joekwiatkowski Generally, a pretty interesting story, well acted by all concerned. (My assessments of acting, special effects, etcetera, often revolve around the question 'did they make the story believable?' Good special effects helped me suspend my belief systems when I watched any of the films of the 'Star Wars' or 'Harry Potter' franchises, but that's another argument.) One thing caught my attention, though. When Schact and Gerber are arguing about whether Pike's information on Overlord is genuine, there is no mention of George Patton. In the critical first weeks following the invasion, it was the German's fascination with and fear of Patton that made 'Fortitude', the fake alternate plan for an attack on the Pas De Calais, work. The Allies very much feared that following the initial landings, the forces from the pas De Calais could be shifted to Normandy faster than additional Allied forces could be brought over to Normandy from England. That would enable them to push the invasion forces back into the sea, Dunkirk-style. It was essential that the Germans be convinced that the Fifteenth Army should remain where it was, and Patton was key to that. That's touched on in 'Patton'. They could have had Schact say 'A diversionary attack in Normandy, led by Montgomery, followed by the main attack at Calais, led by Patton? That does make sense' and then built a conversation around that line of thought. Having read a little about the topic, that's apparently what the Germans thought. And it worked to the Allies' advantage.

AaronCapenBanner George Seaton directed this psychological WWII thriller that stars James Garner as Army Major Jefferson Pike, who is knocked-out and kidnapped by the Germans in an effort to tell them about the forthcoming Allied D-Day invasion plans. Rod Taylor plays German Major Walter Gerber, who concocts an elaborate scheme to fool Pike into believing that the war is now over, with an Allied victory, but that he suffers from amnesia and to recover his memory, must remember the events of the day he last remembers - the day he was taken, and Gerber has only 36 hours to succeed, before the Gestapo takes over... Clever premise and good performances help fanciful story that is also quite talky, yet still intriguing.

Terrell-4 George Seaton was a Hollywood A-level writer and director who could tell a story efficiently and professionally. He also knew movies had to sell tickets to be successful. He kept that in mind while creating, often with William Perlberg as producer, movies that were satisfyingly A caliber and watchable, even when they were serious by Hollywood standards. He didn't mind threading in irony or even a message or two, but usually these were plot driven. Seaton, in other words, knew his way around. And so we have 36 Hours. It's not about the terrible conflicts of wartime exigencies as The Counterfeit Traitor is. It's not a sad, uncomfortable story of love and sacrifice that The Country Girl is. And it's certainly not a bit of romantic fluff as Teacher's Pet is. 36 Hours is a fine, efficient, wartime yarn, nothing more, nothing less...and that, for me, is good enough. Major Jefferson Pike (James Garner) is an Allied intelligence officer who has been flying between London and Lisbon to pick up information from a clerk in the German embassy. It's May 31, 1944. Pike is ordered to make one more flight...and the success of the Allied invasion only days away may hang in the balance. Hitler is convinced the invasion will take place in the Pas de Calais region. The Allies are doing everything possible to the keep the real location at Normandy from leaking out. The Germans, of course, are doing every thing they can to either confirm Pas de Calais or learn the real location. German agents, with Pike now in Lisbon, slip him a mickey. When he wakes up he's in a U. S. Army hospital in Germany. It's May 15, 1950. His American doctor (Rod Taylor) tells him he's been in a coma for six years. Germany lost and the Allies occupy the country. Wilkie is President. Former president Roosevelt is recuperating again at Warm Springs, Georgia. G.I. patients greet Pike by name. U. S. doctors aid his recovery. And now that the war is won, there's no secret about where in France the Allies actually invaded six years earlier. So tell us about it, they ask Pike. Pike's doctor, of course, is a German. Major Walter Gerber (Rod Taylor) is a skilled psychologist. The "U. S. military hospital" is a phony, a carefully prepared installation near the Swiss border where everyone -- patients, doctors, nurses -- are Germans carefully selected for their flawless English. And speaking of nurses, Pike's nurse, Anna Hedler (Eva Marie Saint), is introduced as his wife. Gerber has organized all this in a life-or-death gamble. He must convince Pike -- within 36 hours -- to volunteer the location of the invasion of France. Gerber, however, has someone watching over his shoulder. Otto Schack, a Gestapo interrogator, is equally convinced the experiment will fail. He is pressing to use the proved methods of Gestapo interrogation. All this makes for an intriguing and clever, if unlikely, con. But it works. We sure outfoxed the Germans with Normandy, Pike says, and gives the details with pride. But then Pike notices a small paper cut on his hand which is barely healed...a paper cut he now remembers getting two days ago in London. He realizes what must be happening. The con game now becomes a deadly cat and mouse game. Somehow he must convince Gerber and Schack that he knew what was going on all along and had conned them into thinking he had deliberately misled them away from the Pas de Calais. The last third of the movie -- now with the Germans conned thanks in part to lousy weather on June 5 -- becomes a race for Pike to save his skin. Can Pike escape and make it across the border to Switzerland? Will Gerber prove he's a good German and help? And will Pike take with him Anna, a woman who was forced into her role by threats to return her to Ravensbruck? Garner serves up a puzzled, troubled man who finally figures out the score. Taylor gives us a dedicated German who, however uneasily, realizes his "experiment" has personal costs he didn't bargain on. Saint does a fine job in a role that doesn't give much latitude. And John Banner, as an aging, fat German Home Guard sergeant who shows up during the movie's last 15 minutes, nearly steals the show. Weak spots? Otto Schack. He's just an old-style Hollywood Gestapo man, slimy and opportunistic. Seaton also gives both Saint and Taylor turgid opportunities to reflect on their past and, in Gerber's case, his good motives. And as professional and experienced a screenwriter as Seaton was, the movie at nearly two hours could use some trimming. Still, 36 hours is just what it is, a good war yarn built around a clever double con. We should count our blessings.

ken_lan This was a very well thought out movie. My father wrote the screen-play as a ghost writer and I wish he could have received the credit. Unfortunately, it was the way things operated at the time, he was blacklisted due to Senator McCarthy... I remember his toiling away on this plot and asking us for feedback. He was only able to sell the book rights. This was because he was at one time a temporary member of the communist party. As a result of this and being "blacklisted," he moved the family down to Mexico and continued writing under a pseudonym. I hope people enjoy this movie and will continue to comment. I am trying to get another copy since the one I loaned out was never returned to me.