Michael_Elliott Convent of Sinners (1986) ** 1/2 (out of 4) Nunsploitation flick from director Joe D'Amato is actually very tame for the genre and instead of nothing but sex, the film goes for drama and protest against the Catholic Church. After being raped by her father, a young girl (Eva Grimaldi) is sent to a convent where she becomes very close with the head nun. Soon the other nuns get jealous and decide to tell the higher ups that the girl is possessed by the Devil. Running just under 90-minutes, the film does drag in spots but D'Amato's message against the Church is loud and very clear. Most of these nunsploitation films are nothing but lesbian sex but that too is rather small in this film as it's clear the director is going for something deeper. The camera-work (also by D'Amato) is very good and the leads do a nice job as well.

Coventry Whenever you finish watching a film, any film, it is extremely important to sit back and contemplate for a moment about what you've learned from this particular viewing experience. "Convent of Sinners" taught me quite a few things, actually. For example, nuns don't wear any underwear but some kind of easily removable diapers. Nuns apparently also never wash their hair, as they don't take off their caps when bathing. Nuns laugh, tease and make fun of each other naked in the washing rooms, exactly like college frat girls do. During the period of the Inquisition, convents kept around a mute caretaker who always walks around shirtless and the nuns insisted on washing him themselves. And the most important valuable life lesson taught here is: do not EVER get in trouble with an insane lesbian second-in-command nun, because she'll accuse you of satanic possession and ruin your life! Despite my slightly cynical tone, I must admit I enjoyed "Convent of Sinners" quite a lot and I was honestly surprised about how stylish and un-exploitative it actually was. Especially considering the man in charge was Joe D'Amato, who has a gazillion of adult movies on his repertoire as well as a handful of crazed horror/porn hybrids like "Erotic Nights of the Living Dead" and "Caligula: The Untold Story", but this rare & obscure 'nunsploitation' movie is fairly atmospheric and effectively attacking the Catholic Church's hypocrite & corrupt position back in the Inquisition era. The plot follows on the saddening life-story of a young and beautiful girl named Suzanna. The film opens with the brutal & explicit scene depicting Suzanna getting raped by her stepfather. Unfair as life is, she's the one punished for the committed sins, and she's sent to a convent and forced to serve God as a nun. Suzanna's natural beauty and friendly charisma rapidly cause the Mother Superior, as well as the resident young priest, to fall in love with her. But Mother Superior is terminally ill and the convent's second-in-command nun, sister Theresa, is a jealous battle-ax who'll do everything to destroy Suzanna's life; even accuse her of worshiping the devil. "Convent of Sinners" is supposedly inspired by a classic novel and, it has to be said, the script is astonishingly coherent and well written. Particularly the last half hour is intense, with a witchcraft trial and a truly unforgettable exorcism-sequence in which our poor girl gets a holy water enema. Eva Grimaldi is very impressive (and stunningly beautiful) as Suzanna and the rest of the rest of the convent sisters do very adequate jobs as well. The climax sequence is phenomenal and very saddening at the same time. This is easily one of Joe D'Amato's finest accomplishments. It's thought-provoking, involving and even a slight bit historically accurate.

The_Void Even though I don't consider myself a very big fan of the bizarre nunsploitation genre, I do often find myself watching them. I still haven't seen a true masterpiece of the genre; but while this one isn't that Holy Grail either, it's slightly more professionally done than the majority of its ilk, and may even appeal to those who don't watch films just see naked women and random sleaze. Joe D'Amato's name is synonymous with sleaze and nudity, and so it's rather odd that this film appears to focus more on characters and the implications of the plot rather than God-fearing women stripping off for one another. Joe D'Amato, the director of my favourite nunsploitation film so far; the completely over the top 'Images in a Convent' doesn't give this film the same handling, but once again sleaze makes up the backbone. After being raped by her own father, a young woman named Suzanne is sent off to a convent for 'her sins'. Naturally, she isn't very pleased about this chain of events; and it's not long before she wants to forsake her vows and leave the convent; only her fellow nuns are none too pleased and argue that she has become possessed by the devil.The film does feature several nude scenes, although there isn't anything too 'bad' in this film. One scene which sees the central character have holy water forced through a certain orifice is liable to offend and please fans of this sort of film, however. It's clear that the film was made on a low budget, although the talented D'Amato masks this brilliantly with some crisp and clear cinematography and a lack of sequences that may show his budget restraints. The central story is actually well used, although personally I found it a little too dry as I really don't have much of an interest in the way that convents are run and the methods they use to keep their personnel in check. D'Amato seems to have wanted to make the film a bit more deep than the usual nunsploitation, and this is shown by the way that the central character is made out to be a martyr, almost in the style of the likes of Joan of Arc as she wrongly becomes the victim of sins she hasn't committed. Overall, I won't say that I'm a big fan of this film; but of the few nunsploitation films I have watched, this certainly isn't the worst.

