A Ticket to Tomahawk

A Ticket to Tomahawk

1950 "Comedy Western on the Railroad"
A Ticket to Tomahawk
A Ticket to Tomahawk

A Ticket to Tomahawk

6.1 | 1h27m | NR | en | Comedy

A cowboy is hired by a stagecoach boss to stop the railroad reaching his territory and putting him out of business. He uses everything from Indians to dancehall girls to try to thwart the plan. But the railroad workers, led by a female sharpshooter and an ambitious salesman, prove tough customers.

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6.1 | 1h27m | NR | en | Comedy , Western , Music | More Info
Released: May. 19,1950 | Released Producted By: 20th Century Fox , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A cowboy is hired by a stagecoach boss to stop the railroad reaching his territory and putting him out of business. He uses everything from Indians to dancehall girls to try to thwart the plan. But the railroad workers, led by a female sharpshooter and an ambitious salesman, prove tough customers.

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Cast

Dan Dailey , Anne Baxter , Rory Calhoun

Director

George W. Davis

Producted By

20th Century Fox ,

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Reviews

dougdoepke Tongue-in-cheek western that's better than it had any right to be. That's mainly because TCF went to the expense of filming in southwestern Colorado, arguably the state's most scenic part. Plus, the lead actors come through in vivid fashion—a charmingly affable Dan Dailey, a spunkily convincing Anne Baxter, and those two grand old grouches Walter Brennan and Will Wright. And shouldn't overlook Chief Yowlachie as the superbly deadpan Indian manikin. Then too, the story's just wacky enough to separate from the oater pack. Seems a new railroad has to get to Tomahawk to qualify for an exclusive contract. Trouble is this would cause the stage line to go belly-up, so guess who's sabotaging the rail line's effort. And that's along with hostile Indians and 40 miles of missing track. Good thing toughie Baxter's along with her gunslinging skills, along with a pack train of sturdy horses.I love dad Wright's effort at explaining the birds and the bees to his flummoxed daughter Baxter. Too often the actress over-emoted in her parts, but not here. She's near perfect as the thoroughly virginal tomboy, that is, until the winning Dailey teaches her how to "buss". I guess my only reservation is with the Indian attack. It's much too conventional for a movie like this, and should have been finessed in slightly humorous fashion. Looks like it might have been included as a concession to audiences expecting something more traditional. Anyway, catch Marilyn Monroe in the fluffy yellow outfit among the four dancers getting a brief musical number. Overall, the elements come together in generally delightful fashion, making the movie something of a minor sleeper, thanks mainly to TCF's handsome budgeting and an outstanding cast.
Jay Raskin This movie came out four months after "Annie Get Your Gun" with Betty Hutton. Anne Baxter plays a female sharpshooter role quite similar Annie. It suggests that if Betty Hutton had not been available, Anne Baxter would have been an excellent second choice for Annie. While the movie isn't quite as good as Annie, it is a totally entertaining piece shot in gorgeous Technicolor. If 1950 hadn't been a year filled with great movies like "Sunset Boulevard," All About Eve" (with two terrific performances by Ms. Baxter and Betty Davis), "Samson and Delilah," and the aforementioned "Annie Get Your Gun," it is possible that this one would have picked up at least a few nominations. Dan Dailey has never been better. He is totally relaxed and charming in his role as a salesman of "mustache cups," and subscriptions to the Saturday Evening Post. Anne Baxter plays her Annie type character with surprising ease and coolness. She seems totally natural when she takes the badge and town sheriff role from her wounded grandfather (wonderfully played by character actor Will Wright who appeared on over 60 television shows in the 1950s and early 60s).Rory Calhoun looks much younger and far handsomer than he was starring in "The Texan" a decade later. This was the first of three movies he was in with Marilyn Monroe. This is Marilyn's debut film, unfortunately she's only in it for about five minute. It is also Western star Jack Elam's debut. Look quick, he's in it for less than minute. You can also catch Victor Sen Yung (Hop Sing on the 1960's Western "Bonanza"). Walter Brennan also has two or three nice small scenes. If you're a "Maverick" television fan, this is a must see. While not the first comedy Western, this movie is probably closer to "Maverick" in tone and style than any other movie. Its even closer than James Stewart's "Destry Rides Again." Dailey and Baxter giving great performances is the reason to watch, but the Technicolor, beautiful Colorado scenery, and bit parts by future stars is a lot of icing on this sweet little cake of a movie.
