Kirpianuscus
it is strange to expect more than a nice comedy, not very sophisticated but good occasion for discover the art of Fernandel. in fact, it is one of examples of the seduction of Orient, not very far by the original story but a lovely version, less dramatic and using in smart way the classic clichés. Fernandel is the perfect Ali Baba, giving to his character a sweet vulnerability and a specific charm. and Morguiana, she is the belly dancer who knows to inspire her role from the easy elements of Oriental civilization. so, one of refuge - comedy. after a long work day.
writers_reign
... can't stop this turkey stinking up the screen. It's difficult - make that almost impossible - to imagine that Jacques Becker had just made the exquisite Touchez pas au grisbi immediately before moving on to this piece of cheese. Almost nothing about it works and the only minor point of interest is that leading lady Samia Gamal had starred in an Egyptian version of the same story twelve years earlier in 1942. What Becker and Fernandel were thinking of remains a mystery given that both were tops in their respective fields. Insipid, anaemic, uninspired, lacklustre, lifeless are words that spring to mind in connection with this entry though on the other hand if those adjectives light your fire you'll love it.
Armand
is only actor of this movie. nice, charming, naive. a page from an old book. leaf of a death tree. a film who explore, not very well, the Arabian fascination. the recipes - Hollywood cuisine. the cast - beautiful girls like shadows of autumn. the action - childish and too precious. result - an amusing trip, few nostalgic memories and nothing else. bad thing - the possibilities to make a real interesting movie. and the choice for a sketch about fake universe. film of a legendary comedian, Ali Baba is not just temple on shoulders of Samson. it is only exercise for a public of ""plaisanteries and wist of time. but in every thing is measure. this movie is exception. for few middle expectations. so, the thief is the director. and Ali Baba is only shadow of a great comedian t end of his career.
Cristiano-A
Ali Baba is the servant of a rich merchant. One day, his master send him to the market to buy a woman slave. There, he find Morgiane, a beautiful dancer who is being sold by her own father. And he instantly become passionate for her. In the next day, he finds the cave where 40 thieves keep their stolen treasures. As he heard the magic words that open the cave's door, he can enter and steel some of the money kept there. So, Ali Baba becomes rich and buy Morgiane from his master. All seemed to be OK but the chief of the gang of thieves is pursuing Ali. After some laughable situations, Ali Baba, in the end, marry with Morgiane and give the money in the cave to the poor and the needed of the city. This is a funny version of the famous tale of Ali Baba and the 40 Thieves. In the leading role, we have Fernandel, a french comedian of the 40's and 50's, who was very popular here in my country, Portugal. Of course, it's not a movie in which the director wanted to make a masterpiece, but I think it's a good comedy about exotic people and landscapes. It was filmed on Taroudant, at 80 km from Agadir, on the south of Morocco. And it was the work of Georges Wakhevitch, who designed the memorable cave who opens with the command "Sesame, Open". In reality, it was a mobile door arranged against a true cave on the valley of Sous, the region from where are the 4000 Berbers who figure on the film. The feminine star on the movie, the Morgiane character, is played by a Egyptian dancer and actress, Samia Gamal, who became a star of the Egyptian cinema and who married a Texan oil magnate, overwhelmed by her womb dances.
AD
