Paul Allaer "Amnesia" (2015 release from France/Switzerland; 96 min.) brings the story of Martha, a woman in her 60s or so, and Jo, a guy in his 20s. As the movie opens, we see Martha enjoying the sunset somewhere on an island. We then go to "10 years earlier - Spring, 1990", shortly after the fall of the Berlin wall. Martha is speaking English to her German brother who is trying to convince her to sell something back in Germany. Later, Martha's new neighbor Jo stops by as he cuts his hand accidentally. Jo is a DJ from Berlin hoping to make it big on Ibiza. Martha doesn't disclose to him that she is German, and they converse in English. Martha also refuses to ride in his car (a VW). Along the way, Martha and Jo become good friends. At this point we're not even 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you';; just have to see for yourself how it all plays out.Couple of comments: this is the latest movie from director Barbet Schroeder (Single White Female; Reversal of Fortune)> Here he tackles a very different topic, namely the long shadows of WW II onto ordinary Germans. The movie is paced very slowly, and it takes quite a while to find the movie's definitive direction, but once we get there, there is no escaping it. The acting by both leads (Marthe Keller as Martha, and Max Riemelt as Jo) really carry the movie. The movie's photography is pure eye-candy, and in a way the film can be viewed as a 90 min. commercial for Ibiza. And let's not forget Schroeder. He has been making films since 1969 (when he directed "More", yes, the film for which Pink Floyd did the soundtrack). The guy is now in his 70s and he is still going very strong. And why not!"Amnesia" premiered at the 2015 Cannes Film Festival. I don't think that it ever got a US theatrical release, but thank goodness for the folks at Film Movement, which eventually released it as part of its Movie of the Month Club releases. That is how I eventually got to see it. If you are in the mood for a foreign talk (no action!) about the long shadows of WW II, I encourage you to check this out.

ksf-2 The best thing about Amnesia is the great acting by the two leads Marthe Keller and Max Riemelt. Very well done, she as Martha, he as Jo, the next door neighbor on Ibiza. They are both from Germany, and because of their age difference, they have different takes on the Nazis. Martha was just a young girl, and was so traumatized she had to leave and vowed never to speak the language again. Jo, much younger, knows some of the history, but has moved on, and doesn't have the shock, hatred and knowledge that Martha has. Things get more complicated when Jo's family shows up and of course when it comes out that they are all German, they only seem to be able to talk about WW II. Some (un-necessary) complications.... because Martha knows German but doesn't want to speak it, people keep feeling tricked by her, as she is eavesdropping on their conversations. Another reviewer here has already discussed the symbolism of "Club Amnesia" and the title of this film. Ibiza IS a nightclub village, after all. Jo is a DJ, trying to get his own mixes played. a few loose ends still hanging around, but the ending scene shows that everything worked out for the best. I'm glad we spent most of the film on the residential part of the island.... having been there, the downtown tourist area is way too crowded and it was great to see the part where people actually live. It was kind of fun to hear the mix of Spanish, English and deutsche. Directed by Barbet Schroeder, who used the same house in other films. AND... was actually owned by Schroeder's family. Good stuff. Showing on netflix.

michaelbloom-1 We don't need a 500-word review to understand this film is very personal for Barbet Schroeder. It would have been a better movie, had the young man and older woman engaged in a sexual relationship in the first act. The idea of a summer love affair between these two Germans, from separate generations - would have had a much deeper gravity for the viewer, in my opinion.

Larry Silverstein Set on the island of Ibiza, Spain, in 1990, this latest movie from the acclaimed Swiss director Barbet Schroeder is a quiet yet absorbing drama.The two leads here Marthe Keller and Max Riemelt are both excellent in their roles of Martha and Jo respectively. Martha is an expatriate from Germany who has rented a house in Ibiza for years, overlooking the beautiful Mediterranean Sea. The much younger Jo, a native Berliner, has just moved in as Martha's neighbor, with aspirations of creating and playing his own techno music in the thriving local clubs.Despite the difference in their ages, there is an immediate chemistry and comfort level between the two. Martha, however, having left Germany in 1936, during the time of Hitler and the Nazis, has been so revolted by the actions of her countrymen during the war that she has refused to speak the German language to this day, has not returned to her native country, or used any products manufactured by the Germans such as VW's.On the other hand, Jo only has learned of the war and the Nazis through school and from filtered stories from his mother and grandfather. Thus he has the attitude of not dwelling in the past but moving forward, not only individually but for his native Germany as well. When Jo's mother and grandfather arrive in Ibiza from Berlin for a visit, some truths about the Nazi horrors will emerge, leading to changes for all concerned.There are two concurrent themes being played out in the movie. The first being that of a possible May-December relationship between Martha and Jo. The second being how some Germans choose to have selective amnesia about what really occurred during WW2 and want to just move on and leave all that for the history books.All in all, I found this to be a well acted, quiet, and cerebral film that I found myself engaged in from start to finish. It also has some wondrous cinematography of the Mediterranean Sea and surrounding areas.