MikeF-6 It is a romantic comedy. No, it is a drama of class conflict. No, it is a crime thriller. No, it is a chick flick – all the men are either brutes or comically clueless while strong women bond. But wait! It is all of these – and more! At first thought, one might well jump to the conclusion that such a mixing of tones is a sure recipe for…well…chaos. But writer/director Coline Serreau blends all the elements perfectly into a funny, suspenseful, and uplifting film. It begins with a professional couple (Catherine Frot and Vincent Lindon) rushing out of their apartment, late for a dinner engagement. On the way there, a woman, obviously a prostitute, who is being pursued by three men, runs toward their car yelling for help. Lindon locks the doors. The woman is caught and is being savagely beaten as the couple drives away. Lindon doesn't want to be involved, but Frot finds the woman unconscious in a public hospital and becomes her major caregiver and protector. Frot is excellent. Rachida Brakni, who plays the young woman forced into prostitution but trying to break away, is a terrific new talent. Can a guy fall in love with two women at the same time? I did while watching this movie. This just in! Director Serreau did such great work that she has landed the job of directing the inevitable Hollywood remake of her own film, due in '06. It looks like Meryl Streep will take the role played by Catherine Frot. Some days I think I must go mad.

Q. Reyes En route to a party, Paul (Vincent Lindon) and Helene (Catherine Frot) encounter a speed bump when a woman throws herself in front of their car, begging for help. Having learnt not to pick up hitchhikers, they watch helplessly as she is beaten unconscious by several men.Helene feels responsible for this stranger, whom she comes to know as Noemie, and spends much time with her at the hospital. But when she discovers that Noemie's life may be in danger, Helene sneaks her out of the hospital posing as a nurse.Taking her to her mother-in-law's country home to recover, she learns of Noemie's tragic story. Brought to France from Algeria by her father, she chooses a life of prostitution after her dad sold her down the river to an Algerian man.This movie tells me how prostitution works in France and its similarities in the prostitution that's been happening in our country.This is a funny and fast-paced movie. I would have enjoyed it more if I can only understand the French language.

an165 What a wicked gem of a movie! 'Chaos' occurs when a middle-aged Parisian couple driving home from a party become witnesses a young prostitute getting beat up by a band of thugs. They eventually drive off but a connection has been made--the wife will inquire with the hospital and a secret partnership ensues, leading 'Chaos' to a series of chance meetings and conspiracy. If you loved "Thelma and Louise," you'll especially enjoy this one, I believe. It's hard to write a proper review of the movie because so much about it is in the action--high-octane action, that is; combined with real emotion, lots of laughter and a close-up look at the upper-class Parisian lifestyle. 'Chaos' has a 'reality' flair to it, aided in large part by the fact that it was shot in digital format; this is what helps make it such a poignant film in the end. Very real performance by newcomer Rachida Brakhni. Veterans Coline Serreau and Vincent Lindon are right on point with theirs, as always.'Chaos' was so unexpected for me. It's one of my favorite movies of the last few years.

Ralph Michael Stein "Chaos" has been described by some reviewers as a French "Thelma and Louise." Not so. "Chaos" is that rare film seamlessly and believably meshing extreme violence and brutality with wry comedy. Its two female protagonists are winners in the great Game of Life (Thelma and Louise lost out on that score, big time).Helene (Catherine Frot) has a successful career and is married to a business-obsessed, vacuous, philandering fool, Paul (Vincent Landon). Their twenty year or so marriage has produced ample material comforts and a son, Fabrice (Aurelian Wiile), who's living proof that a kid can turn out to have less sensitivity and intelligence than your average Parisian poodle. If my son turned out like Fabrice...well, I can't even contemplate the possibility.On an evening out, Paul and Helene encounter a young woman desperately fleeing from three rabid pursuers. Paul locks the car doors leaving the hapless victim to endure a horrific beating, shown in all its gory. Paul's prime concern is to get his vehicle into a car wash (a pretty spiffy one at that) so the spattered blood on his windshield won't be noticed by police). A great citizen is he.Deeply disturbed by Paul's detached callousness, Helene seeks out the woman who is near death in an intensive care unit. Noemie (Rachida Brakni) is a prostitute who tried to run away from the gang of thugs who pimped her first on the street and then to high-income but low-class businessmen. Brakni's portrayal as a determined woman fighting death and the threat of lifelong disability is intense, involving and believable. She isn't The Happy Hooker - she's the surviving woman, her strength coming from a deep interior that even drug addiction can not erase.Helene plays an increasingly important role in helping Noemie to recover from her grievous wounds. It's neither a spoiler nor a surprise that they form a bond of trust and friendship and embark on a mission of ...what? Justice? Vengeance? Reparations? Director Coline Serreau unfolds the story in a well-filmed series of scenes that never lose the viewer's attention (at least I couldn't take my eyes off the screen).Paul and Fabrice could be seen as stereotypes of fatuous, self-indulgent, essentially helpless-without-women men except that they are soooo real. Helene is no victim - she understands her menfolk's foibles and her decisions are her own, not the product of male manipulation and dominance. Ms. Frot plays her role beautifully with slight facial expressions telling much.Yes, this is a film where most of the women (including Paul's neglected mom) are the Good Gals and the male characters start at jerks and work their way down the food chain to abusers and rapists. But the interplay between the domestic and romantic comedy and the abyss of forced prostitution and exploitation comes across as simply different sides of women's life experience. In that regard "Chaos" is quietly compelling.Noemi is from an Algerian family and the film swats at Islamic customs that demean women and control their destinies. I don't expect this movie to be a hit in Islamic countries. "Chaos" pulls few punches in depicting the reality of the bleak futures in store for girls raised in the ultra-materialistic and wholly bigoted families exemplified by Noemi's family. 8/10.