted very short cuts. As an example, take episode on Bernini and 'Ecstasy of St Theresa'. It has lots of ad hominem attacks against the sculptor (and his patron popes and cardinals) through unsubstantiated anecdotes, but sculpture (which is a whole chapel in fact) is never shown in full on location. Its relations to other art works at the time or before (word 'baroque' is never used even to discard it), its composition from variety of media and materials, and its methods and techniques of creation, are barely referred to, if at all. While reference is made to St Theresa's own words which inspired the work, Schama seems to be unaware of the long tradition in Roman Catholic Church (and outside) of equating physical ecstasy and sexual union, with Divine Love. St. Theresa's words, while better expressed, are in line with that tradition, and with words of other saints, but this episode erroneously paint them as exceptional, and even unique.
jv-20 Watching a documentary like this one you can't help but think of Schama as a sort of English version of "Carl Sagan" for the artistically curious. Although shot on a relatively big budget for this kind of documentary with an impressive BBC collaboration of cinematography, editing,and writing, subjectivity permeates the entire film. The choice of works is compelling and to his credit Schama does offer deep and powerful insights into the artists and art itself, but his own tastes and biases become apparent the longer you watch. He seems to have a slight disdain for the Italians and the French, and the portrayal of Caravaggio was laughable, thrusting swords repeatedly into the camera like a drugged, hippie freak. And calling Bernini a "bastard" for avenging his mistress and brother without fully explaining the context of the period he lived in is not exactly the professional tone of an art historian. Schama then seems to gush over British Turner and American Rothco unapologetically.The re-enactments were very melodramatic (especially the music) and other performances that were over the top were Van Gogh in particular. All art is indeed subjective but when Schama tries to balance populism and academics the result can sometimes be a little shaky. He glosses over many important stories and works of the artists' lives confidently in search for a truth without admitting the art historian cannot accurately know everything about events that happened long ago. Art doesn't need to necessarily be political or propaganda-driven to be powerful, and anyone who watches this believing these eight works of art are the the most 'powerful' in history (according to Schama) would be hopelessly mistaken. But it is worth watching.
LBJefferies Whose Van Gogh is more nauseous, Kirk Douglas's or Andy Serkis's? Oh dear lord, how I wish I would have stopped watching this episode of Simon Schama's series, much as I stopped watching "Lust for Life"! How long before I can again look at one of his paintings without thinking of one of the worst examples of British overacting ever recorded? On top of this despicable performance, we are subjected to frenetic editing and oppressive sound effects. Deafening slurping of paint, pounding the canvas with the brush--I know painting and this is not painting. This is cheap pastiche after the video in the movie "The Ring". What a grotesque version of what was surely a beautiful-beautiful thing. Lastly and most reprehensibly, Mr. Schama takes advantage of the ignorant by presenting subjective opinion as fact. Van Gogh's Wheatfield is really the first piece of modern art? You say it so confidently it must be true--gimme a break. This is art history gone horribly wrong.
Tenate9 I have only watched Simon Schama's diatribe on Bernini and this 'review' is only on that one episode but I tend to think it's indicative of the whole series or even of his TV work in general. The write up in my local online listing said : Bernini's Ecstasy of Saint Theresa shows a nun in the state of orgasmic bliss. How was it ever allowed? Simon Schama tells a story of sex and the sacred in Seventeenth Century Rome. The ultimate premise of the show is that after a rise and fall style career Bernini ( whilst not so favoured - 'POPEular' - as when at his summit ) Made the 'Ecstasy of Saint Theresa' sculptural masterpiece - which again thrust him into the limelight. Schama's thesis is that this 17 Century Baroque tour de force or gaudy, kitsch ode to the farrago that is superstition - viewed from a non-observable angle ( false from the perspective of an observer ) can be seen that the angelic spear holder is about to 'shove' the spears 'head' up her in a very sexually provocative manner - her face in a climactic climax at this 'Charismatic' event. This is bizarre and if you see this work as it's meant to be seen, the angle of the 'thrust' is into her heart ( As the original mythic story suggests - the divine joy/sleep of God etc... ). That the face, in a state of orgasmic delight or the last moments of death, tortuous pain or just dozing off are all same is very well known and doesn't add anything to his platitudes on Art, sex or Bernini. It seems to be just a fantasy of, or a cheap trick to put some sex appeal into this, not even slightly charismatic TV historian.