josephmpapp
This is one of those movies that works well and then it doesn't. The editing doesn't do the film justice even though there are a lot of good scenes that are edited well in the film. The CGI for the time is pretty good. It's just not a very good film unless you take it in parts. The actors are fine. The women are beautiful. It's just a little too big for it's britches. Perhaps they could have done a more simple story rather than attempt to take down the Triad. I don't think the original PG13 would hold up to today's standards with all the nudity, but then again, what do I know? If you're going to watch this movie, I don't recommend watching it with kids unless you can get an edited version.
rnapier-1
This film cam back into my hands recently as a brand new film in the budget range on a certain on line store. I took the opportunity to view it for the first time in 2 or more years.The premise of this film (good and bad consciences coming down to earth to chastise their respective owners) via a ridiculous Hong Kong subplot, with Triads by the carload, is only really an excuse (a very good one) to exercise the talents of Christian Clavier and Gerard Depardieu. This film is most definitely one to watch in French only, I checked out the dubbed version and it is without any merit, almost as bad as the dub for Le Diner de Cons but that is another story.Clavier is at full strength as the irritating Father Tarain ("a-i-n like Pain") and he brings his facial expressions and slightly precious voice to the character. The sequences in the ecumenical archives, in the plane and in the Chinese restaurant just make me cry with laughter. Depardieu is satisfyingly "un-Gérard-like" in this film, he seems content to have a good time and frankly this pays off in spades. The action sequences are suitably hammy, the girls are suitable stunning (any film that packs in the entire Crazy Horse troupe, Eva Grimaldi, Eva Herzegovina and a dozen other gorgeous girls in various states of undress has obviously got a good grip on things!) and the whole package rolls along nicely. Well worth a viewing on a lazy Sunday afternoon, if only to hear "Bonjour Georges" and "Je vous présente le Père Pain" one more time. Undemanding fun, 8 out of 10.
gridoon
Try watching more than 20 minutes of this. Can it really be classified as a comedy? Can it be classified as a movie? It is directed with a degree of sloppiness and amateurishness that is unacceptable for a "normal" motion picture. Plus, the version I saw was horribly dubbed. The only way you can enjoy it perhaps is if you're from another planet, where what we consider "frantic" is considered "funny". What a waste of some good stunts and some expensive special effects! 0 out of 4 stars.
dbdumonteil
Jean-Marie Poiré probably had to keep a cool head, following the huge success of "the visitors". Its successor is a comedy without too many claims but funny enough to have a good time. Of course, the movie isn't perfect: the making is by moments a bit of a mess and not always well mastered, the screenplay is sometimes predictable and contains a quite important number of reshufflings and even the topic hasn't got anything original: two characters with a different state of mind who are compelled to stay together. But the tandem Depardieu/Clavier manages quite well of the situation and there aren't any injury times. The set gives a joyful entertainment
AD
