The Roy Rogers Show

The Roy Rogers Show

1951
The Roy Rogers Show
The Roy Rogers Show

The Roy Rogers Show

7.1 | en | Western

Roy Rogers is the owner of the RR Ranch in the Mineral City area, which he runs with the help of the German shepherd dog Bullet and his horse Trigger. Roy, supported by his friend Pat Brady, is often helping the weakest usually threatened by cattle thieves, dishonest sheriffs and villains of various kinds. Pat Brady works as a cook at the Eureka Café, owned by Dale Evans.

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Seasons & Episodes

6
5
4
3
2
1
EP15  Johnny Rover
Jun. 09,1957
Johnny Rover

Tyrannical Boston financier Jackson C. Revere travels West to confront his son, who has pledged to support himself in Mineral City despite his father's lack of faith in his abilities.

EP14  Brady's Bonanza
Mar. 31,1957
Brady's Bonanza

Big Jim Moran, former town bum, has struck it rich with a uranium mine, thus inspiring Pat Brady to sell Nellybelle and purchase a geiger counter. Unfortunately, both Moran and Pat are attacked by a vicious gang of claim-jumpers.

EP13  Portrait of Murder
Mar. 17,1957
Portrait of Murder

Doc Buckland orders George Hooper's herd destroyed because of hoof-and-mouth disease, thus jeopardizing the impending sale of Hooper's ranch. Hooper's foreman murders the doctor and frames Dave Shelton, a mute who expresses himself through his paintings.

EP12  Accessory to Crime
Mar. 03,1957
Accessory to Crime

Johnny Williams, son of a poor storekeeper, hopes to attend college, but his father cannot finance his education unless he joins his unscrupulous partner in a smuggling scheme.

EP11  High Stakes
Feb. 24,1957
High Stakes

A young witness whose testimony can send the Collins gang to prison is pursued by the outlaws who hope to silence her permanently.

EP10  Junior Outlaw
Feb. 10,1957
Junior Outlaw

Roy's summer camp for underprivileged youngsters is plagued by the presence of a surly juvenile delinquent named Mick, who falls in with a gang of badmen trying to recover stolen loot concealed in a mine tunnel on Roy's property.

EP9  End of the Trail
Jan. 27,1957
End of the Trail

Escaped convict Burt Blackwell is reportedly heading for Paradise Valley, but is killed en route. An undercover detective, disguishing himself as Blackwell, hopes to capture Blackwell's former partner-in-crime. When Roy secretly agrees to help the detective, the townsfolk believe he is deliberately allowing ""Blackwell"" to go free.

EP8  Deadlock at Dark Canyon
Jan. 06,1957
Deadlock at Dark Canyon

Colonel Mattock, an old cattle baron, wants to rid the region of the Pinto Basin nesters. He is unaware, however, of his foreman's activities for his own selfish purposes.

EP7  Fighting Sire
Dec. 16,1956
Fighting Sire

A bad-tempered, ex-champion prize fighter, King Keady, is hiding out after witnessing a murder, and Roy is assigned to guard him from mobster Max Marcella. Meanwhile, the boxer's eleven-year-old son runs away to see his estranged father, is captured by Marcella, and proves his bravery when he risks his life to save his father and Roy from the gangsters.

EP6  Tossup
Dec. 02,1956
Tossup

A little girl is the pawn in a family feud over ownership of a silver mine.

EP5  Paleface Justice
Nov. 18,1956
Paleface Justice

An influential rancher accuses a young Indian of murdering the town blacksmith. Roy comes to the young man's defense and eventually proves him innocent.

EP4  His Weight in Wildcats
Nov. 11,1956
His Weight in Wildcats

Old-timer badman Denver Jones once hid $20.000 in stolen funds near Mineral City, and recent clues have given a gang of outlaws a head start in finding it. With Sheriff Blodgett away, Roy turns for help to former policeman Leo Driggs, who had lost his nerve and retired from the force, but whose fourteen-year-old son Petey believes his father can ""lick his weight in wildcats.""

EP3  Mountain Pirates
Nov. 04,1956
Mountain Pirates

Roy discovers that the stock of a mountain fishing preserve is rapidly and mysteriously dwindling. The only witness to the poching is an old miner who is so intimidated by the crooks that he feigns amnesia.

EP2  Fishing for Fingerprints
Oct. 28,1956
Fishing for Fingerprints

When Clark Baxter is released from jail, he vows to seek vengeance against fisherman Joe Herkimer. Kerkimer's testimony had sent him to jail. Baxter and his thugs rob an old recluse and frame Kerkimer, whom Roy and Pat must clear of the false charge.

EP1  Head for Cover
Oct. 21,1956
Head for Cover

Amity Bailey and her husband Ezra have been wed for thirty years, during which they've been fantasizing about a European honeymoon they could never afford. When they assist in capturing three thieves, the sheriff gives them a reward which allows them to fulfill their dream.

