justinenyman All I can say is what a beautiful inspirational story. It brought tears to my eyes to see such a caring individual change the lives of so many homeless children and their parents. It really shows the love that Stacy has for her students, to further their education when the resources were not provided. She went out of her way to provide the children with a learning environment, purchasing cleaning supplies, changing the classroom, providing education to their parents, and tons of supplies provided by her without the means of pay. Every teacher out there should watch this film for inspiration. It is you, combined with the child's willpower that changes the outcome.

studioAT I've seen Beyond The Blackboard a couple of times now and each time it has proved to be an enjoyable watch.While films about inspirational teachers getting the best out of wayward children are pretty common what separates this one from the rest is the heart and strength of the script behind it. It goes against the normal cliché's and this makes for a better film.It is helped by the fact that Emily Van Camp (better known to many as Emily in Revenge and Amy in the dearly missed Everwood) gives a great performance as Stacey and is supported by some good performances from the young children playing her pupils. Fans of the formerly mentioned Everwood will like the sight of Van Camp working with Treat Williams again and their chemistry shines through in the limited scenes they have together. It is also nice to see Cal from Studio 60 (aka Timothy Busfield) also appear in this above average TV movie.

vchimpanzee In this fact-based Hallmark Hall of Fame presentation, Stacey is 24 years old in 1987 and fresh out of college. She has wanted to be a teacher since she was a little girl. In flashbacks, we see her as a little girl who has to listen to her father yell at her mother, but other than that we don't know the specifics of why her early life was not pleasant. Then at 16 she becomes pregnant and drops out of school. Still, she married the father, Greg, and earned her GED, then graduated from college, all while raising not one but two children.Stacey is interviewed by the head of human resources for the Salt Lake City schools (Timothy Busfield), who has one opening for her--a school for the homeless. It turns out to be much worse than she imagined: a dump of a warehouse which is also the homeless shelter, with no textbooks or real desks for the students who cover a wide range of ages and abilities, or anything to make it look like a real school. Every time a train passes it's like an earthquake. The substitute teacher she is replacing can't wait to get out of the place. There is a class pet--sort of.But the kids are no worse than kids in any other inner-city school, and most of the homeless are really nice to Stacey. One exception is Candy, who doesn't understand her kids should be in school so they can improve their status in life. After the first day, though, Stacey has only one incentive to stay at this dump. She doesn't want her own children to see her quit. So she perseveres, finally getting through to the school children and really teaching them instead of just babysitting. But the real challenge is dealing with the bureaucracy--she has no actual principal, and no one wants to take responsibility for anything.Eventually, Stacey gets Dr. Warren to listen, and things improve. Some of the homeless people assist Stacey in her efforts, and one is so good at his job he can be paid for it. Still, other challenges are ahead in this environment.There is an additional complication in Stacey's life that has nothing to do with her job, but it's just a challenge that adds to the others. She won't give up.This was a really good movie, though one possible criticism is the fact that these kids were too ideal. And Stacey's own children are too perfect to be believed. But the movie is based on fact, and maybe this is the way it was.Another omission: at the end the real Stacey Bess was introduced, and she mentioned prayer. Not once was a specific religious faith brought up in this movie. Was this an effort to be "politically correct" and not single out one faith over others?Emily VanCamp does a very good job. She looks so much like Melissa Gilbert that she seemed familiar, even though I don't really know her. The real Stacey Bess looked very much like Kiersten Warren, an actress playing one of the homeless parents. Still, Warren is much older than Stacey is supposed to be here, and she was well suited for a tough, more street-smart character.All the leading actors were very good. I would single out Paola Nicole Andino as Maria, a sixth-grader intending to be a teacher but dealing with challenges. Also Liam McKanna as Danny, who goes from Stacey's worst discipline problem (but hardly anything to write home about) to one of the class leaders and a child with lots of potential.It was worthy of the name Hallmark Hall of Fame.

cgflames I was surprised. I didn't intend to watch the movie, but once I started I couldn't turn it off or DVR the rest. I wanted to stay till the end.I found the child actors to be believable and talented. I was happy with the job the adults did as well.I found the story to be sad, but truthfully what can be expected in our world today with the way things are (unemployment so high, lots of businesses going out and leaving people unable to take care of themselves any longer, and so forth). I found that the movie made me want to read the book, to see how accurate the story is. I can imagine that things were much worse than they were shown in the movie.I was happy that the ending was real and not a happily ever after ending. Life for the homeless rarely seems to end with everything hunky dory, for some people things improve, for a lot they just go downhill quickly.Most of all I was happy to get to meet the real person at the end of the movie. Although there was good info on how to help, which I am sure was most important to this wonderful woman, it would have been nice to have a better update on her family situation. IE: still married with this many kids, all grown or ages (fill in the blanks). It is something I always look for at the end of a true story.