Mattias Petersson Another year, another Swedish public-service Christmas spectacle. Every year around Christmas SVT has a new "big" production to show, and every year it feels at least a little bit disappointing. And as far as these go, "Snapphanar" has to be one of the worst in recent years.What shocks me most about this production is undoubtedly the incredibly low level of ambition. It's always easier for me to forgive a movie when it aims for the stars and fail. "Snapphanar" barely aims for the tree-line it seems, and still it disappoints. Maybe it's a sign of extremely low self-esteem in Swedish public-service?The strange thing is that on the surface this production is not that bad. The visuals are pretty good, the production values are not bad for a (in international perspective) low-budget production. But under the cracks in the surface you can see how shallow it is. Here we see the low ambition that i mentioned earlier. Historical facts are fabricated, changed or just simply ignored. And the script seems to be written by a ten-year-old. The plot is simplistic, the "twists" can be seen a mile away and the story itself is uninteresting and bland. As a theme the story about "Snapphanar" could be interesting. It's (as far as i know) a rather unique thing in Swedish history. A partisan group wanting to make the shire "Skåne" part of Denmark instead of Sweden, fighting armed battle for their cause. But the whole premise is squandered here by poor writing and non-existent regard for historical facts. Also the fact that these partisan rebels seem to be a gang completely inane idiots doesn't help. They are portrayed like a bunch of stumbling do-gooders completely without fighting skill, making it very clear why Skåne is still Swedish today.Well, how about entertainment value? Sometimes a decent entertainment value on the surface can save even the most shallow movie. Not in this case though i'm afraid. There are just too many things to be annoyed about even if you don't think to closely about what you're watching. The incomprehensible accents (sounding like the Skåne-dialect mixed with Danish and a tinge of retardation), the "Le Pacte des loups"-inspired fighting scenes that lack energy, and the names and dialog that makes you laugh at the most inappropriate moments. Directors Mårlind and Stein have a distinctive Hollywood-complex that also shines through in a disturbing way.I don't know how much "Snapphanar" cost to produce. It looks more expensive than most standard Swedish TV-fare but since it was made in Estonia it was probably quite cheap. No matter though since this was definitely a case of very little bang for your buck. I just wonder when Swedish TV and film-makers will understand that a good and solid script is the base in every good movie. When they understand that and hire someone decent to write the script (instead of burning their money on fight-scenes filmed from three angles), then maybe this could be entertainment rather than just a bland and boring waste of money and time.

Sandra Nilsson Historically wrong, but the plot is great. Even if the historical facts are wrong the movie is quite good. The movie tells the story of Snapphanarna in Skåne (the southest "state" of Sweden") and the war between Sweden and Denmark during the 17 th century when Skåne became a part of Sweden instead of Denmark. Snapphanarna was a "movement" amongst the citizens of Skåne that were against the swedes overtaking their land and on occasion forcing them to swear their oath to the Swedish king instead of the danish. Party brutal scenes, but probably not the way things happened back during the 17 th century.The word Snapphane was an insult word, snappa in English snatch, and was used as a word of abuse. There were different categories of Snapphanar, normally we count three different, highwaymen, free shooters working for the danish army and many of these were thieves and robbers.

fred-83 This is by far one of Swedens best efforts ever in the historical epic genre. It looks excellent and expensive, thanks to the effort of the superb cinematographer and Stein/Mårlind. In addition to the highly accomplished look of the film, the story is also fast-paced and holds together to the end, the acting is uniformly excellent as well. I admit to being somewhat biased in my review, as I have been connected to the production as a composer/arranger, alongside the main composer. I have written the orchestral arrangements and composed some additional horror/ambient music cues which has been put to great use and adds a nice flavour to the overall score, I think. Fun that another commenter noticed the music. Sadly, many people couldn't just accept this on its own terms, as a fun action film, and just saw the historical inaccuracies. Funny that many people enjoy western films although they seldom have anything to do with reality.

Lars Larsson "Bergman is dead, long live the movies!" is the best way I can describe this mini seen at the special premiere opening.Finally Swedish movie makers dare to mix a historic event with fiction and make something more fun, beautiful and exciting than just a Bergman drama or a reality show. But of course, when Måns and Björn do something it's done for the public and not just the critics.What really strikes me is the characters, they are so vivid! Excellent acting makes the story feel true. They seem to be living at that time and place and really bring you in to their world. I can't think of one single actor that could be replaced, they all do it so well.A special note on the music (no pun intended), it's by far the best score in a Swedish movie yet. Buy the DVD if you have surround sound in your home, it will be worth it.I think this mini set a new standard for film making in Sweden, showing that it is possible to make beautiful movies in Europe. And we want more.