Dangerous Mission

Dangerous Mission

1954 "Avalanche of Action!"
Dangerous Mission
Dangerous Mission

Dangerous Mission

5.7 | 1h15m | NR | en | Action

A policeman tries to protect a young woman against a hit man, when she flees New York after witnessing a mob killing.

View More
AD

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now
5.7 | 1h15m | NR | en | Action , Thriller , Mystery | More Info
Released: March. 06,1954 | Released Producted By: RKO Radio Pictures , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A policeman tries to protect a young woman against a hit man, when she flees New York after witnessing a mob killing.

...... View More
Stream Online

The movie is currently not available onine

Cast

Victor Mature , Piper Laurie , William Bendix

Director

William E. Snyder

Producted By

RKO Radio Pictures ,

AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Trailers & Images

Reviews

Spikeopath Dangerous Mission is directed by Louis King and written by Charles Bennett, W.R. Burnett, James Edmiston and Horace McCoy. It stars Victor Mature, Piper Laurie, Vincent Price, William Bendix, Betta St. John and Dennis Weaver. Music is by Roy Webb and cinematography by William E. Snyder.Produced by Irwin Allen and filmed in Technicolor 3-D, Dangerous Mission is an absolute riot of a film. A campy classic awash with laughs and corner cutting techniques. Plot for what it's worth finds Louise Graham (Laurie) hiding out at the Glacier National Park after witnessing a gangland murder. Two men turn up and show great interest in her movements, Matt Hallett (Mature) and Paul Adams (Price), both of whom have different motives in mind.A super cast, super scenery, even some super action scenarios that point where Irwin Allen was heading in the annals of cinema, yet it's also a pretty laborious story acted out by film stars in zombie mode. King, Allen and the ream of writers (did they all get to put one plot point in each?) insert an action scene wherever possible, but it all feels like cheap gimmicks over story telling worth. In fact some scenes have absolutely no worth to the story what so ever!Technically it's suspect as well, the editing is awful, as is the back projection work, so to the fake sets and the sight of dummies being flung about the place. On the plus side there's bullet brassieres and square shoulder padded suits, while Mature – when he breaks off from his pissing contest with Price – gets to dally in heroic machismo by fighting the might of electricity. Wonderful! It's a fun movie for all the wrong reasons, but still fun none the less. 5/10
dougdoepke No doubt the real star here is Glacier National Park and its scenic vistas. It's 1953 and Hollywood is trying to lure TV audiences back into theatres with lavish Technicolor that b&w can't compete with, and with a 3-D process that faded as quickly as it soared. In short, Hollywood is looking for new formulas that work. I suspect an uncertain background of this sort accounts for this very odd movie product. In brief, it's a scenic jumble. Maybe you can make sense of story developments, I couldn't. It's a weird blend of noirish plot with The Nature Channel. Something about a mysterious hit-man tracking down a murder witness in the Park. But somehow the thread never really gels amid a welter of confusing events. I also suspect the screenplay is the result of too many chefs, even good chefs like W.R. Burnett, Horace McCoy, and Charles Bennett (a Hitchcock favorite), all of whom are credited, and each likely with his own ideas.The cast is also an uneasy blend of aging names and hopeful no-names. Mature, Price, and Bendix lend some waning marquee strength, while Laurie and St. John are attractive newcomers. Yet, it's a real stretch to have the nubile young St. John ga-ga over the slightly effete, 40'ish Price. Then too, casting the unlikely Price as a top New York hit-man doesn't help. I realize there's supposed to be a surprise factor here, especially with the guffawing Cheshire's role; still, these come across as little more than artificial plot devices. Note too, the remnants of 3-D that come rolling at us during the avalanche sequence. And judging from the extravagant set for the climactic crevasse scene, "disaster" producer Irwin Allen is already experimenting with big ideas. Anyway, the storyline may jumble, but those Technicolor vistas continue to shine through and remain about the only reason to catch up with this RKO goulash.
Leslie Howard Adams Plot line for "The Old Corral, 1936": Night club singer (Hope/Irene Manning) witnesses a gangland murder and heads West and is saved by Gene Autry; Plot line for "Dangerous Mission, 1954": Night club bookkeeper (Piper Laurie) witnesses a gangland murder and heads West and is saved by Victor Mature. RKO added 3-D, Technicolor, Glacier National Parks location and still came up short of the original. Not surprising, since the original had Gene Autry, the Sons of the Pioneers (when Roy Rogers was still a member), Smiley Burnette and Champion.And even Gene Autry was more animated than Victor Mature. Come to think of it, so was Glacier National Park.
whpratt1 In 1954 many of our Classic Screen actors of the 30's up to the 50's were starting to find acting roles hard to find and this particular picture managed to give every one a salary. The picture was never meant to win an Academy Award, it was simply to entertain the public with the best production they could create in the 1950's. Victor Mature,(Matt Hallett)," I Wake Up Screaming",'41, gave a great performance along with another great veteran actor William Bendix, (Chief Ranger Joe Parker),"Lifeboat",'44, who tried to keep everyone under control while rocks and dirt came tumbling on their resort area. Vincent Price,(Paul Adams),"The Tingler",'59 was added to the picture in order to make the film a THRILLER. Matt Hallett became a hero to every one when he managed to turn off the electricity, while live wires were flying all over the front door and roof of the lodge. Lets just remember that this film was produced in the 1950's and actors need to find WORK.