Close to Leo

Close to Leo

2002 "When are we old enough to know the truth?"
Close to Leo
Close to Leo

Close to Leo

7 | 1h30m | en | Drama

When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV positive, his family quickly rallies around him. Leo travels to Paris with his youngst brother Marcel for treatment. When Leo tries to push his brother away to protect him, the love and loyalty of the two brothers is tested.

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7 | 1h30m | en | Drama , Family | More Info
Released: May. 18,2002 | Released Producted By: M6 Métropole Télévision , Image & Compagnie Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV positive, his family quickly rallies around him. Leo travels to Paris with his youngst brother Marcel for treatment. When Leo tries to push his brother away to protect him, the love and loyalty of the two brothers is tested.

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Cast

Yaniss Lespert , Pierre Mignard , Marie Bunel

Director

Christophe Honoré

Producted By

M6 Métropole Télévision , Image & Compagnie

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Reviews

p.newhouse@talk21.com A beautifully judged and finely balanced look at the fall-out when a family is rocked by the news that the eldest brother has HIV, this film looks at the triangle of conflict that arises when 19 year-old Leo wants 12 year-old Marcel to be told the news, and his parents don't. Trying to hide things in such a tight-knit quartet of brothers is extremely difficult and immediately futile, as the family are not sufficiently discreet when discussing it. This film examines very effectively the damage done when families are over protective. Pierre Mignard and Yannis Lespert are electric as Leo and Marcel, and Marie Bunel is quietly devastating as the mother.
Franco-LA This is an interesting movie that reflects the elements of being a non-US release, and it has many nice moments, including moments of great bonding between the father and his sons, and between the brothers. However, the movie is marred by some very obvious and frankly trite interludes, such as the death of the chicken, the lengthy episode with Ivan and Marcel, some of the Paris scenes (while some were loverly moments, others just felt like they padded the film out - such as the bench scene, the sexual interlude at the hotel lobby with the desk clerk), etc. They don't add to the film and the detract from the narrative and mar the message (and frankly also help to muddy matters).If the movie was overlong and narratively dense, it would be one thing, but the movie is very short and much of it jumps, without explanation. If the movie were merely an exposition of family life, it would be one thing. But it's not -- that's merely one element.Another thing that hurts the film is the fact that a 1996 book (that likely was written somewhat earlier than that) that finally got made into a made for TV movie released some six years later (and despite some of the praise on here, the film does feel very much like a well-made and well-intentioned but filmed teleplay nonetheless), the notable thing about Close to Leo is how dated it is in its approach to an HIV diagnosis or to a drug cocktail (15 pills? No one is taking 15 pills as a first line HIV therapy in this decade, and certainly not in France in 2002). While the family may have been a provincial one, even in 1996, an HIV diagnosis was not a death sentence and certainly in 2002 it was definitely not one. While plenty still die from HIV and others do not want to take a drug cocktail, nothing is done to establish any real or genuine basis for the perceived ending of this film.The other flaw of the film is the limited (and in some respects conflicted - such as her sudden desire to have sex with the father immediately after he consoles Marcel over the slap at the dinner table) role the mother is given. Some of what the actress is forced to do is absurd, such as the wearing of the burgundy (or perhaps it was intended to be blood red) dress without shoes and her collapse in the garden.This is a typical problem with a writer director film, particularly unfortunate as this happens with their first film and this is at least his second film, depending on when they were produced and shot, versus the release date.Watchable but not worthy of some of the comments on here or it's current higher score. Not as bad as some of the negative comments, just deeply and unfortunately flawed.
bbuudd403 I saw this movie about a week ago and still keep thinking about it. I was very moved by this movie. I found the characters very believable and likable almost to a fault. As in real life though sometimes people disappoint, as was the case with Leo, who even though I liked his character I could not have been more disappointed when he was willing to have unprotected sex even though fully aware of his HIV status. I was also disappointed with Leo for rejecting the medicine available to him, and the awful way he treated Marcel when he decided to ship him back home on the train. I think this movie showed in a very real way why HIV numbers are up in young gay men. This is in no way meant to bash gays (I am gay) and movie very well could have been made about a young straight person who makes bad choices and seems unaware of the consequences to himself and others. The only part of the movie I couldn't understand was why the (gay friendly) family was unwilling to include Marcel in Leo's illness to the point of not allowing him to go to the funeral.I think the biggest message from this movie is that whether gay or straight is DO NOT HAVE UNPROTECTED SEX!
CENTREMETRE I loved this movie. First, because it is a family movie. Second, because it offers a refreshing take on dealing with the news of HIV in a family, with far less hysteria than what I have normally seen in the movies. The brothers are very close, yet are not judgmental. Their desire to protect the youngest brother is noble, but not needed in the end. I understand that Leo's choice on how to deal with his treatment may not have been the most popular one with people, but I believed it was the right choice for him. I can't believe that this was a french television programme. It had great production values. I gave this movie a ten, and I think you will too, once you have seen it.