weezeralfalfa A feel good, moderately entertaining western farce, along the lines of 'Calamity Jane' and 'Anne Get your Gun', but mostly lacking the musical aspects of these better known films of the same early '50s era. Actually, Anne Baxter(Kit) had played a rather similar tomboy with an itchy trigger finger a couple of years earlier , in the conventional western "Yellow Sky". It does feature the versatile and likable Dan Daily, who did star in quite a few lesser known musical comedy romances, perhaps most notably, several with Betty Grable. Dan plays a small time traveling salesman and con artist who journeys to a small town(Epitah) in western Colorado by train, on its maiden trip, with Walter Brennan as the engineer. Anne stars as the cute seemingly naive Calamity Jane-like granddaughter(Kit Dodge) of the town sheriff, who takes an immediate dislike toward Dan's character. Marilyn Monroe, in one of her early bit parts, is one of the show girls in a traveling troop, that happens to land in Epitah about the same time as Dan.One of those rare westerns actually shot, mostly, in the region it is scripted to be in(in the mountainous region near Durango, making use of the Denver and Rio Grande railway). The main plot involves the mostly botched attempts of the local stage line owner to sabotage the coming train line. The other significant aspect of the plot is the initial blatant hostility of Kit toward Dan's character, which gradually changes to an unlikely infatuation. True, Dan seems rootless and superficial, but he has seen much of the world, in contrast to Kit's lack of experience in the world beyond her little corner of Colorado. Included is a very strange parade-like train trip from Epitah to Tomahawk(both bogus town names for CO) with no rails for the first portion of the trip, the train being pulled by a team of horses, and the showgirls following in a stagecoach! Later, a war party of Arapahoes attack, stirred to action by the stage line owner. The Chinese train passenger plays a surprise role in finally scaring off the war party. Also, it's discovered that the chief used to be in a Wild West show with Dan! Thus, the remaining Arapahoes switch sides and help fight the would-be train saboteurs. There follows a stolen train and fight to reclaim the train. Dan is involved in the heroics, but the fleeing stage line owner appropriately is done in by a tomahawk. Dan and Kit have to decide whether they want to make their whirlwind association permanent. Be prepared for a 'surprise' flip flop. Evidently, Kit made good on her threat to give Dan a permanent limp to discourage his resumption of a wanderlust lifestyle!
writers_reign This might have made it under the wire as a passable comedy in 1950 but seen today (yesterday, in fact, on British TV) it is just this side of dire. Husband and wife team Richard Sale and Mary Loos (neice of Anita) came up with one of those 'train in trouble' plots that enjoyed a mini vogue in the fifties (see: It Happened To Jane) that runs out of steam (pun intended) long before halfway. There's no real chemistry between Dan Dailey and Ann Baxter and Rory Calhoun who usually played the good guy phoned it in as the heavy attempting to prevent the inaugural run of a train in Colarado. In 1950, of course, no one noticed Marilyn Monroe (or Jack Elam, for that matter) but now they're using her name to promote this piece of cheese. As one of Connie Gilchrist's 'ladies' she just about registers. Will Wright (coincidentally featured on the same channel two days earlier in the same slot as the killer in The Blue Dahlia) is lumbered with a cross between a tough sheriff and a would-be comedian and fails to make a decent fist of either. Ironically Richard Sale went on to write a half-decent novel, The Oscar, an expose of the manipulations surrounding the annual Academy Award but this entry wouldn't have got within sniffing distance of a gong.