MasterFantastic I have a confession to make: I like 'B' movies. Some can be very inventive while others are downright terrible. This movie falls somewhere in between the two poles. The plot of Monolith concerns a formless, shapeless alien presence which can transfer between bodies and gives its human hosts the ability of pyrokinesis. It also kills them after a fairly short time, but then again, it's an alien, it's been here before time began, so it really doesn't care much. And it's held by John Hurt who heads up the Department of Historical Research, which is a fancy name for a government black ops organization that tracks aliens.Enter two cops, played by Bill Paxton and Lindsay Frost. They're at odds with each other from day one, yet form a grudging respect and affection for one another by the end of the flick. They stumble onto the government's plan and after chases, watching their commander (played well by Louis Gossett, Jr.) get killed, and poorly staged fights, they manage to thwart John Hurts' plans and all is well...sort of.The good thing is director John Eyres manages to build some suspense with this flick in spite of working with a low budget. Paxton and Frost work well together even though the dialog between them--otherwise known as playful banter--is often stultifyingly bad. John Hurt overacts marvelously. His speech at the end ("I've earned this moment, I deserve this moment") should win an Oscar...or a Razzie. There's an amusing scene with a guard at the Department of Historical Research, an excellent good-cop/bad cop scene (very well edited, IMHO), and the music is surprisingly effective.The downsides to this film begin with the title. With a name like 'Monolith' I was expecting some kind of immense stone structure. We get a spaceship instead. (It's pretty cool, but still...) The dialog also could have been a lot better. A lot. Really, I'm surprised that the leads managed to work up any sympathy for themselves with some of the lines they had to spout and that's due to good acting more than anything else. The explanation for Paxton's wife's death is never fully explored although it can be guessed from the flashbacks, but is underdeveloped. I really think if Eyres had been given a decent budget and the script had been worked on more, it could have been elevated into 'A' status. Sadly, it wasn't, but it's still a very likable film in spite of its deficiencies.

1bilbo Monobore.I bought this expecting a sci fi in the vein of 2001 – was I wrong!All we had was a stupid story about a female vs male cop with all the clichés lifted out of every cop show ever.The occasional dip into sci fi consisted of beings who were possessed by some spirit and had the ability to fry people with their eyes (yawn.)Also just for good measure they included some nasty men-in-black who apparently knew everything and it was a big secret. The only bit of decent acting was John Hurt but his total dialogue was under 5 mins.Didn't see any monolith.

MCal27 This film really caught me off guard. IT had a close to A list cast, looked great on the video box when I rented it (Circa 1994 I think) started off with promise but rapidly became a mess.... It sorta has the feel of an unfinished and un-post produced mainstream scifi action flick.Terrible editing and f/x. Uninspired dialogue and generic plot. What the hell was Paxton and Hurt doing in this? Even Gossett jnr was a pull around this time.. Did the director have some juicy info on them all to get them to work on this dross? Thankfully for him Gossett shows some good judgement (watch and it'll make sense)I see the same director did Project Shadowchaser, A video staple of rentals in the uk during the early 90's. That had Martin Kove and the Android to hold it together. Here the stars just seem to be trying to battle thru to the end and forget they were involved lol

mrarchiegoodwin Another good idea poorly executed with pot holes in the story line, improbable action and one dimensional characters. Thoughtful Lindsay Frost (Hutch as a woman) and hard case Bill Paxton (Starsky as a man) stumble onto a zany murder (pretty, vulnerable and distraught, young Russian scientist tries to run down and then succeeds in discharging a firearm into a little boy). Evil Fed agent John Hurt takes custody of the murderer from police Captain Lou Gossett. Shortly thereafter, havoc ensues as discreet portions of Los Angeles are terrorized by the evil of the Monolith (the term is not used in the film so one assumes that Monolith refers to the evil or its source). Starsky & Hutch pursue the invincible evil being--continuing to shoot at it even though they discover early on that it is invulnerable (but everyone in the movie seems to shoot at it as well--to no avail). John Hurt is 100% bad--including his acting. Bill Paxton has greasy dark hair. Lindsay Frost has really skinny jeans for a cop. Lou Gossett and the Squad Room could be recycled into another movie--any other movie. Perhaps this was originally made for TV and commercial breaks were integral to the plot.