mike48128 There are far better comic westerns out there: The Paleface Movies, Cat Ballou, Destry Rides Again, McClintock!, Support Your Local Sheriff/Gunfighter. That being said, why watch this one? It's the cast: Zero Mostel, Clint Walker, Claude Akins, Mako, Larry Storch, Sam Jaffe, and Kim Novak, who in my estimation,was such a gorgeous woman, rivaling even the likes of Marilyn Monroe. The plot seems very familiar and very unoriginal : Several groups of robbers attempt to rob an "impenetrable" Western bank in a little town called "Friendly". There is underground tunneling into the vault, dynamite, and even Kim riding "Lady Godiva style" to distract the bank guards. They had to use large daises to hide her "ass-sets"(and front-sets)! Zero plays a corrupt Christian minister with "Sister" Novak as his sidekick and companion. Typical stunts with a typical Western wood-burning locomotive, some typical shootouts where people die (but only the bad guys or extras), and there is no visible "blood on the saddle". Zero sings a totally annoying and cloying song called "Rainbow Rider" while the Mitchell Boys Choir croons. That song, sadly, is hard to get out of your head. Acceptable, good-natured performances by all, but a cliché-ridden script. Yes,you HAVE seen it all before. The ending is sweet as Kim "falls" for Clint as she bails out of the hot air balloon and Zero & Co. literally float off into the sunset with the loot. Larry Storch plays his funny stereotypical "Mexican" that sounds like Speedy Gonzales. The ending mood is is marred by a last minute gunfight where "bad guy" Akins bites the dust. Fun but very light entertainment to be sure and it was a "bomb" at the box office. As I said, rated high for it's cast, not it's content.

Reginald D. Garrard The storyline is simple: a crew of inept bank robbers plan to execute a major heist on the town bank in a late 1880's western town. Headed by Zero Mostel, in the guise of a traveling revival preacher, the group is populated by familiar movie faces (Elisha Cook, Peter Whitney, John Fielder, and Sam Jaffe, all movie staples). Mostel is added by his "diversionary tactic," a very voluptuous Kim Novak.The townsfolk include such recognizable character performers as John Anderson, John Larch, and Ruth Warrick. Claude Akins is very good as the villain, appropriately dressed in stereotypical black.Clint Walker (TV's "Cheyenne") provides the muscle, literally and figuratively, as the reluctant and dim-witted hero.Mako, Akim Tamiroff, and Larry Storch round out the excellent cast as an undercover agent and father and son Mexican banditos, respectively.The characters are all western stereotypes but that's the novelty of the film.Though not great, it is still an entertaining farce and will draw smiles, if not, laugh-out-loud guffaws.

theowinthrop Zero Mostel managed, after being blacklisted in the McCarthy period, to climb back to his place as one of the leading stage personalities of his day. UlYSSES IN NIGHTOWN, RHINOCEROS, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, and FIDDLER ON THE ROOF made him a Broadway immortal. The film versions of A FUNNY THING HAPPENED and THE PRODUCERS showed he could have been one of the great screen comedic actors. Then, came GREAT CATHERINE and THE GREAT BANK ROBBERY, and Zero soon was seen as good as support but not in leads. He would have other screen highlights in the future (THE HOT ROCK, THE FRONT), but the possible great film career was screwed up.As Reverend Pious Blue, Zero was supposed to be the head of a gang masquerading as revivalists, but actually a criminal gang planning to rob the bank owned by Big John Anderson (who is also the town Mayor). The gang includes Kim Novak and John Fiedler. The trouble is that others are considering a bank robbery: Claude Atkins, the film's stereotypical (?) bad man, and a gang of Mexican bandits led by Akim Tamiroff and Larry Storch. There is also a hero, who is romancing Kim, played by Clint Walker. These various elements, which also include Atkins' sidekick Elisha Cook Jr. and Ruth Warwick, simply do not jell. There are moments that are amusing, but more that are simply stupid. The robbery itself is not as good as the destruction of the theater by Zero, Gene Wilder, and Kenneth Mars in THE PRODUCERS, and that sequence only took five minutes of film (originally - now it's been cut to three minutes). The most notable point about it was the getaway (in a balloon).But there was one bright spot - not Zero but Claude. Atkins was always a good actor, usually as heavies (even in INHERIT THE WIND he was the fundamentalist reverend who turns against his daughter for supporting Bertram Cates). Another typical role was in THE DEFIANT ONES, when he is the man who would turn Sidney Poitier and Tony Curtis over to the Sheriff (Theodore Bickel) because of his racism. But in this film he was allowed to be unique. He is the most moralistic gunfighter I know of in film. Every time he faces one of the questionable characters in the film, he starts referring to them as "scum" or "scum of the earth". It becomes like a moralistic mantra. He is a man with a hot temper, as Cook discovers to his cost, but he can show a nice sense of remorse afterward. His over-the-top moral bad-guy is the best thing in the film. As a result watch it for that. But otherwise it was a dismal failure for everyone else involved.

Wizard-8 Did the actual William Peter Blatty write this?!? Whoever wrote this wrote an awful script that's unfunny and filled with loose ends and subplots not fully explained. It feels at times like it was written by someone who had only seen one other comedy in their life - knowing the words but not the music, if you follow me. An embarrassment for all concerned.