Rectangular_businessman "Corto Maltese: La cour secrète des Arcanes" was one of the most beautiful and captivating animated films that I have ever saw. I must confess that I never read the original comics made by Hugo Pratt, but I have heard a lot of good things about them.This movie, unlike many other animated films, is a epic, historical drama, that has all the feeling of any production of David Lean. The character designs are stylish and well made, the animation is fluid and detailed, filled with beautiful colors and pretty sceneries. I loved everything about this film: The animation, the story, the characters, the music...This must be one of the most underrated animated films ever made, I can't believe that it doesn't get the recognition that I deserves. I highly recommend this film to anyone.10/10

tomimt Corto Maltese is one of the greatest graphical novel characters, or even literature characters for that matter, ever created. He's an adventurer, a pirate, a murderer and a lover, what ever suits his needs. Or then again he might spend entire story by just watching other people do all the adventuring. Then he just disappears just to turn out from somewhere else.This particular story is from the more action end: Rasputin (Corto's insane Russian friend, who without any doubt is The Rasputin) and Corto are after Russian gold train, but then again so are lots of other people too. This gives a change to display some action scenes and conflicts between Corto and other parts of the story: Chinese, Russians, Mongols.As for all Pratt's stories go, the story line is rather multi threaded, but it's hardly explained in any part, sometimes things just seem to happen and no one is explaining why. But then again there's no real need for that either, it's just the way these stories are told.Animation is mostly well done, there are some parts which are little lacking, especially the human animation is little blocky in some places. All the special effects scenes are done with 3D animation, but they blend in with the painted backgrounds and characters rather seamlessly in most cases. Though there are some places where the difference is too visible.This movie should be a treat for all Hugo Pratt fans, as I myself found it to have same mood that most of Pratt's comics have. I wouldn't mind having more of this.

fbossert I think this is the king of all animation films. Pratt's "economic" drawing and his particular use of time are fully followed here. The action scenes are outstanding. The choice of the voices was accurate –even if one could think that Corto's voice should have a mix of different accents instead of speaking perfect french. It is, indeed, difficult to get into Corto's world at the first try; but I think the film –slowly starting, as in the original comic, with some kind of remembrance or reverie, an outside-of-time dialog with Bouche Dorée– does a great work in that way. Anyway, if at the end Corto's personality remains a mystery it must be said that it is the same for those who have read the whole series: Corto is an enigma, and the films succeeds in respecting that –instead of turning him into a simple adventure hero. Thus, the question "what is he really looking for?" remains unanswered. From my point of view, the difficulty of the film is not to get into Corto's universe for the those which are not familiar with it, but that it requires a minimum of historical knowledge. Indeed, some notions about the Russian revolution and the political situation of China at the beginnings of XX century are really helpful for the fully understanding of the film. In fact, the comic book includes some pages outlining this historical context; also, a map is as useful here as in The Lord of the Rings. In a word, watching this Corto Maltese film is as delightful as reading the comic book –and that is saying enough.

banzaibill Whoah.This is a movie that promises a lot from the start: A collision of Russian, continental European and various Asian cultures, political intrigue, James Bond-style antics, religion, martial arts and romance. But in the end, it turns out as a story about... a train robbery. However, it's a wild ride that won't have you looking away from the screen for a second-unless you shy away at occasional violence and nudity...It has to be one of the most visually interesting animated movies ever, not because of the quality and amount of work put in it, which is somewhat below the best Disney productions, but because of how it's used. From the stunning opening shots to the "fantastic-ized" outdoor enviroments, the varied and effectively (un)lit indoor scenes and the buildings, to the creatively directed character interactions, there's barely a few scenes at all that one could imagine being done with live actors at all!This movie is true example of animation as an art form, not reducing itself to an imitation of the real life. No matter what you think about the character designs, which are somewhat stiff, all of them have significant, peculiar mannerisms that would be unthinkable to realize with actors. This attitude, both "retro" and reinventive, is exactly what is needed against the trend of "hyper-realistic" animation that has become prominent in recent years.The other point of this movie is the MUSIC-an absolutely sparkling musical score that sets the perfect mood for each and every scene, except for a overly melodramatic build-up in the epilogue. It's one of the few movie soundtracks that i would try and find and listen to on it's own, because whenever it is heard it really stands out.I recommend anyone interested in creative visuals as found in Japanese films (though certainly not Japanese animation!) to try and see this movie at least once, for the sake of the infinitely creative visual language. European animation is alive and well, certainly, just hope they find a better story for next one...