ElMaruecan82 The second half of the 90's wasn't a highlight in the history of French Comedy and "Asterix and Obleix Take on Caesar" is no exception, well, what would you expect from such a stupid title? Anyway, in the 90's, some great comedies were made, "The Visitors", "The Three Brothers" but the majority of those that did well at the box-office aren't really worth remembering. Just like in America, it's was the dawn of the CGI age, special effects were the new trend, the directors' darlings, and for some reason, it unveiled the laziest aspect of French filmmaking; betraying a thirst for cheap and predictable success. It started with "The Guardian Angels" in 1995, took a high point with the dreadful "Visitors 2" two absolute disasters as far as storytelling is concerned, an exception though with the passable "Taxi'. But in 99, the Asterix movie sealed the fate of good old popular cinema that could rely on great dialogs and acting.Yet, it was the highest-grossing film in France. How the hell did it work? Well, the answer is in the title, any adaptation of the most popular comic-book character in France was a certificate of success. The casting was also promising, Christian Clavier was the little Gaul and Gérard Depardieu the strong and likable Obélix, the same duo from "The Guardian Angels", the little nervous one, the heir of Louis de Funès and the gentle strong guy, who made me regret the days where he was playing the straight man with his fellow Pierre Richard. The rest of the cast constantly invites us to a 'spot that star' game, from Michel Galabru to the then international star Roberto Benigni. The star-studded cast was so omnipresent to it distracted from the plot.After a second thought, it was probably meant to distract, given the inexistence of the plot. Well, after a third thought, it's not that there was no plot, the plot was inconsistent, full of little twists and displays of fantasy that would have made Goscinny roll over his grave. But Albert Uderzo, the drawer was much alive at that time, so was Goscinny's daughter, how they accepted such bad screen writing is beyond me. But later, Uderzo would publish an awful adventure featuring aliens in the Gaulish village, so I guess I don't have much to blame on the director, who thought, and rightfully so, that any script would do, no matter how damaging it would be for Asterix' legacy. Even the title "Asterix and Obélix vs. Caesar" is so childish and stupid (it doesn't even reflect the story) that it should have been a warning about the content.I'm a fan of Asterix, as some other reviews show, and if there ever was one thing that characterizes his adventures is a mix of fun and wit, severely lacking in this film whose only merit lies on its initial premise.But then, why taking so much distance from the books? The legionaries wear red uniforms which in the screen look terrible, the villagers are all hideous and seem to have the same hair color. Asterix is blonde and Obelix has red pigtails but in the films they are both brown-haired and wear totally different outfits, it's as if the film tried to make a historical feature, but this is a joke for God's sake, let's keep the original format and move on. The acting is part of the blame too, Clavier is still possessed by the mimics of Jacquouille from "The Visitors" and Depardieu is so dumb, it removes every bit of sympathy from Obélix, which is unforgivable. And don't get me started on the druid Getafix who would give any normal child the creeps.The rest for the cast know what kind of film they star in but even their ham performances can't redeem the ridiculousness of some scenes. At one point, they fight over fish's freshness and end up divided into two groups … what were they thinking? It wasn't even funny in the paper. I won't get too much deeper into the plot, which borrows several bit from every album and combines them in the most disjointed way. There's a tax inspector like in the "Cauldron" adventure, a "Soothsayer", Obelix disguises as a Roman like in "the Goths", he's in love with the beautiful Falbala (played by Laetitia Casta) and so on and so forth. I suspect Claude Zidi didn't grow up reading the comic-books and assigned a trainee to read all of them and grab the most likely bits to look good on the script. And they would build something on that.In another scene, Asterix is confronted to wild animals in a sort of arena that reminds of "Temple of Doom", later they meet a druid who's 200-year old druid. The only bit of fantasy the comic-book ever allowed itself was the magic-potion. Clearly the film doesn't respect Asterix' canon … which wouldn't have been problematic had it tried at least to be funny. But it's failure is undeniable and today, everyone forgot about it. I guess, for two reasons. One is because it's a bad film. The second is because Alain Chabat made "Asterix and Cleopatra" in 2002, and to know what is wrong with the first, just watch the second and you'll get the idea. Only an Asterix-geek like Chabat could make a film, humbly adapted from an already existing adventure (that inspired an animated feature) and then build some new gags around it.Chabat showed respect to the adventures and retrospectively, viewers see the first film as a cheap attempt to adapt the adventures. The only redeeming aspect is some generous close-up on Laetitia Casta's assets. Well, I'd have paid the full-ticket price just to see them on the big screen.In conclusion, "Asterix and Obelix take on Caesar" might have been successful but Claude Zidi's take on Asterix is a disaster.

