Leofwine_draca There are a lot of things wrong with this movie; the plot is clichéd and routine, the editing and photography bad, the acting and dubbing appalling. Yet, despite of all these detractions, I found myself thoroughly enjoying this science fiction / horror hybrid which successfully mixes both genres by the crude methods of having two sub-plots which regularly clash. So far I've only seen two of the Karloff/Mexican quartet made shortly before the actor's death, but this beats DANCE OF DEATH hands down by never succumbing to boredom.Things open with two scientists experimenting with radium with machinery that looks like its come straight out of a Hammer Frankenstein movie. Throughout this movie there is a definite Hammer influence in the setting and the costumes, what with the low-cut dresses of the women, the horse and carts that the men drive and the mob of torch-wielding villagers who go on the rampage at the end. Although the poor film stock used and the washed-out colours make this look like a cheap imitation, it's the thought that counts and ALIEN TERROR benefits from the similarity.The two scientists are soon revealed as Boris Karloff and his female assistant, who has been facially scarred (a typical requirement for the genre). Karloff actually has a fair bit of screen time in this film, I would say about half an hour of it, which was something of a surprise. Obviously all of his scenes are filmed on one set again, and sometimes, hilariously, a double stands in for him just like that guy did for Bruce Lee in GAME OF DEATH. At the end we see Karloff supposedly watching his house burn down, although it's obviously just an actor with fake grey hair - luckily he never turns round! At another time Karloff appears with his mask on while another actor dubs his voice - the only trouble being that a Mexican trying to sound British doesn't work very well. The effect is absolutely hilarious! Anyway, on the arrival of a UFO (animated), an alien visitor arrives on our planet. Is he slimy, scaly, scary? Well, err, no. Actually this "alien" is a blond guy with wavy hair wearing a shiny silver suit! Again, another moment of hilarity comes from his presence. He spends a lot of time lurking in bushes watching people, or hiding out in his UFO, which is commendably surreal with a blue-lighted set. His plan is to destroy all of Karloff's equipment which has the power to destroy the universe - basically this is a variation on an old theme. But first he must possess a number of people into doing his will.The possession occurs via a translucent "blob" (briefly seen, but it looks just like THE BLOB) which melts into the victim's hand. I'm not making this up. The first to go is a swarthy man called Thomas, who also happens to be a sadistic sex murderer who receives sexual pleasure from hacking up his female victims with a straight razor. Thus the scene is set for a number of non-gory but pretty grisly murders in which the females are at first seduced and then killed. Incidentally, this is a very sexist film, in which EVERY female character wants a man to be with and only has one thing on her mind - sex! Subservient isn't the word.After a string of murders (as there is apparently no police presence in the village, nobody cares), Thomas eventually reaches Karloff's laboratory where Karloff himself is possessed by the "blob". They also find time to fit in a cool scene where a bunch of flowers wither and die because of the radiation the "blob" emits. More people die, a bland young scientist hero investigates, Thomas is wounded and butchered by the vengeful villagers and the alien presence is destroyed - only for Karloff to blow up his equipment anyway, and for the alien to leave happily! Which begs the question...why didn't the alien just go and ask Karloff in the first place? It would have saved an awful lot of time and effort.The acting is generally bad but fun to watch, of course with the exception of Karloff who once again gives his all and is the best actor in the film. However, honours must go to Yerye Beirute's snarling turn as the sex murderer, for managing to create such a loathsome, despicable character. Plus, a couple of the female leads are given more to do than usual, including one getting possessed by the alien herself in a shocking twist. Everything else about the film is pedestrian, but in the mish-mash of plot ideas, there are a couple of neat twists. The "alien possession" theme would later be explored (through much better special effects) in the likes of THE HIDDEN, which came twenty years later. ALIEN TERROR may be cheap and dodgy entertainment, but it passes the time quite nicely and is a bit better than you would expect from its lack of pedigree.

