Leofwine_draca Over the years, plenty of film fans have turned director and churned out ultra-cheap gore-fests which go out of their way to desensitise the viewer with endless bloody murders and guts splashed all over the place. Most of the time, these independent filmmakers come from America or the U.K., and thus the '80s and '90s are full of little-seen films like THE ABOMINATION. BABY BLOOD is a French take on this sub-genre of movie-making, a dark little splatter film with a bizarre plot that capitalises on the late '80s/early '90s trend in "evil baby" films, perhaps set off by US flick THE UNBORN. While it's cheap and sometimes badly acted, BABY BLOOD tells a simple story that moves along at great speed. Essentially, it's about a woman possessed by her primeval baby, who turns out to be a slithery Lovecraftian creature with a penchant for blood.Along the way the woman becomes a blood-drinking maniac who, in a distinctly feminist angle, goes after the men who slight her, before turning her sights on all men in general. After a series of murders and vehicle accidents, the baby is born with predictably disastrous consequences. BABY BLOOD succeeds in creating some eerie moments, mostly in the creepy voice of the killer baby (word has it that Gary Oldman dubbed this role for the American release). As the heroine, the voluptuous Emmanuelle Escourrou isn't afraid to spend much of the film in the nude, adding to the exploitation value, and she transforms her character from an attractive and fragile victim to a blood-soaked maniac with a certain level of convincingness. The male characters in the film are all pretty stupid and sleazy, so it's hard to work up empathy when they get their guts torn out.At heart, this is a gore film and director Alain Robak focuses on the bloodshed throughout. There are knife murders, people getting crushed and run over by cars, bodies being torn to shreds and severed heads galore. The blood is liberally sprayed all over, pushing the boundaries of good taste on many occasions, and the low budget special effects are surprisingly decent. One of the most disturbing sequences is a nightmare in which the heroine sees bloody hands emerging from her stomach – a truly stomach-churning and weird moment. Robak also creates a brilliant and offbeat sequence of the heroine staggering down the street, where the actress is shot from a low angle and there's a look of animation to the shot. I can't quite describe it, but it's one of the most inventive things I've ever seen. Bizarrely, despite the downbeat, degrading nature of the story and all the darkness and brutality of the murders, the baby turns out to be quite a humorous creation and engages in some comedic question-and-answer sessions with its mother as it tries to find out more about the human world. The final set-piece, on a bus full of drunken footballers, is well-executed with some memorably slippery special effects work, and the final shots are neatly portrayed. BABY BLOOD won't rock anybody's world, but it is a well-made and distinctive little shocker.

billcr12 Here's an interesting concept;; Alien like pregnancy with a woman instead of the John Hurt character in that overrated bore fest. The unfortunate baby host is Yanka(Emmanuelle Escourrou). A reptile sort of creature wanders into her uterus and has a thirst for blood. The good mother travels from village to village, killing anyone available to feed her growing fetus's voracious need for plasma in order to grow into a really large and dangerous monster.The little one is very verbose, having funny conversations with its' host. Yanka is sexy and often naked, which adds to the entertainment value this atmospheric thriller. Baby blood provides buckets of the red stuff, as expected, and I thought that the acting and script were pretty good for this genre.The director, Alain Roback, has an eye for detail and a sense of humor. The talking baby is a different twist, and it works in Baby Blood.

krazychazowazo I used to live in Southwest Florida where Sarasota used to (maybe still does)have a French Film Festival. Probably in 1990 or 1991 Baby Blood was one of the featured movies and I saw it on the big screen which was quite an experience. It is a good movie and definitely with a French style. My recollection is also that the director was there at the festival and screening and took questions afterwards. This was before the explosion of film festivals all over the world and so was pretty unique. They had a nice mix of films and some great viewing venues. This one sticks out in my mind because it was surprisingly good and I wasn't expecting much based on the title and description. Sometimes it's a lot different seeing one on the big screen than on TV. Those were some fun times. I haven't seen this on DVD.

Aaron1375 I caught this movie a while back, but I still remember it a bit. This one is kind of like the science fiction horror movie "Horror Planet" only this time it happens on earth. This one has a woman impregnated by something or another. Her baby has a special thirst for blood so the mother must kill in order to feed her baby, so you can tell the title for this one is quite accurate. This is nothing new as I have already mentioned a movie where this was done before, what makes this one freaky is that the baby actually communicates with the mother. It tells her what he is and what his intentions are. Quite frankly, there is nothing for the world to worry about. This one is okay in places, but it does move a bit slow at times as well. It is worth a look see, but I wouldn't buy it or anything. It is a bit interesting to see how the mother reacts to the baby as sometimes she loathes it and at other times she loves it. In the end it primarily shifts to a more basic horror movie.