tao902 Abe is in his 20s, still living at home and employed by his father. He objects to the way in which he is being held back by his family but does nothing to change his situation whilst continuing to take advantage of them. His laziness and lack of achievement is emphasised by the successes of his brother. Abe's desire to break free leads to a rushed relationship with a woman, Miranda, who complicates his life.Some amusing, comic moments and entertaining, clever lines but ultimately the story is too fragmented to be sufficiently satisfying. It is difficult to become interested in such unlikeable, unappealing, unmotivated characters.

SnoopyStyle Abe (Jordan Gelber) is an angry, self-loathing, petty slob loser. He dropped out of college and fell into a job in his father's company. Miranda (Selma Blair) is a depressed divorced woman forced to retreat back home. They meet at a wedding and Abe can't help but start the stalking. Miranda is broken and she just might go with Abe even if she doesn't love him.Todd Solondz does another movie on another socially awkward underclass. The biggest problem with this movie is the Abe character. He is too angry, too petty. He has no redeeming qualities. If he wasn't so pathetic, I would be rooting for somebody to put a bullet in him. Do I care about him? Not the slightest. Another problem is the surreal turns it takes for the last half. That kind of storyline never really works for me.

Matt Kracht The plot: An obnoxious man-child attempts an ill-fated romance with an equally broken woman, while coming to certain realizations about his life.Dark Horse is not an easy movie to watch, but when have any Todd Solondz movies been easy to watch? His unflinching, brutally honest portrayals of flawed people make him popular with the indie crowd, but it's difficult to recommend his movies to anyone else. It's difficult not to identify with the parade of eternal losers of Solondz's movies, no matter how flawed they are, because, really, these people are us. We might try to deny it, of course, but the truth of the matter is that his movies are just too uncomfortably real for many people to enjoy. You might not be an awkward, depressed girl or an obnoxious, entitled man-child, but there's probably some aspect that you can relate to. If not, then you probably know someone like this. Solondz knows who we are, and he knows our society.Dark Horse continues a rather surreal and artistic direction for Solondz. Fantasy, dreams, and reality all freely intermix. It might leave some audiences a bit confused, but it's usually pretty obvious which are which. In fact, I really enjoyed some of these scenes, because they opened the door to really inventive narrative and metaphor. In some ways, it was like David Lynch, but without the free-form stream-of-consciousness. These scenes really illustrate the characters better than any traditional scene could. The hilariously banal conversations are another nice touch. Anyone who appreciates irony will certainly enjoy them, though the irony-impaired, I think, will possibly hate this movie.Solondz's characters have arguably never before been so depressed, bitter, and broken. If you're looking for an uplifting story, full of inspirational and likable characters, this is not the movie for you. Solondz is the undisputed master of strangely sympathetic portraits of society's biggest losers and weirdos. This one will hit pretty close to home for many geeks.

ryandannar Sometimes I see a movie that I really enjoy, and then I have to stop and wonder what "normal" people would think about it? Here is one such film. Relentlessly observant, sardonically hilarious, and ultimately kind of tragic, this movie demonstrates that irony sometimes reveals the truth better than sincerity.The plot of "Dark Horse" involves a childish thirty-something toy- collector who lives with his family and works for his father's company. He finds love -- or something which is close enough for him -- in a quiet, depressed, over-medicated, sullen woman he meets at a friend's wedding. Full of unrealistic notions and childish bravado, he can't help but propose to her on their first date. Unexpectedly, she accepts -- not, as is later revealed, because she loves him -- but rather, because she kind of hates herself, and derives some kind of masochistic pleasure out of the idea of living with this man and having his children!Yes, this is extremely dark territory, but it's rich in ironic humor and the sting of truth. In fact, I'm not sure which is the richer moment -- her confession, or his unbelievably clueless reaction to it.In all, "Dark Horse" is a very good film that many people simply will not enjoy. If you've seen any of the other works of Todd Solondz ("Welcome to the Dollhouse," "Storytelling"), you will understand why.Solondz's films are ironically funny, quietly tragic examinations of people who don't quite understand themselves or the world around them. His characters often find themselves adrift in life, lost on the road to happiness, looking for whatever promise or hope they might find -- often to sadly comical effect. His films might make you laugh, make you squirm uncomfortably, give you the chills that come with seeing something truthful revealed, or all three at once. His films are ironic exaggerations of the world around us -- holding up an unflattering funhouse mirror to the faults and vanities that we all live with and try to hide or deny."Dark Horse" certainly isn't territory for those looking for a quick escapist flick, but for those looking for something richer, something darker, something ironic and funny but also truthful -- well, this film hits that spot quite well.