nightwatch4773 Wow I am just loving films from this country over the last decade that started with Wolf Creek. So buckle yourself up and get ready for a twisty, gutsy, gory and entralling thriller from down under that will have you head spinning to New Zealand. This was a film that could've been 3 hours long and I would've still wanted more. This film will never hit the house waves considering it has visited the filmfest circuit for years and just now has displayed its insidious roots to DVD. I believe the film was made in 2008 and just saw the light of day of DVD in 2011. What a shame!!!!!!!!!!!!!!!!!!!!!!!! because there are a plethora of great directors and films waiting but its too bad that they will lurk in the Panumbra and never see the eclipse...

paq5528 Although one might charitably call the plot believable from the revenge point of view, that logic does not hold water as the trio had no original initial plan when they decided not to tell police. You find a dead body in the forest, you know details about the murderer, why not tell police? Why not tell parents? The one girl supposedly has a close connection to a previous girl who went missing, yet she is callous enough not to tell police about the body that might be her friend's. The group is able to find the man responsible, yet still do not tell police. All through this movie I was screaming at the screen, where are the parents?? One boy gets shot through the arm with an arrow, the sleeping arrangements are communal at best, and the parent of none of these kids seems to care where they are or where they sleep. It's just too unbelievable to be a thriller, too annoying to be enjoyable. A shame...

lost-in-limbo Jon Hewitt's little Aussie horror / thriller 'Acolytes' had a strong base to work with as it focused on two teenage boys Mark and James who were physically abused when youngsters by a psychotic bully, Gary and he still happens to be on the scene. By chance Mark discovers a fresh grave in the woods and witnesses the culprit leaving in their 4WD. Thinking maybe its drugs or cash. Himself, James and his girlfriend Chasely head back the next day to unearth it, but discover a body. Still wanting revenge on Gary, they decide to find the whereabouts of the serial killer and secretly blackmail them into killing Gary, or they'll go to the cops. The opportunity might be worth the risk, but they soon find out it won't be all that easy.Director Hewitt sets up a deceitfully macabre and hauntingly slick serial killer film… well the serial killer element can almost be seen as the tool for the story's progression because the central piece could be labelled more so the relationship between the three broodingly angst, but damaged teenagers who really succumb to a lack judgement. The sound idea is made up of many possibilities, but the ambitious narrative does become a bit of jumble losing shape with its jaded editing techniques and jerky flashback sequences. I was getting a little confused with the incoherent shifts in the story's developments, but soon after the film had finished the pieces did eventually come together, despite the contrived occurrences for these things to actually work. It's visually atmospheric style was very similar of the enigmatically uncanny 2003 Australian horror 'Lost Things'. Just like that film, the pacing is purposely slow-going (too casual or artsy for some) and keeping a downbeat frown throughout, but remains psychologically gripping with its metaphorical undercurrents and pessimistic tone. After the ponderous set-up, it storms up moments of suspense and explicit brutality, by transcending in to a game of survival when those who thought they were in control find out they bit off more than what they could chew… or did they? When it erupts there's a real dark edge leading to a dangerously murderous impulse revealing a little more than we first thought. While it's not a perfect balance and feels rushed, it's intriguing to how it eventually goes on to play out. Nonetheless watching the two alternative endings on the DVD, I actually preferred those two takes over the original theatrical choice.The dialogues are fairly sparse and if so quite straight forward, with it concentrating on its moody styling to invoke the emotional pull. Truthfully most of the characters that enter the frame (the main players) isn't particularly likable and can be said to be unpleasant or obnoxious. This however doesn't hamper any of the performances. Sebastian Gregory, Joshua Payne and Hanna Mangan-Lawrence provide good, honest portrayals of the teenagers who find they are in over their heads. Joel Edgerton emits a plausible intensity and uneasiness from his casually creepy facade as the suburban serial killer. Michael Dorman gives a capable turn as the crazily violent bully.Rich locations (filmed in Queensland) are made to great use, where the authentically stunning backdrops have the outskirts of suburbia intrusively entering the forlorn wilderness. Hewitt really does cement a constant eeriness to when the scenes hit the chilling woodlands because of the clinically sharp photography (as there's plenty of excellent imagery captured) and distinctively howling score. However there are some generic inclusions involving unnerving sound effects and clichéd jump scares.

Tom Brocklehurst A rather lame teen slasher from Brisbane. While the plot hinges on a fairly decent idea, the writing is profoundly lame and two of the three main teens are absurdly wooden. The problem is that for the kids to go through with their plan they have to be far more reckless than shown, but if they were that devil-may-care, it would perhaps be hard for them to be likable, so they end up being neither really. In fact, I only started enjoying the film when I started wishing for their death. One of those movies where in about a thousand places the most sensible option would be to call the police. I realise we wouldn't have a movie if they did, but it would be nice if we could believe that they actually wouldn't. Avoid.