Crash and Burn

Crash and Burn

1990 ""
Crash and Burn
Crash and Burn

Crash and Burn

4.9 | 1h25m | R | en | Horror

Unicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills the manager, a revolutionary against the gestapo-like corporation, a lowly Unicom delivery man must help the rest of the station survive through the incoming "thermal storm".

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4.9 | 1h25m | R | en | Horror , Action , Thriller | More Info
Released: September. 01,1990 | Released Producted By: Full Moon Entertainment , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Unicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills the manager, a revolutionary against the gestapo-like corporation, a lowly Unicom delivery man must help the rest of the station survive through the incoming "thermal storm".

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Cast

Paul Ganus , Megan Ward , Ralph Waite

Director

Karin Liebrand

Producted By

Full Moon Entertainment ,

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Reviews

amesmonde The year is 2030, a remote TV station has been infiltrated by a Synthoid, a Terminator-like robot who is programmed to kill those who oppose the tyrannical Unicom organization.With B film execution Crash and Burn steals some concept elements from Class of 1999, The Terminator, Robocop, Blade Runner and The Thing to name a few. Although it's slow-paced there's room for a gratuitous shower, electrocution scene, shogun action and stop motion animation, anyone familiar with the studio offerings will appreciate the pace and tone. Oddly dubiously marketed as Robot Jox 2 or from the makers of Arena (don't expect the fights of Arena or Jox) as it contains less than a minute of giant Robot action. Director Charles Band (this generations Roger Corman) gives a tight little flick that benefits from being filmed on location giving it an almost cinematic feel. The shadowy setting gives it some atmosphere with a dusty desert setting bookending the film and the Synthoid is menacing at times - realised by some surprisingly good practical special make-up effects. Despite borrowing music cues from Richard Band's other Fullmoon film scores the music is effective enough.Lead Paul Ganus as Keen wields a shotgun well enough but he looks like he's just walked off a Danielle Steele TV adaptation. Co-star Megan Ward as Arren gives a solid performance considering the sparse script. Supporting cast include Jack McGee and veteran actor Ralph Waite, Eva La Rue gives physical performances (and like Ward went on to do bigger things). There's also some genuinely humours lines from Bill Moseley as Quinn who ensures the title of the film is uttered in J.S. Cardone's dialogue. Even though Crash and Burn doesn't pretend to be more than it is the casual viewer may be disappointed. All things considered, even with the future looking suspiciously like the 1980s, right down to the computer hardware, braces and hairdos it's one of Fullmoons better outings.
Linda83 I've always liked movies about folks trapped in a building/house/isolated area/etc and this Full Moon production didn't disappoint me.Hottie Ganus arrives at some TV station in the middle of the desert and shortly after people begin to die. Ward was cute as the teenage girl with an obvious crush on Ganus. LaRue I felt was wasted, Moseley was great as always as the robot gone bad. McClellan and Armstrong who play prostitutes are there to boost the body count as well as McGee.The acting I felt was adequate, some of the big robot effects were passable, but I did liked the 2 or 3 bloody death scenes and Moseley's scene where we find out he's a robot, just wish the men had shown as much skin as the women.
judex-1 I agree that the robot at the end was by far the best thing going on here. It didn't leave for a better movie, it CAME from a better movie in the first place. I've always heard that this had leftovers from "Robot Jox", a Stuart Gordon film that was pretty impressive, despite studio meddling. I believe this brief sequence here, is some of the footage that was cut in the attempt to get "Robot Jox" a PG rating, despite nudity, and abundant violence.
davideo-2 STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs ...I don't know what other people (other IMDB reviewers,for example)might think of me,judging me by myself or by my reviews,but I've never thought I was that much of a demanding individual.I've always thought I was quite easy going and undemanding as a person.I try not to winge when things don't go my way,or if I have to do a job for other people.I know other people who've tossed stones at old people's houses,or taken drugs like draw and got pregnant at an early age.Yes,stones are readily available for those nasty,thoughtless people to throw at their own pleasure,yes,draw and sex are there to be consumed whenever the mood suits them.So,okay,I decide to take a risk..I decide to spend a fiver of my hard earned money on a video I had'nt previously seen,which on impulse,I would never usually do.I buy it from this really convienient store in the market,which is'nt perhaps majorly up to date,but still sells old or forgotten films,at cheap prices,which I think is really ace.Judging by the cover and the Sci-Fi genre attached to it,heck,even by the supposedly brilliant plotline on the back of it,I thought Crash And Burn would be a risk worth taking.Then,after I've seen Coronation Street,I race upstairs to watch this baby.Hello,what's this?Not 2 seconds in,and already I've noticed this is'nt shot like a regular film.That's probably one of the biggest,in my many ,complaints about Crash And Burn:if every other film can manage to be shot like a proper film(even the realy,really bad ones)why the hell can't this one pull itself together and do the same thing?This is shot like a poloroid-cum-video recorder.That was my first step towards getting really angry and fed up with this film.In fact,it was the main thing that bugged me about it throughout.Not once did it appear to improve.I'm aware it has the (V)for video symbol by it,but what,is that a direct excuse for crappiness ?(does this serve as a direct example with the Billy Blanks dud 'Tough And Deadly?).And,what from the back looked like it was going to serve like an original and exciting Sci-Fi venture went totally downhill from there.The special effects were diabolical,the acting was abysmal,the dialogue was atrocious , although the end line 'you really felt for her?Well,she'd only break your heart...then tear it out'had some credit to it.But that only led to a glaring implausibility error that the hero had had sex with the female robot and not noticed she was'nt a real person.And that only lead to the fact this was the only movie I knew that thought it was being clever by giving a human-looking-robot it's own name,a synthoid.Every other Sci-Fi movie calls them cyborgs.And that only led to the fact that the main 'synthoid' in question is a pathetic Terminator rip-off,that gets done in at the end by an impressive giant robot,which we only see for a brief glimpse then disappears,presumably to a better movie because this giant robot has much more talent than all the actors in this drivel.He was cool. , He quashes him in a standard better suited to the Wrigley's Spearmint gum adverts ,the only thing missing was the 'pluuurp'sound.It really is very unfair.All I asked for was decent entertainment.Society,and hollywood,really should set better examples than this.*