Chinatown After Dark

Chinatown After Dark

1931 "See what happens in the underworld dens after dark!"
Chinatown After Dark
Chinatown After Dark

Chinatown After Dark

4.1 | en | Drama

The female head of a criminal gang in Chinatown is after a valuable jewel, and lets nothing stand in her way of finding it.

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4.1 | en | Drama , Crime | More Info
Released: October. 15,1931 | Released Producted By: Ralph M. Like Productions , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

The female head of a criminal gang in Chinatown is after a valuable jewel, and lets nothing stand in her way of finding it.

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Cast

Carmel Myers , Rex Lease , Barbara Kent

Director

Ben Doré

Producted By

Ralph M. Like Productions ,

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Reviews

mmipyle I watched "Chinatown After Dark" (1931) with Carmel Myers, Barbara Kent, Rex Lease, Edmund Breese, Frank Mayo, and Billy Gilbert. Wow!! Utterly unbelievable! Gilbert as a sneezing cop - in a half-way serious role, although it's a light part - is simply over-the-top for modern audiences. Would possibly have played better 90 years ago. But it's up against a group of Chinese in America (all played by American Caucasians!) who are bad, bad, bad. Except for Lotus, played by beautiful Barbara Kent, who turns out to be white (her father died and only a Chinese man played by Edmund Breese would take her in and raise her - yeah, right...)... Story concerns a dagger that happens to contain a very large and beautiful - and extremely valuable - stone...hidden inside the dagger, of course...Rex Lease not playing a cowboy is something of a wonder in and of itself. His brother, played by Frank Mayo, has about as much energy as molasses dried on a plate. Carmel Myers, as a Chinese gang leader, is about as realistic as me being Chinese. Edmund Breese played Chinese several times - I've got him in several of these performances - and he's actually fairly good, although his part doesn't last very long.This not only was shot on the cheap, but it screams the fact to the viewer. In fact, the scream is so loud it may remind someone of insanity where a scream inside the head won't go away!! Some of the acting is so bad as to be laughable. The film, I must admit, however, is still fun to watch. I'm not sure why. But I could actually recommend this to early film lovers of the transition period from silent to sound. This one has most of the technical faults, and it's a good study piece for that reason. Otherwise, be warned. I'll leave it at that.
MartinHafer This is a low-budget B movie with a mostly unknown cast (other than Billy Gilbert in a small comic relief role). It begins with a man trying to buy a dagger from a man who has agreed to take this to Lee Fong. Although it seems of minor value, the man offers $1000 for it but is refused—after all the other man can't sell something that isn't his. But when he refuses, the guy tries to kill him and take it! Apparently this is SOME dagger! In fact, several more attempts are made on his life but somehow he is able to escape with his life. When the dagger finally is brought to Fong, the reason it's so desired is now apparent. However, at that moment, Fong is killed and the secret is stolen.Of special note is the character of Madam Ling Soo who might just be the worst character played by a Westerner imitating an Asian—and that's saying a lot. It is probably worse than John Wayne's impersonation of Genghis Khan or Katherine Hepburn as a Chinese peasant—mostly because her accent and acting are so utterly bad and ridiculous. Also, while I usually like Gilbert in films, here he plays a person so stupid and one-dimensional that he is a serious detriment to the movie—not that it was a great film to begin with, by the way.Overall, bad acting and a bad script make for a bad picture. This film is in the public domain and I can easily see why no one bothered to renew the copyright!
Cristi_Ciopron CHINATOWN AFTER DARK is only one of the many short thrillers with supposedly Chinese atmosphere; the title is much better than the movie itself. Yet the very movie is acceptable, if you enjoy these between—the—wars standard thrillers.A guy is asked to deliver a Chinese dagger to a Chinese oldster; meantime, a gang is trying to get the dagger, a valuable one because inside it it's hidden a precious stone. The guy has a helpful brother.Otherwise, there's no skill, and only a moderately good—looking lady as a Chinese gang boss. The story is very clumsily told.Yet such movies have charm. They are made for a playful disposition.For me all this slapdash is more enchanting that most new TV cop series/ or blockbusters, for that matter.
vandino1 This is just another one of the incompetently acted and written C-grade films put out by gone-and-forgotten Action Pictures (one of many early-sound era independent feature film companies that came and went by the mid-thirties). At least there are a few Chinese actors and extras used to add ethnic authenticity, but you still have the woefully inept Carmel Myers as Madame Ying Su and Barbara Kent as Lotus. Billy Gilbert is the comedy relief as a flustered cop named Dooley. He's also the only decent actor in the bunch; the rest fumbling with their dialogue, including hero Rex Lease. It's all in an effort to tell the cliché story of the murderous desire for an oriental dagger that contains a valuable ring inside it. Rex Lease jumps into the case to help out his brother. Gilbert is cop hot on Lease's trail, thinking he's a killer. Most of Gilbert's "comedy" is sneezing loudly whenever he's in contact with a flower. Like Gilbert's allergy, this dull thriller should be kept out of contact from viewers.