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7.1 | en | Western | More Info
Released: 1951-12-30 | Released Producted By: Roy Rogers Productions , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Roy Rogers is the owner of the RR Ranch in the Mineral City area, which he runs with the help of the German shepherd dog Bullet and his horse Trigger. Roy, supported by his friend Pat Brady, is often helping the weakest usually threatened by cattle thieves, dishonest sheriffs and villains of various kinds. Pat Brady works as a cook at the Eureka Café, owned by Dale Evans.

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Cast

Roy Rogers , Dale Evans , Pat Brady

Director

Roy Rogers

Producted By

Roy Rogers Productions ,

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Reviews

Jim Earp When I was eight, Roy Rogers was awesome and I couldn't wait to see Brady's Jeep NellyBelle appear on screen. It didn't occur to me until I was a bit older just how stupid it was to have such an anachronism turn up in a western set at the early part of the 20th century. The most obvious question raised by this show is that if a cowboy could own a Jeep that never needed gas, why didn't any of the bandits ever carry M1911 .45 Caliber automatics and why didn't the bank robbers ever show up with M1 Carbines or BARs? Today, watching the show just grates on my nerves. Frankly, I wince less watching the racist posturing of earlier The Lone Ranger shows that I do the goody-two-shoes absurdity that was the world of Roy Rogers. I'm just sayin...
John T. Ryan WHEN WE HAD CBS with THE GENE AUTRY SHOW, the National Broadcasting Company answered with THE ROY ROGERS SHOW. It was as if the two friendly rivals were truly slugging it out; although not going toe to toe for their ratings, they still had to establish who was truly number one TV Cowboy.WHEREAS THE "B" MOVIE fans were very familiar with this sort of series Western from studios like Republic*, Coluimbia, Monogram and Producers Releasing Corporation, no real beach head had been established on the newly created realm of Television.WELL THAT SURE didn't last very long as Flying A Productions (GENE AUTRY, ANNIE OAKLEY,RANGE RIDER) and Bar Double R produced the ROY ROGERS SHOW. Others, many others followed.AS FAR AS the Rogers production, there was far more continuity with more regular cast members. Roy and Dale Evans Mrs. Rogers in real life) always managed to get involved with whatever local hugs had planned for 'Mineral City' and vicinity. They were great help to somewhat laid-back and inept middle aged Sheriff, played by Harry Harvey. Then there was "Roy's comical sidekick", Pat Brady, thrown in for,. that's right, comic relief.THE ONE THIG that always was a puzzlement to us as kids was that whereas Roy rode his palomino horse, Trigger and Miss Dale rode her mare, Buttermilk; why did Pat Brady drive a jeep with the name of "Nellie-belle?" After all, how could one have a Jeep, an automobile, in the Old West? THE ANSWER OF course is that THE ROY ROGERS SHOW, as were so many of the old "B" Western Sderies Poctures, was set in the modern, then contemporary times of the 1950s.WE ALSO WOULD like to make mention of one other regular cast member. That would be Bullet, Roy's faithful German Shepard puppy dog.ROY KNEW THAT he needed all the help ion his 'rivalry' with Gene. And, as any schoolboy knows, people just love dogs.NOTE: * Both men had worked at Republic and Roy had been a member of the Western Musical group, THE SONS OF THE PIONEERS when he arrived there. When Gene went to the Service in World War II, it was the former Leonard Sly ()Roy's birth name) who replaced him. Upon his return, Gene established his own company, FLYING A PRODUCTIONS and struck a deal for release with Columbia.
Fred Salter You say that Roy Rogers went as Roy Rogers just like Dale Evans. Roy's real name was Leonard Franklin Slye. Roy Rogers is just a roll he played. I know it's not in the credits as him being Leonard, but neither does John Wayne list himself as Marion Robert Morrison in the credits of his shows. As far as "King of the Cowboys", what about Daniel Boone being "King of the Wild Frontier"? Check out the "Legendary Cowboy Kings DVD" that has a whole passel of singers listed as "Kings". What I'm saying is that John Wayne can be a "King of the Cowboys" as well as all of the other giants we all know and love. They are all great in my book. Heroes every one. I've just got ten DVDs that I picked up from www.oldies.com of the Roy Rogers Show. I enjoy them all just like I do Gene Autry, another great "King" in my book. Don't forget Dale Evans, "Queen of the West". We'll see them all in Hillbilly Heaven. Fred Salter
Carycomic This show was already in Saturday morning re-runs when I first watched it. And, I loved it! The "good vs. evil" plots might seem corny, by today's standards. But, we have to remember that this was produced during comparatively simpler times. When morality was just as black-and-white as the film stock the studios used.Furthermore, the hero and heroine practiced what they preached! Nor did they preach using four-letter words. Unlike, say, Dennis Franz on NYPD BLUES.Last, but not least? This was not a "steampunk" Western.The fictional city in which Roy and Dale made their home was contemporaneous with the shows' audience. It's just that the locals maintained a 19th-century ambiance for the tourist trade, similar to Virginia City, Nevada. So, the mixture of "old and new," especially modes of transportation, was most definitely _not_ anachronistic!In short, I am unalterably convinced that this show should be praised, rather than condemned, for the beneficial values it tried to instill in its mostly young viewers. That some of us might not have grown up to live by those values is--to paraphrase Shakespeare--not the fault of this show's stars. But, of ourselves.