Steve Nyland (Squonkamatic) This movie likely won't be of much use to the bulk of humans infesting the surface of the planet Earth. But it may interest Boris Karloff fans and amateur theatrical detectives who like to dissect bad movies like lab specimens. What you get here is one of the most disjointed and bizarre films ever made, a combination of what appear to be two films edited to seem like a larger whole. The first movie consists of about thirty minutes of footage featuring Boris Karloff playing a white suited scientist who invents a disintegrator ray device. The were filmed on soundstages in southern California, with some ending up in this film and others in FEAR CHAMBER, THE SNAKE PEOPLE and HOUSE OF EVIL. The second movie was filmed after his scenes were completed in Mexico and attempts to match the Hollywood scenes with actors -- some the same -- wearing similar costumes on similar sets, reciting more or less similar toned dialog & engaged in similar actions. Idea being that they are on one side of the room and Karloff on the other: Sometimes characters who were present for both sessions walk back and forth between the scenes, which is quite strange. Their hairstyles and lighting changes subtly, creating a disjointed viewing experience that overwhelms whatever the script was about.If memory serves, a space alien in what can only be described as an Art Neveau flying saucer gets wind of the disintegrator ray and decides it is too great a threat for mankind to posses. The alien looks like Yahoo Serious and wears a silver lame space jump suit that reminded me of David Bowie from THE MAN WHO FELL TO EARTH. So did some of the flying saucer's design elements, consisting mostly of beakers with colored fluids bubbling through them. The spaceship is mostly shown from the inside too, requiring the viewer to sort of have to take the director's word for it's existence.The alien takes possession of various cast members and compels them to sabotage the disintegrator ray, which is probably for the best after the local military gets wind of the situation and decides they want a portable version to serve as a weapon. This results in several conversation scenes where characters veer from the California shoot to the Mexican footage. It's a great lesson in how a film can be constructed, and we can only hope that we can learn from it or the seventy three minutes it runs is a waste.Fans of Boris Karloff will likely be pleased, he's on screen a bit in this one and looks great in that white suit which sharp viewers will recognize as the same one from THE SNAKE PEOPLE, likely filmed earlier that day. Others are well warned to try something else.

Korbin Schwertl I don't know what it is about this one actor, but Yerye Beirute ROCKS. Not because he was a good actor (he was OK) but because you can make so much fun about his character in FEAR CHAMBER/THE TORTURE ZONE (Roland) and in THE INCREDIBLE INVASION/ALIEN TERROR (Thomas). They are both so over the top you have to make fun about them.I had a pretty good time with this film. Taking it for what it is, this film is very enjoyable. Enjoy it with some good friends and have some beer and you will find yourself having a wonderful time. The hardly makes any sense, the dialogues are beyond bad, ... It's a very special kind of a stupid film and very enjoyable as well.There's some kind of an anti-nuclear message in it, but it's a very forgettable one.

Witchfinder General 666 "The Icredible Invasion" aka. "Alien Terror" of 1971 is one of the rather crappy and very odd last films of the great Boris Karloff. Released in 1971, two years after Karloff's death, this movie was directed by Jack Hill and Juan Ibanez, who also directed three other examples of Karloff's infamous last films, "Snake People", "The Fear Chamber" and "House Of Evil". While "The Incredible Invasion" is definitely a very crappy attempt of a Sci-Fi/Horror movie it is nevertheless very amusing and worth watching for its value as an unintentional comedy. While the movie does in no way rank behind "Snake People" in its oddity, it does not quite reach the unintentional fun-factor of "The Fear Chamber", as far as I am considered. Nevertheless it is great fun to watch and I could easily watch it again various times when I am bored and want to have a good laugh.After Dr. John Mayer (Karloff) and his assistant Dr. Isabel Reed (Maura Monti) invent create a ray machine which produces some sort of nuclear power, a ray is accidentally shot into the universe where it hits a flying saucer. Reasoning that this sort of death-rays is too big a threat to the universe, the saucer's captain, a mysterious alien, who actually looks like a human being and wears a bizarre glittering seventies-style disco suit, decides to prevent earthlings from using it. The alien captain therefore lands on earth and possesses the brain of Thomas (Yerye Beirute), a serial killer of women, who operates as the alien's henchman from now on.It would not be far-fetched to say that the Hill/Ibanez movies were to Karloff what Ed Wood's movies were to Bela Lugosi. Both brilliant actors and great stars of the horror genre, Lugosi and Karloff both ended their careers with some very odd films. Although they are without doubt unintentionally funny and they sure have some fans, however, the Hill/Ibanez films do in now way reach the cult status of Ed Wood's films."The Incredible Invasion" is terribly crappy as the Sci-Fi/Horror movie it tries to be, but it can be great fun if watched as the unintentional comedy it is. As far as I am concerned, every serious lover of film should watch at least one of Karloff's odd last films directed by Hill and Ibanez, just for the reason that they are some of Karloff's last films. Some other good reasons to watch "The Incredible Invasion" are lovely Christa Linder and Yerye Beirute, who also was in "The Fear Chamber". Don't expect any suspense whatsoever, but expect an unintentional comedy and laugh your ass off. 3/10