Color of a Brisk and Leaping Day

Color of a Brisk and Leaping Day

1996 ""
Color of a Brisk and Leaping Day
Color of a Brisk and Leaping Day

Color of a Brisk and Leaping Day

6.1 | 1h27m | en | Drama

The Yosemite Valley Railroad, which runs through the breathtaking scenery and stunning vistas of Yosemite National Park, is on the brink of failure. The grandson of a Chinese railroad laborer embarks on a romantic, but ultimately doomed, quest to save this railroad from being sold for scrap. His love of trains finds him working as a railroad-man, instead of at his father's profitable business. He manages to locate a wealthy eccentric investor to help him acquire the railroad, but its financial inviability makes this a quixotic reprieve, at best. The film also portrays the anti-Asian racism present in America at the conclusion of World War II.

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6.1 | 1h27m | en | Drama , Romance | More Info
Released: March. 23,1996 | Released Producted By: Blurco , Antarctic Pictures Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

The Yosemite Valley Railroad, which runs through the breathtaking scenery and stunning vistas of Yosemite National Park, is on the brink of failure. The grandson of a Chinese railroad laborer embarks on a romantic, but ultimately doomed, quest to save this railroad from being sold for scrap. His love of trains finds him working as a railroad-man, instead of at his father's profitable business. He manages to locate a wealthy eccentric investor to help him acquire the railroad, but its financial inviability makes this a quixotic reprieve, at best. The film also portrays the anti-Asian racism present in America at the conclusion of World War II.

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Cast

Henry Gibson , Michael Stipe , Alexandra Bokyun Chun

Director

Rob Sweeney

Producted By

Blurco , Antarctic Pictures

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Reviews

Scoats I liked this one a lot. Definitely not an everyday story, and it was told well. The pacing was excellent. The bit with fancy private rail car to go to Washington DC seemed a bit forced, like "hey we've got a fancy private rail car we can use, let's write it into the script!" I had no issues with the acting. Well maybe Michael Stipe was too Michael Stipe in his role.This is a nice little movie. It looks cool, like Jim Jermish's one with Johhny Depp as the accountant in the old west.90 minutes well spent.
Duellist I really wanted to like this movie. The visuals are spectacular and the filler shots of vintage Los Angeles are amazing. A lot of work and care went into crafting all of the visuals, from the scenery to props and the whole railroad itself. The story has some serious possibility, even being based on an actual railway (the Yosemite Valley RR did exist and ended operations in 1945 and an 18 yr old kid named John McFadden who worked at the Pacific Electric Railway DID try to save the RR). But, alas, that's where it ends. The acting was painfully flat and almost felt like a first reading of a script at a high school play. None of the characters were even very compelling, except the YVRR itself. There were a couple of throw away scenes that depicted the racism against Asians, but they could have easily landed on the cutting room floor with no loss to the movie. The soundtrack is appropriate, but the abysmal acting kills this movie. It breaks my heart to say it, but with just better acting and a slightly better script and you have a great love letter to railroading history.
AZINDN Black and white film making is elevated into the heavens with Color of a Brisk and Leaping Day. The story of a young Chinese- American struggling to resurrect the historic Yosemite Valley Railroad is a visual treasure. Unlike the brilliant black and white DP's of film noir, this film gives new energy to the screen. The slow pace of the story might put off some, but the pace is perfect for allowing the viewer to look behind the action at the lush setting of the Yosemite park.
nunculus Precious bitsy amateurish-sounding dialogue. Hipsterish appearances by Michael Stipe and Henry Gibson (warming up for his MAGNOLIA rocks glass.) A twee setting (railroads in Yosemite!) The earnest, clunky, not-quite-acting acting familiar from homely Sundance cinema. If you want the very definition of everything juiceless, pop-less and minor about the thing that is called "independent filmmaking," you've got it here. The director, Christopher Munch, exudes the personality of an annoyingly soft-spoken, painfully touchy college English major directing his first play and wishing the actors would just be QUIET AND HEAR WHAT HE HAS TO SAY!