TBJCSKCNRRQTreviews I used to read the comics as a kid... by now, I only vaguely remember them, and those of the animated attempts that were produced that I watched, but a lot of things do seem to fit with what I remember. And hey, at least it's produced by the French, featuring the French, France being where the comic is actually from. There are many details that ring true as far as the source material goes... the first few moments contain a well-known image from the comics, reproduced in live action. This also has an interpretation of the singing of the village musician(I can't claim to know the original French names). Also seen is a recreation of the village leader on his shield. Whether or not you particularly care for seeing this, and whether or not you agree with this envisioning of it, it's there to take in. The small dog is there, as well, and he gets used some for comedy(if in fairly morbid and grotesque ways). The production values are of high quality. The acting is pretty good, if some is overacted, more or less intentionally. Depardieu isn't bad in his native language, either(and he is a fairly logical choice, as far as physical type goes, for Obélix, and Roberto Benigni(who, I guess, speaks French...?) is one of the best additions(although one could argue that he wasn't up against much), and gets several laughs. Ceasar was done well, the actor looks and performs as he should. The humor isn't bad, if at times childish, much of it derived from the comics(more or less well-integrated in the film) and some of it is run right into the ground. I did laugh at this film, if not terribly often. I watched this in the original, French language(not a fan of dubbing... actually, that's a powerful understatement), but some of the material still worked. The pacing is reasonable, well, it runs fine, at least. The plot isn't too bad, and works, if some more or less minor points don't make sense once you think about them(and one sub-plot is never fully resolved, characters not seen in the film anymore once they've done what they were there to do). Some things are lifted from the comics, though perhaps too much material from there was used, leaving too little time for development of what there is, as others have pointed out. This is a cartoon brought to life, obvious in the action(which I'm honestly not sure I've ever found particularly intense... entertaining, occasionally, maybe, but not intense). One particular character shows that the French, too, know of, and stoop to, the lowest common denominator(though I suppose it could have been more gratuitous, but this is at least partially a children's film... torture sequences and such notwithstanding). Most of the characters from the comics seem to be there(again, whether or not they're properly done or well-integrated can be debated). The effects are quite good, and help with the cartoon-y action that we know from the original stories by Goscinny(R.I.P.). Some ideas could have been explored in what the plot does, in particular something near the very end, but are not. There is one reference that could be considered clever... but by the second time it's made... yeah. The music isn't bad. The casting and costumes aren't bad. I guess fans might enjoy it, if they aren't too attached to the original. Making live action productions of drawn source material is seldom a good idea. I recommend this to those who want a live-action version of Astérix and Obélix, but not those looking for a good one. Whether or not the second one would fulfill that need, I can't say. 6/10

Jessica Carvalho ''Astérix et Obélix contre César'' is one of the funniest comedies I already watched, as well as the second movie of the Astérix and Obélix series,''Astérix & Obélix: Mission Cléopâtre''. We have in the cast the beautiful model Laetitia Casta, the Italian and famous actor from ''La Vita è bella''Roberto Benigni, the versatile Gérard Depardieu and Christian Clavier, who changed a lot their looks to become Astérix and Obélix and had success.Astérix and Obélix village is the only place that the powerful Rome cannot control yet;When the collector Claudius Incorruptus cannot collect the taxes from them, Julio César stays angry and try all the ways to conquer the village,specially when the ambitious Lucius Detritus discovers that Panoramix knows how to do an invincible potion for the Gaulish.aka "Astérix e Obélix contra César" - Brazil

Brevity The film is dedicated to René Goscinny. I am very doubtful as to whether he would've liked this sort of remembering. All this dinning mess does to this fan of the comics is irritate him. And yes, it almost makes one growl "sacrilege...", which is, you know, far from a good thing.All that is good about the comic books has been lost on the way. All the verbal wit, the best thing about the albums. Not here. Absent. The other layers beyond the most prominent one. Gone. Not here.The running jokes of the bard being tied to a tree or of Obélix begging for the potion from the albums are here, but they are executed as though this is the viewer's first Astérix experience, thus making the titular character explaining that the other titular character fell into the potion merely irritating; they have only used the parts that constantly repeat themselves in the albums, the Astérix clichés, if you will, but they have forgotten to alter them. Moreover, the characters' characteristics have been changed so that they barely resemble their comic book counterparts.What few jokes and gags there are that might have even worked are mostly ruined by bad delivery or execution. What the hell is Benigni doing? Doesn't work for me. His performance is characteristic of the whole film: much noise, little success.The plot, if there is such a thing, goes nowhere. The film mashes elements from various albums together so that what is left is an incoherent chaos. As if that weren't enough, they bring aboard these moronic new things, such as the cloning fiasco.The costume and set design and the special effects, even the hair, are all done as if this were a cartoon, and yes, very badly so. They are merely annoying. Just thinking of the post-potion-drinking effect makes me cringe. "C'est intolérable", indeed. Even the bloody music over the bloody credits is ridiculously chosen!I had two strong candidates for the summary of this comment; the other one was "Lost in adaptation". Alain Chabat improved on both this and his directorial debut "Didier" with the sequel more loyal to one (!) of the albums and, while at it, proved that it is, in fact, possible for a live-action Astérix film to work, which is why I chose the current title. For you see, this one does not work.