An Occasional Hell

An Occasional Hell

1996 "An ex-cop haunted by his past, his murder and his future."
An Occasional Hell
An Occasional Hell

An Occasional Hell

4.9 | 1h33m | R | en | Drama

A former policeman-turned college professor of forensics, is asked by a widow to solve the murder of her unfaithful husband and the disappearance of his mistress who may have been linked to some drug dealers.

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4.9 | 1h33m | R | en | Drama , Thriller | More Info
Released: October. 31,1996 | Released Producted By: First Corps Endeavors , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A former policeman-turned college professor of forensics, is asked by a widow to solve the murder of her unfaithful husband and the disappearance of his mistress who may have been linked to some drug dealers.

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Cast

Tom Berenger , Valeria Golino , Kari Wuhrer

Director

Hector Velez

Producted By

First Corps Endeavors ,

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Reviews

bombersflyup An Occasional Hell was a watchable film that never really went anywhere.I thought Tom Berenger was going to be the killer, teaching a class on the subject, victim's wife asking Berenger to solve it having seen his name on a document in the victim's possessions, her thinking he is the killer. It was a given that they were going to get sexual, but as for the killer just being the guys on the land shooting them, that was completely bland but also surprising to me that this is all the writers had come up with. They were really digging a hole for the body out the front of the house, really. My prediction would of made for a hell of a lot better film. The acting was fine, just nothing much to work with. Kari Wuhrer doesn't really get to play a character here, she is briefly in the start then only in Berenger's imagination. The fact that it is his imagination, you would think her appearances wouldn't be so dull. Why the hell is he imagining her up a tree? It is also odd since he had never met her in the first place.
NateWatchesCoolMovies An Occasional Hell is one of countless cable TV crime melodramas that start to blur together if you've seen enough. They don't often have high budgets, and as such usually only contain a few elements: a handful of actors, a murder mystery, deception, eroticism and very little in the way of fancy special effects. This one has a solid lead in Tom Berenger, who can make anything watchable, and great supporting players who pitch in as well. The story, or lack thereof, is where the problem arises. Berenger plays an ex cop and forensics wizard turned college professor, who is hired by sultry widow Valeria Golino (remember her from Hot Shots? Lol) to solve the murder of her husband and his hot young mistress (Kari Wuhrer), who has vanished. It turns out the mistress may have been involved with drug runners (random) the state troopers get involved and it's all one big mess that neither Berenger nor the plot can seem to figure out. There's a cynical lead Trooper played by a snarky, laid back Robert Davi, and other assorted people including Richard Edson, Ellen Greene, Geoffrey Lewis and a kooky Stephen Lang, who shows up in flashbacks as Golino's eccentric civil war enthusiast husband. None of it makes all that much sense or seems to flow in a way that's believable, but Berenger makes it somewhat worthwhile, as do that other players. Just below average stuff.
Aristides-2 This will be a "Why" review which will then provide some "Answers". Why: does the college teacher teach a class from an elevated proscenium stage? Answer: The location manager of the film forgot to book a classroom on the day the scene was to be shot. College graciously allowed them to use their theater for a couple of hours. Why: are some of the students in their thirties? A: The "main" student in the scene, an older man, was chosen because he's related to one of the producers. The director, seeing him at lunch with his producer friend, realizes that he will stick out like a sore thumb and therefore tells her casting person to cast most of the class with, errrrh, older actors. Why: does the Berenger character, a former cop for god's sake, act like a virginal nincompoop when he speaks to almost anyone else in the film? A: B., without a strong director, he directed himself and decided to play dumb-naive Southern. Why: does the missing waitress appear from time-to-time as a fantasy-image? A: to show audiences that the prof is a "famous writer" who desperately needs a muse......to write true crime crap yet! Why: does the scene with the muse, riding on the external front of prof's car, have the background moving backwards? A: because the director, cinematographer and script supervisor forgot or didn't know that when you have a camera axis change from scene to scene what appears forward-going will project backwards. Why: does the color of the prof's car change on a car surveillance sequence? A: See previous answer and add property master, teamster and key grip to the answer. One of these people should have caught the error Why: and how could the town's newspaper know, the day after the murder, that "the waitress" was in the car with the victim? No one saw them together. A: a thing like this will happen to a hack writer grinding out a script under time pressure. Why: does the prof. keep injecting a yellowish fluid into his arm? A: Maybe his body doesn't provide enough urine for his every six hour evacuations and so he has to add it to his system. Why: didn't the savvy ex-cop, investigating a missing person who was present at a murder, make the connection that a huge hole being dug by two retards (set in the South so of course common folk are all perverted, repressed morons) near the site of the crime scene take days if not weeks to think that it might be a place to bury another murder victim. (This burial site is next to the murderer's house which is located near huge swamps which would be perfect to get rid of a body; oh the inbreeding that takes place Down South and the damage to the intellect!.) Much, much more but only time for one more Why. Why was this movie made? A: They thought with Berenger in it they could market it into profitability. As if that would be enough given the illogical script they were planning on filming. Too, he probably got more money than they wanted to spend and started cutting costs in many ways that unfortunately turned up on the screen.
The Boz This is not a stellar performance by Tom Berenger. This obvious low-budget movie does not make an impression. The plot seems to have many holes and the story line never really comes together. Berenger, a former cop, and now college professor is lured into finding the killer of a woman's husband and also tries to find the husband's lover. The movie's flashbacks are confusing and never make things that clear. The movie jumps around too much and it never gives the viewer a chance to get comfortable with any one character or situation. This movie falls short of expectations and is one of Berenger's saddest roles and performances. He never seems to be comfortable with his character and it seems way too obvious in this movie.