17268 It would be hard to botch "Inherit the Wind," especially with this cast. Lemmon is not as great as Spencer Tracy in the original movie-- but then who would be? However, George Scott Scott far surpasses Frederick March. Scott is the best Brady I have seen in numerous versions of the play/movie, and the ONLY one who managed to make Brady a sympathetic character and not merely a buffoon. Wonderful, too-frequently-seen Piper Laurie makes a great deal of the relatively thankless role of Mrs. Brady. What a terrible waste that Hollywood didn't know what to do with her. After "Until They Sail," especially "The Hustler," and various other roles leading and supporting, she should have been a major star. One can only hope that she chose to pursue a private life rather than a career.In the political climate of today--2005--"Inherit the Wind" has a great deal to say. Is anyone listening?

ross robinson I think Inherit the wind was a good movie. This movie was made in 1999, making this George C Scott's last tv movie to make. He died in 1999, Jack Lemmon is a fantastic actor and one of my favourites. He died in 2001. I give this tv movie 10 out of 10 because i think it is a great tv movie.

yenlo This production of Inherit the Wind is a fine attempt but just doesn't have the punch that the original 1960 one did. I would on the other hand rate this one over the 1988 version. Jack Lemmon gave a somewhat flat performance as did George C. Scott sadly in his last role. It's not completely bad but if you really want to watch this story then the 1960 Stanley Kramer production with Spencer Tracy and Fredrick March is the way to go. You'll notice the difference. One additional note: If Jason Robards portrayal of Henry Drummond from the 88 version would have been in this one now that would have made a difference.

FlickJunkie-2 This film is a remake of a 1960 movie about the 'Scopes' monkey trial in July of 1925, argued by prominent statesman William Jennings Bryan (for the prosecution and the Bible) and equally the prominent Clarence Darrow (for the defense, scientific thought and Darwin). Rather than compare it with the original, which I understand was brilliant, I will evaluate it on its own.This is a powerful and thought provoking courtroom drama about a school teacher who was arrested for teaching evolution, then considered a heresy against God and the bible. The topic is unfortunately as timely today as it was 75 years ago. The film is extremely effective at illustrating the pervasive ignorance and fear so prevalent in fundamentalist religions. It depicts with great clarity, the frenzied and irrational efforts undertaken to suppress any knowledge that threatens to debunk the myth and simple minded traditions that bind the faithful together.Unfortunately, the presentation of the story had certain flaws that kept it from being a truly great film. My biggest objections are all directorial. First, this film was visually mediocre and pedestrian. The camera basically followed the speaker around the room at the same angles from pretty much the same distances. There were very few reaction shots which would have greatly enhanced the drama. I don't think there was a single reaction shot of any member of the jury and only a couple from the gallery.Director Daniel Petrie takes enormous artistic license in presenting the trial. The way it was portrayed it seemed more like an unmoderated debate between the lawyers than a criminal trial with rules of court. Granted, it was a small town in 1925, but this was ridiculous. In real trials, lawyers have two opportunities to give speeches in a trial, in opening and closing statements. During the trial itself, they are only to ask questions and gather evidence under very strict rules. They can't give speeches or lead the witness or inject their opinion about a witness' testimony. This was flouted in the film as lawyers violated these rules repeatedly with nary an objection from the other side. Ironically, the most important speeches of the trial, closing arguments were completely missing from the film.I found Jack Lemon's portrayal of defense lawyer Henry Drummond to be disturbingly restrained. Lemon is clearly capable of unfettered rage and indignation, yet he played his character with resignation and defeatism rather than frustration and wrath. He simply didn't fight hard enough for the principles in which he supposedly believed. I blame this on Petrie.Without question, the performance of the film belonged to George C. Scott in his last performance before his death (a stunning coincidence since William Jennings Bryan, on whom Scott's character is based, died shortly after this trial. So it was his last performance as well). Scott is magnificent as the bible thumping prosecutor rattling the rafters of the little courthouse with his booming gravel voice. This was the type of part Scott was born to play and it may have been his best performance since Patton. For this reason alone this film should be on every film buff's list. If only Lemon brought similar fire to his part, this film would have been riveting.Beau Bridges was a bit overly obnoxious as the sardonic reporter E.K. Hornbeck. The role called for a good deal of cynicism, but Bridges got carried away.Lane Smith gives a terrific performance as the Lord possessed Reverend Brown, who damns his own daughter to hell for refusing to renounce her love for her fiance Cates, the accused school teacher. His sermon at the prayer meeting was more than worthy of any cable TV evangelist.I gave this film a 7/10. I think it would be rated higher by most people who think of a courtroom as more of a dramatic setting than place of justice. Overall it is a credible update of a topic that should remain in the forefront of our minds if we hope to continue living in a free and rational society.