Leofwine_draca The John Wyndham sci-fi novel THE DAY OF THE TRIFFIDS has long been a favourite of mine; it's a fantastic piece of writing, up there with the calibre of H. G. Wells. Sadly, the story has never translated particularly well to the screen, and it says something that when you search for the title on the IMDb the two results that first come up are the 1963 film - which changed so much from the book that it was almost unrecognisable - and the 2009 BBC adaptation, which was so terrible it's not worth mentioning.However, this 1981 miniseries version of the story is the most authentic one out there, and seen today it's actually very good. Sure, this production suffers from the usual problems of the era, from the cheapness of the cameras making it look at times like an amateur film, and the occasional stodginess of the narrative, to the stilted dialogue and some bad acting (Emma Relph is a particular disappointment). But THE DAY OF THE TRIFFIDS overcomes these problems to provide exciting, fast-paced entertainment.There are six episodes here and the first one is the worst, unwisely throwing in tons of back story and exposition which makes the pace crawl along. Things pick up in the second episode, and all of the major plot points from the book are covered here and in detail. I particularly liked the way that writer Douglas Livingstone kept all of the important subtext from the book, Wyndham's musings on the importance of society and the like, and incorporated it into the backdrop here. The rubber triffids make for an acceptable menace, and the filming locations are all fine; overall it feels realistic throughout, and I particularly liked the handling of the blind population and the late introduction of the ruthless soldiers. I'm a huge fan of BBC TV from the 1980s and this is another string to the bow of a production company that could once do no wrong.

paul2001sw-1 This early 1980s adaptation of John Wyndham's 'Day of the Triffids' offers us global apocalypse on a shoestring budget: cue some decidedly unspectacular special effects and thin crowd scenes. The acting is also limited: the characters respond remarkably calmly to the near-end of everything. Yet the triffids themselves are surprisingly well done, with their venomous strings and menacing roots. And (especially knowing what was to come) I found the tension implicit in the opening episode, in which a temporarily blinded man comes to suspect that something in the world he can't see isn't what it's supposed to be, utterly unbearable. At the end of the day, a good story trumps special effects, and there's something in the believable human tragedy of this one that makes it more horrifying than any horror story. Indeed, some of the scenes had stayed with me since first watching it over thirty years before. It's proof you don't need exploding galaxies or evil geniuses to unsettle a complacent audience.

bob the moo When an asteroid shower passes over the earth, most of the world stops and watches the "once in a lifetime" spectacle. However the vast majority of the world find themselves blinded. This leaves the world at the mercy of the Triffids – a strange species of plant that can move and attack humans, but whose value as an oil resource has seen them farmed and controlled around the world. In a London hospital, Bill Masen is confined to his hospital bed with his eyes bandaged up after a Triffid sting at work. The day after the shower, Bill wakes to find everything quiet with seemingly nobody around to take the bandages off. He stumbles out into the day to find the population blind and, with society quickly crumbling, Triffids seem like just one of the problems to contend with.I quite liked the film version for what it was but it was quite different from the book. This BBC mini-series though, is much more faithful to the source material and produces three hours of television that are more about the people than the plants of the title. If you consider the six episodes, the Triffids are not present throughout and sometimes they are no more than yet another thing in the background. The main thrust is actually about the breakdown of society, the choices the seeing survivors have to make at the early stages and the later stages. As such it is a very British piece as of course there is the polite indecisions and stiff upper lips that see survival accompanied by a certain amount of shame and frustration.Hannam's direction is good as he works well with the sets and effects he has available to him. He has a good script to work with that puts food for thought onto the table consistently, while he also maintains a fairly constant sense of fear in relation to the lack of everything we would expect. In this regard the early episodes were the stronger. Of course the effects are limited but the Triffids themselves are actually pretty good and, if walking, man-eating plants did exist then I imagine they may look like this. The sets are quite cheap and have dated as badly as the clothes etc but this is not really a problem since the material is what is interesting, rather than the effects. The cast mostly work well, with Duttine solid in the lead with Relph doing OK work alongside him and Colbourne a strong presence with a character that asks a lot of moral questions of the viewer.Overall then, better and more faithful to the book than the film version. It looks dated and of course the effects are not brilliant but it is the complexity of a crumbling society and the choices to be made that keep it interesting more than the action of Triffid attacks.

palexandersquires This is the best ever version of this famous science fiction novel. Even the choice of John Duttine as Bill Masen is very close to how I imagined him to look like. An average 36 year old man, who is lying in hospital, with his eyes bandaged up. This was the result of a Triffid sting. In the 1962 film, we do not find out why Bill Masen has this treatment! The triffids themselves are spot on! in detail and you see the sting lash out about 10 feet long.That is how John Wyndham describes them. So the BBC and Douglas Livingstone ,got this spot on! and we see Bill Masen as a child experiencing his first Triffid in his back garden. This DVD that I now have, has been eagerly awaited by myself. The opening music, is composed and conducted by Christopher Gunning. and is very stirring. every part of the dialogue was also as spoken in the book, (Yes I have read the book) and I know just how the story should unfold on the screen. It is a pity that widescreen TV's did not exist in 1981! as this would of been a great widescreen production. This series was in 6 parts by the way. You get a collector's booklet and all 6 parts on the DVD! Number BBC DVD 1152!