punishmentpark Somehow I mistakenly thought that this was the original version of 'Ocean's Eleven' from 2001, but that would actually be the film of the (duh) same name from 1960... no wonder this was a surprise, eh?Anyway, this is a wonderful heist film, though the heist isn't really the center of it. There's a long dramatic build up to it about a group of college friends who struggle (some more than others) with their current lives and concerns for their futures, with lots of dialogue, and it is - thank God - not crammed with superfluous music when one would pretty much expect it; something that occurs so much in more recent films - phooey!Then there is a great cast of (to me) unfamiliar faces, except for the amazing Kim Novak, who even gets to sing^ a few classy tunes - woof!'5 against the house' is really something else, maybe not for everyone - you should certainly not expect a lot of action - but it has a story that is original and gripping, although the (comedic) parts with the freshman student felt somewhat out of place. I really loved that use of that special kind of parking, too, by the bye!A big 8 out of 10; highly recommended!^ Oh, and Kim Novak didn't actually sing those songs as I found here on IMDb, but what the hey.

ryancm This so called "film noir" isn't up to the best of them. Interesting premise that takes forever to get going. Once it does, it's an OK sit through, but forgettable as well. The heist is the basis of the movie and it's quite implausible in the way it's carried out. What were security guys in the two-way mirror looking at anyway? It was obvious what was going on. Oh well, it was just a movie with a point...I guess.Brian Keith saved the film as he was excellent as the disturbed buddy of the other three guys. Kim Novak shines in one of her early roles. Luckily she was able to snag better roles as her career bloomed. Kerwin Mathews and Guy Madison did as best they could the way their roles were written. The one annoying thing was Aly Moore as the wise-cracker buddy. Wish he would have been left out entirely or maybe bumped off before the movie got too far along. A truly atrocious performance and I can see why his career was regulated to bits as his stint in THERE'S NO BUSINESS LIKE SHOW BUSINESS in a bit trying to try a fast one on Mitzi Gaynor.

blanche-2 Phil Karlson directed a lot of B movies and this one, "Five Against the House" is another one, released in 1955. It's notable for having Kim Novak in it just before she hit real stardom, and she's gorgeous. The other stars are Guy Madison, Brian Keith, Kerwin Mathews, and Alvy Moore. The story concerns Korea War vets in college on the GI bill who become involved in the heist of a Reno casino. It's supposed to be a lark by one of the men, Ronnie (Mathews). just to see if it could be done; he plans on returning the money. Lark or not, Al (Madison) opts out, but travels to Reno with his girlfriend Kay (Novak) and the rest of the guys as he and Kay are planning to be married there. However, the psychologically unstable Brick (Keith) decides to do the heist for real and forces his buddy Al to go along with it. Brick saved Al's life in Korea, and Al doesn't feel he can refuse him, even though the plan now involves Kay.Though the end of the film had some excitement, the rest of it drags. The acting is adequate. Though the guys had served in Korea and entered college late, as far as I know, the Korean war lasted three years and not ten. With the exception of 29-year-old Mathews, the rest of the actors are in the 33-35 year-old range. Madison's career started out promisingly, but he became best known as Wild Bill Hickok on television and eventually made many Italian westerns; physical ailments kept him from working often past 1975 - his last credit is 8 years before his death in 1996. The other actors worked mainly in television except for the handsome Kerwin Mathews, who found career success in another type of film genre before his retirement circa 1978.What the film has going for it is a really neat atmosphere. It was filmed on location in Lake Tahoe and Reno, and that part of it really pays off.Of mild interest.

dougdoepke Uneven heist film. Making 30-somethings Madison and Keith into college students is a bit of a stretch. But I guess pairing them with the youthful Moore and Mathews presented a problem that a college dorm room could solve. Screenplay is by the celebrated TV writer Stirling Silliphant who, nonetheless, can't seem to script a line without a wise-guy quip. It's clever, but does get tiresome.The movie has two things going for it. First is an absolutely superb performance by Brian Keith. Few actors could get more mileage out of a squint and a cigarette than this low-key tough guy. His final descent into battle-shock madness is both persuasive and oddly touching. The entire movie turns on an ability to convey the required changes and he brings them off beautifully. The other plus is the location photography in Reno. It's entertaining to watch the crowds milling around the casinos, circa 1955. How the production crew got the crowds to act so natural, without acknowledging the camera, amounts to a real feat. Also, the parking garage makes for good staging, but apparently is a commercial novelty that never caught on.At the time, Columbia's head Harry Cohn was promoting Novak into the studio's newest sex goddess. Novak is okay in the role, but unfortunately her scenes with Madison slow down the pacing. Her role here looks like a rather awkward add-on to the main plot. In fact the heart of the film is neither the casino heist nor the Madison-Novak romance. Rather, the emotional center is the solid bond between the two Korean war vets. The chemistry between the two older men strongly portrays the kind of special kinship forged only in combatCertainly director Phil Karlson knows his way around action movies as proved by his gripping Phenix City Story. I suspect that had he a freer hand here, a leaner, sharper, more coherent movie would have resulted. As it is, the 90 minutes is entertaining, but not front rank. As a heist movie, it's so-so; as a buddy film, it's first rate. (In passing-- Looks like the producers of Oceans 11 {1960} sat through this film more than once.)