Arun M R A 7th Day of the newcomer Shyamdar develops through a group of five youngsters in a seven-day start from Christmas. As the 7th day after God created the earth by creating the earth for six days, the seventh day of the seventh day, the story of the 7th Day of Akhil Paul's writings is complete. The success of the film is where the shots are shocked. However, it can not be said of a monotonous or unbelievable. In the last minute this tip is over.

abilashprasad When you walk into the theatre you don't expect much from a debut director.But as the story picks pace,we see some flawless performance by all the actors. Even if you are not an ardent fan of prithviraj, this performance is going to make you think twice. Prithviraj at his best. The music ,the sound effects and the camera are perfect. The film is comparable to a Hollywood thriller . And the suspense and twist in the climax is going to keep you rooted to the seat stunned. Go watch it just for the climax. If the movie dhrisyam is a trendsetter, this movie creates a new benchmark for malayalam thrillers. It's worth shelling the bucks.A must watch...period.

Akash K S Once again débutantes proved to be good. Shyam Dhar being a new comer did his direction very well. His work is above average for a débutante. But the screenplay is lagging. Cinematography is average.The film is all about friendship, love and a lot of money. The story revolves around a group of friends. As the story starts Prithviraj delivers a monologue saying his thoughts on X'mas and crimes. Later he gets involved in an accident with two youngsters on a bike whose behaviour seems to be odd and suspicious. He offers them help. Here starts the mystery. Prithviraj reveals that he is an IPS officer. From there on everything is thrilling. The plot is full of suspense.As expected Prithviraj is fantastic. He has done his job very well. He investigates the mystery in an extra ordinary manner. And ultimately we are fed with answers to everything. But the script is not flawless. "We could expect what is going to happen eventually". But still the climax is fine. Deserves 7/10

sesht This came up on my radar a couple of weeks previously, and I've been rewarded with some fantastic Malayalam movies this year, so my expectations from this one, esp. reading the social media sound-bites from the main protagonist, where he indicated that having a trailer out for this one might do the suspense element in the movie a dis-service. This works much like 'Vantage Point' or '11:14' did, if you've seen those already. However, it is a piece of original work, though if it had been narrated in a straight- forward manner, there would have been nothing special about it. So, being original, it still doesn't have much meat, IMO.The technical values are all good, though a few musical numbers could've been done without. The cinematography is above-average, as are the production and art design aspects. The editing, as befits a movie with this kind of narrative, ably supports the story-telling. The performances are definitely above-average. The guy who gave a great performance as Nivin Pauly's character's harried dad in '1983' has one scene, quite strong. The leading lady of 'Thegidi' plays a key character in this one too, and her make-up here is not as distracting as it was in that one (but anyone could've played the role she plays). Nivin Pauly's character's mom from 'Ohm Shanthi Oshaana' also has 2-3 scenes, but nothing substantial.The makers leave a lot of red herrings leading to the final denouement, including a couple of holes when you analyze the entire work in greater detail, but the movie doesn't suffer from those as those in genre would.Some critics have been cribbing about the dialoguing that goes on every few sequences, but I felt that they had been purposefully placed, and I was happy that they were, considering everything that they cumulatively lead up to. Nice way to place a mainstream dumbing-down technique to make one's point, and having that fulfill the purpose of pulling wool over the audience's eyes.One more thing on the score - when the movie starts out, it starts strong, very strong. And supported ably by the sound design too. However, after the 20 minute mark, it starts sounding like every other commercial potboiler, and subtlety takes a long, long hike, never to return, ending in cacophonous themes throughout. This is completely the opposite of the approach in another recent release, '1983', which started off bad (from the perspective of score), and settled into something simpler/subtle. That kinda detracted from the overall experience as well.Verdict: Definitely better than your run-of-the-mill mainstream feature, and though you don't need to trek up to the cinema to watch it, it deserves a viewing nonetheless.