Beth Cole
You can tell how evil or - can't really say "good", let's settle for "less evil" - a person is by the length and intensity of their glares.It's as if John Barrymore and Gloria Swanson were brought in as acting coaches.Worsened by head-scratching plot developments such as throwing out a diaphragm but leaving its box in the medicine cabinet (huh?).Oh, and these high-achieving politicians haven't mastered the basic use of a shredder, yet.So if you can buy all that, maybe you'll like the show. I didn't and was lol-ing my way through the end.
Michael Last
The Politician's Husband featured a fantastic performance by David Tennant as the manipulative politician and husband. I thought Emily Watson's performance was decent, but her character seemed a bit one-dimensional. This could have been due to how the character was written. Either way, the story was engaging from start to finish. The side plot involving their home life and special needs child was engaging, and I believe would have been the perfect instrument to properly end the mini series.*Spoilers Below This Line* After the death of Aiden's father, Freya makes plans to take the kids away so that her husband can collect his things and move out of the house. As he sits at the kitchen table, distraught from all of his recent losses, his son (diagnosed with Aspergers) slowly approaches and hands him a toy, before leaving the room. I think this would have been the best way to end the series, as it finished the parallel between Aiden and his son Noah. Earlier in the episode, Aiden's father had remarked how Aiden was given a son who was incapable of deception, and that he (Aiden's father) was given one to whom it was second nature.To have the series end with Noah trying to show compassion or empathy for his father (which is exceedingly difficult for a child with Aspergers), it would have highlighted Aiden's own selfishness and tied a neat little bow around this drama.Instead, the next few minutes revealed a startling "twist", where Aiden and Freya have been named Prime Minister and Deputy Prime Minister - the final reveal being that Freya is actually the one elected as PM. While it's a fun thought, it was a little too unrealistic for me. It didn't seem to match the rest of the story.Regardless, this is still one of my favorite political dramas so far.
Blanche Hudson
No one does political drama like the Brits (either on screen or in real life) but this felt like a drama half-written. A good cast with solid performances, but no-one's motives were clear, the twists were not especially surprising and the ending was pretty weak. Whenever there was a chance for confrontation or explanation, it was smothered in a tepid passionless bedroom scene. (And could wardrobe only afford ONE nightie for Emily, or did her character wear the same negligee for months on end?) Plot threads were left dangling, characters were introduced but not explained and scenes seem to stop mid-stream.Shame of it is, this could have been a strong role for a woman but it was an opportunity lost. They needed Malcolm Tucker to sort them all out.
trimmer31
Let me preface this by saying that David Tennant's portrayal of Aiden was masterful and, while I feel Emily Watson was poorly cast here, her effort as Freya was very well done, as well.However -- either the writing was weak, or this was a 6 hour miniseries cut down to three. So much is missing. So much is there and makes you ask yourself, why?The son... what role does he play? Having a child with challenges like this, there was so much character development, for the child as well as for his parents, that could have gone on around this story arc that... didn't. The daughter? Other than the fact of the existence of children in the home (and the nanny being a presence), there is little development here. Many of the plot lines simply... end... without any closure. What happened with the nanny? What happened with the son's challenges at school and elsewhere? What was the purpose of Aiden's father's death? I feel that this could have been so much better, had only they taken the time to tell the story in more depth, or not left so many arcs hanging. How do you go from "I'll take the children away so you can move out," in one scene, to arrival at #10 as an obviously estranged but "united front in front of the cameras" power couple in the next? As I said, the story, while brilliantly acted, was choppy; either poorly written, or half of it is still laying on the editing room floor.
AD
