markgorman In 1971 an all American family from Santa Barbara in California were chosen, seemingly at random, to take part in a TV experiment. It was to become the world's first reality TV show called "An American Family" and its stars, the Loud family – both by name and at times by nature, were to become national phenomena.But to get to legendary status the show's producer, Craig Gilbert, had a pretty hard sell to the board of TV company PBS who were reluctant, to say the least, to commit to the show and began to baulk at the cost of production as the film stock costs (in particular) began to mount.Their concern was about the "view-ability" of the show and whether it would find an audience. They needn't have worried because what gradually emerged was a tale of a swinging misogynist father (Tim Robbins), a hopeless and helpless (but sultry in Gilbert's opinion) Mom played brilliantly by Diane Lane and a screamingly gay son, Lance, played gleefully by Thomas Dekker. Not to mention a looky-likey Rolling Stones band fronted by the other two boys.But it's what's going on in the mind of Producer Gilbert (played masterfully by James Gandolfini with a very unlikely full beard and absolutely no gangster element whatsoever to draw on) that is the meat of the movie. Well, I say a movie but it's actually a documentary set within a drama, about a reality TV documentary that turns out larger than life than any drama.At points we see side by side comparisons between the "real" family and the 2011 actors. It's uncanny. Gandolfini manipulates all sides as he makes the "action" more and more interesting but in doing so contributes to the family meltdown and the confidence of his crew. It's terrific.I don't think this ever made it to cinema, it's an HBO production, but it's great and I saw it last night on Sky Atlantic so is likely to be repeated at some time. If it is tune in because it's a little gem.

treeline1 The movie examines the filming of a ground-breaking PBS documentary called, "An American Family," in 1971, which was the first time a family allowed cameras into their home life and would become the first "reality show." Pat and Bill Loud (Diane Lane, Tim Robbins), have a troubled marriage but agree to be filmed because their family seems so ideal; they're rich, the kids are lively, and they live the good life. Little did they know that their life would unravel under the scrutiny of the camera lens.This movie would probably be appreciated most for fans of the original series. I was glued to the screen when "An American Family" first aired and was absolutely fascinated by it. The Louds became instant celebrities and everyone knew their names as viewers were privy to their most intimate moments. Lane and Robbins look and act a lot like the real couple and it was great to relive the train wreck that was their marriage. James Gandolfini is excellent as the producer who convinces the Louds to sign on, befriends Pat, and then reveals his true motives.The original series was absolutely shocking in its day; the movie isn't memorable, but it is quite fun and nostalgic to revisit the Louds.

moonspinner55 Modest, minor cable-made docudrama from directors Shari Springer Berman and Robert Pulcini chronicles the would-be sturm and drang behind-the-scenes of PBS's "American Family", an eleven-hour series from 1971 which chronicled the lives of The Louds of Santa Barbara, CA. Justifiably famous as the first "reality TV" family, this bunch (mom, dad, and their amiable teenage kids) brought in big ratings for 'the education network', even though their lives were fairly typical and ordinary. Picked out of a society column by an ambitious producer, the Louds were followed around by a small camera-crew for some 78 days--to fill eleven hours of air-time--yet high drama was hard to come by (patriarch Bill Loud had the wandering eye; eldest son Lance Loud was a flamboyant singer who had already moved to New York City when production began; while spouse Pat Loud, strong and confident, was the glue who kept kids and husband together). There wasn't much happening behind--nor in front of!--the lens, except for some mild flirting between Pat and the crafty, cunning producer, and Pat's discovery that her husband had been carrying on affairs with a number of different women. The editors of the actual show had a tough time piecing together enough watchable product, while this rendering of events, penned by the estimable David Seltzer, suffers the same fate. The groovy production-design is spot-on, and Diane Lane has several strong moments portraying Pat...yet this American family simply wasn't cliffhanger material. It all seems much ado about nothing.

jotix100 PBS was a pioneer in many areas of what is seen in television today. The impact "An American Family" had on our culture cannot be measured; it was something like no American audiences had experienced before. The openness of the Louds being themselves on a weekly basis was revolutionary at best. "Cinema Variete" wants to take today's viewers to the story behind the reality show.The ideal American family was found for producer Craig Gilbert by a friend of the Louds, who thought they would be perfect for what the producer wanted to achieve. Pat and Bill Loud had four children and led a comfortable life in Santa Barbara, California. Pat was a woman that exuded intelligence, as noted during her first encounters with Gilbert. She had her doubts about how the program would play, but evidently she thought it would be a great idea, but little did she suspect how it would change her life, and that of her family. Bill Loud was something else, he was a philandering man if he was given the opportunity to have sex outside the home.The film concentrates on the technical aspects more than in the family members. The only one that is showcased was Lance, a young man obviously in awe of himself and his wit. Santa Barbara was perhaps too provincial for him to express his artistic bent, so he fled to New York where he was able to be what he wanted to be in an open atmosphere, away from his parents and small town gossip. The other kids are not even given a thought in the film, even though they were prominently seen in the weekly programs.Robert Pulcini and Sharon Springer Berman share the directorial credit. The screenplay is by David Seltzer who tried to explain the new phenomenon on public television in a film format. Because of the limitations trying to condense the series into something that resemble a movie, the creators only touch on their subject without going too deep behind the real family.Diane Lane's Pat is one of the best things we have actually seen her do in recent memory. Her resemblance to the real Pat Loud is uncanny. Tim Robbins take on Bill is not quite right, although he also resembled the man he is portraying. James Gandolfini plays Craig Gilbert, a man with a vision that revolutionized the way we watched television shows. Thomas Dekker is seen as the flamboyant Lance Loud.