zif ofoz before writing this review i read some of the lessor reviews. i'm wondering what they saw. and i wish other reviewers would stick to their thoughts on a movie and NOT just give another plot summary with their opinion tacked on at the end.in my opinion this movie is a captivating story of a woman (caswell) dealing with the loss of her child and failed marriage. she sees in (adam) a shadowy wish of what her son could be. but reality in her personal life takes control of her very existence. her being a mistress to the president is secondary to her involvement with adam.adam has stumbled upon his own sexual desires and his school life is a jumbled mess because he is thrown into a situation where he must grow up fast; in contrast to the 'child like peers' he must associate with.this movie is a wonderful story told in a suspenseful and at times frightening quality. the director and actors did a super job and 10 stars isn't enough to praise it!

paulwl COA=Coming of Age. It's a set and somewhat stilted genre by now, and _An American Affair_ does little to change that. Young Adam Stafford is isolated in the all-too-predictable World He Never Made: parochial school, iconic period parents cloaked in gray clothes and rote emotions, and females constantly pushing him away for no clear reason. We get the sense Adam's supposed to be Somehow Special - maybe because he's an only child, maybe because he's the big-eyed, callow, Pure Boy - but he's really just inert, a force to be acted upon by the grown-up world.Gretchen Mol's Catherine is really the only flame of real humanity in the film, the only one not acting out a role of someone acting out a role. The actor who brought Betty Page back to life a few years ago had matured fascinatingly since her days as a pretty bauble. Now we see her without the black wig and fetish gear, and she's a real presence. Her role as Sexy Bourgeoise Bohemienne is contrived - cool jazz, drugs, and a patently silly finger-paint ballet with Adam - but she has a genuine emotional vulnerability that most of the film lacks. The subplot of neighbor Catherine's involvement with Jack Kennedy - who apparently will talk to the CIA only through her - is not well integrated. As a result, it feels obligatory, as if it's there to beef up the COA story (and perhaps add a little commercial zing). It does provide a counter-irritant to Catherine's sensuality in Lucien and Catherine's ex Graham, the Agency men easily reduced to masculine role-icons. Lucien is so buttoned up he seems almost deliberately awkward, and Graham taking what we're supposed to believe are the only outlets from his masculine role - drinking and rage towards Catherine. Director Olsson is, of course, working with archetypes - Cold War Washington folk - but he never lets them get beyond their icon status. Particularly telling is his handling of the JFK assassination moment - the parochial school kids left to stand pointlessly in line as all the sisters gather at the television. The news is spread only by Adam, the special boy, who whispers to the pupils - and a silent overhead shot as they scatter like birds in a Paris park. Again, a dance of roles and distance, too stylized by half. Here's a hint, Mr. Olsson: Camelot wasn't so long ago that you have to play it as somber as a medieval allegory. (What does it say that _The Tudors_ had more men in crew cuts than your vision of 1963?) People - CIA men maybe excepted - did approach one another as people, and European directors often miss that American ease. Ironically, that same ease was what made John Fitzgerald Kennedy so irresistible - not just to his many feminine liaisons, but to his country and the world.

Fox Hamilton Apart from how boring this was, it was also historically inaccurate (apart from Kennedy's assassination), but even still, setting this during that time frame is somewhat distracting.The main plot is generic, recycled and unrealistic to say the least. What are the chances of this kid actually coming across all the events that happen in this story? Not bloody likely.Still, though, there were a couple good scenes (the ending was surprisingly good), but just not enough to save a mediocre film. Mediocre, but watchable at least. I'd be more willing to give this a three and a half, but unfortunately I have to pick either three or four here on IMDb...so I'm leaning more towards a three.

dbborroughs 13 year old boy strikes up a relationship with a blond divorce artist who is a friend of JFK. As he tries to survive life in Catholic school she tries to survive before her past and connection to the president come back to haunt her. Okay coming of age film is the sort of thing that has too much on its mind. The provocative art for the film has Gretchen Mol semi nude, looking like Marilyn Monroe and seems to portend a film different then the coming of age drama that is on the screen. Perhaps had I known that this was more of a coming of age Tale I might have liked it more than I did. As it is its an okay film about two people coming together to form a friendship. Worth a shot if you run across it.