bigham78 The 16 episodes are without doubt one of best cartoons of the late 1970's. The graphics sometimes repeated themselves as you saw the same ship getting hit over and over again during some of the battle scenes. But, they had other scenes that were great and the overall story line was great. I only found out later that some of the great facial expressions were the actual actors who did the voices. It should have run more then just one season and the movie they made later. I don't count the 2nd season run later in 1980's as the new episodes were not as good as the ones from 1979. Being a Flash Gordon buff like I was. I loved this cartoon and wish it was available on DVD. I have videos of the originals from the 1930's and Movie made in 1980. I wish I had a copy of this. This was true to comic and the original story and deserves the 10 stars I gave it and two thumbs up.

ricknorwood I watched parts of the new DVD version of this series, which I remembered with a certain fondness from the time it was on the air. It starts out looking good -- but that is only because it constantly borrows footage from the much better made-for-TV movie by Sam Peeples, Flash Gordon, the Greatest Adventure of Them All. The movie version was released second, but made first. When you get to the part written by Ted Pederson, the only good thing you can say about it is that it follows the Alex Raymond comic strip. But why watch the film when you can read the strip, which has been reprinted many times? The dialog is rudimentary, the animation is pathetic. When it is not borrowing footage from somewhere else, the animation often doesn't even fit the action, or the action takes place off stage so they can reuse some footage that doesn't really belong. For example, in the underwater sequence, the characters walk underwater as often as they swim, so the animator can reuse walking footage. Have you ever tried to walk upright under water? The second season, which introduces a cowardly baby dragon who is supposed to be cute but is only annoying, is even worse. The dragon is a rip-off of Godzookie, the Godzilla sidekick. I'm sorry to say, give this DVD a pass. Watch the Buster Crabbe serials instead -- they may be cheap, but at least they are fun.

grendelkhan This was the best adaptation of the classic comic strip by Alex Raymond. The series captured both the look of the strip and faithfully adapted the adventures. The 16-part serial format of the first season created added excitement. You had to tune in the next week to find out what would happen. This was almost unheard of for Saturday morning fare. Each episode built on the previous one, with each adventure covering two episodes. The series reached its finale with the final part. A second season followed, but with twelve minute episodes, and featuring a comic relief dragon called Gremlin. Needless to say, it didn't survive.Filmation was one of the cheaper animation houses. They produced such cartoons as The Archies, The Groovie Goolies, and Fat Albert in the 70's; and He-Man and She-Ra in the 80's. They were known for their use of stock footage and cheaper voice artists. Their previous pinnacle had been the Star Trek cartoon, featuring the voices of the original cast. Flash gave them a new milestone. Filmation used rotoscoping, a technique where live actors are filmed, and animation is traced over their movements. This gave the characters more fluid movements in many of the action scenes. The design work for the series was a nice blend of Raymond with some Star Wars updating; ironic, since it was Flash Gordon that inspired Lucas to create a sci-fi movie.The voice work was quite good, at least the equal to the original movie serials and better than most of the performances in the Sam Jones film. Robert Ridgely gave Flash the right All-American voice, with Allan Oppenheimer (voice of Skeletor in He-Man) as Ming and Zarkov. Diane Pershing gave a light touch to Dale, although she was still mostly just there to be rescued. Melendy Britt gave a very sultry voice to the vixen Aura.The series main fault was the overuse of stock footage, which could get annoying. The same Hawkmen were disintegrated, the same ship gets hit in the tail section, the robot soldiers always line up the same way, etc. Still, the stories were good enough to keep you from dwelling on this. Also, the broadcast standards and practices kept the series from having the characters in too much jeopardy. Ming's soldiers were robots and his ships were remotely piloted. However, Hawkmen did disappear, or disintegrate and Barin's ships would as well. Since it was shown that those ships were piloted by humans, it could be assumed that they were killed. They did allow monsters to attack, but they always seemed to be buried under rubble, and never killed. The only other major fault is that the series begins with the Earth trio already orbiting Mongo, with no explanation as to why. This would be cleared up later.After the series had been broadcast, a feature version was shown in primetime, on NBC. It included a new opening, establishing how everyone got to Mongo, and included new scenes and voice work. The time period was set at 1939, during the Nazi invasion of Poland. Mongo was given a connection to Hitler. Actually, the feature had been commissioned first; thus, the more detailed backgrounds and fuller animation. The series was commissioned after screening footage from the feature. The feature was used to provide the stock footage for the episodes and wasn't fully broadcast until later.This was one of the best Saturday morning cartoons of its era, but, its ratings were never that good. It was retooled for its second season and then quietly disappeared. It later turned up in limited video release and on the Sci-Fi channel. It's worth viewing if you can find the episodes or feature from tape traders. The commercial videos only covered a few episodes.

Mister-6 This Saturday morning cartoon series came out a full year before the theatrical version with Sam Jones and Max Von Sydow; but for sheer entertainment value, you couldn't ask for more on an early weekend morning.Anyone who knows Flash and company already knows the plot of "The New Animated Adventures of Flash Gordon". It follows the age-old plot of Flash and Dale accompanying Dr. Hanz Zarkov into space and, up[on landing on the planet Mongo, become quick enemies of the evil Emperor Ming the Merciless. Eventually, they ally themselves with King Vultan and help fight for truth, justice and the American (or at least non-Mongo) way.This is the kind of series that benefits from animation and the Hal Sutherland logo always signified something worth watching in the mid-to-late '70s as far as TV animation goes. All the heroes look appropriately heroic, the damsels are all alluring, the villains more villainous and the monsters more... monstrous. Outer space has never looked more exciting or dangerous than it does here, and the "roto-scoping" of the spaceships and actors is well-used in this venue.TIDBIT - the voice for Flash Gordon was actually that of Robert Ridgley, who most may remember as the "airport cop" who accosts Mel Brooks in "High Anxiety" and the mayor of Beverly Hills in Eddie Murphy's "Beverly Hills Cop II".Eight stars for "The New Animated Adventures of Flash Gordon", proof positive that space is not the final frontier - Saturday mornings are.