Armando Mariani Aristide Massacesi, the undisputed King of Italian Sexploitation Movies, here credited as Dario Donati, did it again. After his infamous '79 "Immagini di un convento" aka "Visions in a Convent", an erotic/porn romp starring sultry Paola Senatore (for the erotic part) and totally uninhibited Marina Hedman (for the porn department), comes back several years later, with his second entry in the "Convent Erotica" or "Nunsploitation" sub-genre. Actually in this one, he makes an honest effort to improve the quality of this production and he...almost succeeds. Still a low-budget production but with great Renaissance settings, excellent cinematography, an attractive cast lead by a gorgeous young Eva Grimaldi (at the beginning of her career, bound to become one of the most recognized Icons of Euro Sex-Cinema), decent acting and a clever and quite exploitative direction. As a matter of fact, even if less explicit and graphic then its predecessor, we get here the "whole sleaze enchilada" containing: more then obligatory nuns-lesbian action, nuns-masturbation, nuns-whipping, nuns-torture, nuns-fondling, nun-priest sex action, naked nuns frolicking in bathtubs, a hunky handyman who is mute but compensates his handicap, by being available to "comfort and service" needy nuns and the most incredible and unthinkable exorcism practice, involving holy water and an enema syringe...Wow! Do I need to say more? All the nuns are young and pretty (even Mother Superior is not bad at all...) and you really wonder if, to become a nun in those days, girls had to meet very high beauty parameters.... The story is quite the "classic one": a young girl, Suzanne, is raped by her step-father and consequently (as customary in those days), sent to a convent, to get her out of the way. There she finds soon out, that life behind the convent walls can be quite exciting. She has a steamy sensual relationship with Mother Superior, assorted lesbian encounters with other nuns and a sacrilegious sexual relationship with the young Father Confessor of the convent. This, however, unchains the jealousy and angriness of the other nuns, lead by the Vice-Mother Superior, who "has plans" for Suzanne. Repeatedly rejected, she accuses her of being possessed by the Devil and manages to send her to trial before the Archbishop. Suzanne gets tortured and exorcised (with great satisfaction of the male audience..). She still proclaims her love for God, but also confesses a lack of religious vocation, which made her vulnerable to the "temptations of the flesh". Unable to prove her innocence, abandoned by her lover (who realizes, at the end, that a career in the Vatican is more important then a love relationship) and rejected by the vast majority of the Sisterhood, she "flips-out", gets into convulsions, tears open her robe and (beautifully) naked, drops unconscious on the floor of the church! Highly dramatic organ music - THE END – rolling closing-credits....let's go to bed! OK, OK, it's only a Sex-Movie but why have those "Nunsploitation" or "Convent Erotica" flicks become so popular during the '70 and '80s and, in several cases, so successful? (I'd like to recommend very stylish and stimulating Walerian Borowczyk's '78 "Behind the Convent Walls" and both equally excellent Domenico Paolella's '73 "The Nuns of Saint Archangel" and "Story of a Cloistered Nun" and, it goes without saying, the one who started the whole genre: delirious Ken Russell's '71 "The Devils"). I think mainly for their anti-clerical spirit, which started spreading during the seventies, showing the Church, the Cloister, the Inquisition and similar institutions as very corrupt and barbaric. But not only for this reason. They also depict a microcosm, in which young women are "prisoners" confined in limited space, where the most evil and powerful, can sadistically abuse the weakest and the most innocent. I believe the majority of male readers will agree that the half-naked body of a nun (who implies purity, since she is supposed to deny her body and all her sexual desires), becomes a "perverse object of desire". If the very same body undergoes whipping or any other act of (sexual) abuse, it tremendously increases its erotic appeal. A sexual act, like fondling or masturbation, performed on screen by a beautiful actress impersonating a nun, in various stages of undressing of her rough underwear, alone or with a partner, set in a Cloister, becomes an almost unbeatable element for high-voltage and kinky eroticism. What is it? Perverse and fetishistic erotic fantasies? Desire for sacrilegious profanation of a symbol of purity? Expression of a "macho culture" originated "love'n'hate" relationship towards women? Desire of revenge for a symbol of forbidden, unnatural and inaccessible femininity? I don't think I go wrong if I say: a mixture of all of the above! So, if you enjoyed watching "Convent of Sinners" aka "La Monaca del Peccato" (like I did) but, at the end of the movie, felt a sudden urge to...take a shower, it's OK, go ahead and you'll feel (a little) better afterward. I give this one a seven (with a little sense of guilt) out of ten.