Devil Girl from Mars

Devil Girl from Mars

1955 "Invasion from Outer Space!...Sights too weird to imagine! Destruction too monstrous to escape!"
Devil Girl from Mars
Devil Girl from Mars

Devil Girl from Mars

4.9 | 1h17m | NR | en | Science Fiction

Eight people at a remote Scottish inn find themselves confronted by a woman from Mars, who has landed her flying saucer for repairs but intends to soon conquer the Earth and enslave its men for breeding purposes.

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4.9 | 1h17m | NR | en | Science Fiction | More Info
Released: April. 27,1955 | Released Producted By: Danziger Productions Ltd. , Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

Eight people at a remote Scottish inn find themselves confronted by a woman from Mars, who has landed her flying saucer for repairs but intends to soon conquer the Earth and enslave its men for breeding purposes.

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Cast

Patricia Laffan , Hugh McDermott , Hazel Court

Director

Norman G. Arnold

Producted By

Danziger Productions Ltd. ,

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Reviews

ewaf58 It's no use reviewing films like these if you're going to compare them with modern day releases. They are what they are - cheap perhaps but made to make money out of 'less expecting' 1950's film goers.In a world where we can do almost anything with CGI - features like this had to rely on good old model work and actual mechanical effects.There are some real howlers in the script - but that's all part of the charm.The actual flying saucer is a real hoot -"It's like something from another planet!"It's landing is very noisy - so not surprising to find that the sound editor is one Gerry 'Thunderbirds' Anderson (Credited here as Gerald Anderson)In some ways there is a connection with Forbidden Planet. In Forbidden Planet a Starship crew come across a naive sheltered beauty who doesn't quite understand what the Men are really looking for and what she wants.Well here the Devil Girl knows exactly what she wants - and has come to get it!
mike-ryan455 Without a doubt "Devil Girl from Mars" is the single worst science fiction movie I have ever seen. It isn't the low budget or small cast. "The Man from Earth" was made with a smaller cast, fewer sets and with no special effects, yet I'd rank it as sublime.This movie lacked something critical, and that was a decent script. It didn't have even a decent premise. It was just a chop suey of bad movie clichés with dialogue that made you cringe.It had no compensating virtues. The acting was poor, like the cast had been held hostage. The special effects were ludicrous, even for that time period. The robot was a joke. It looked like a guy wearing a cardboard box suit, which it probably was. The space ship was quite passable, but when that's the only virtue for the movie it has little indeed. The costume for the title character was absolutely cliché, black evil and short tights.
aimless-46 "Devil Girl From Mars" (1954) looks like a strange cross between "Quatermass Xperiment" (1955) and "Queen of Outer Space."(1958). Then throw in a little of "Mars Needs Women" (1967) and "The Mysterians" (1957) for good measure. So if you don't like any of these films you might consider avoiding contact with "Devil Girl". This is the earliest film I know of with aliens seeking Earthlings for breeding stock. It is played perfectly straight. Naya (Patricia Laffan) is an emotionless Martian space explorer. She has the Michael Rennie role here, but she is not visiting Earth for reasons that will benefit mankind. Still she is beautiful and her black leather costume and "Ming the Merciless" helmet must have caused quite a sensation back in 1954. Like Rennie she arrives in a flying saucer with a robot. The saucer looks interesting but Chani the robot looks like a mailbox with a hood ornament. It's one of a handful of 50's English science fiction films. It's real claim to fame is that it's the adaptation of a radio play. All the action (and there is not very much) takes place on the moors of Scotland and involves a varied collection of Earthlings staying at the remote Bonnie Charlie Inn whose proprietress speaks the immortal line: "While we're still alive, we might as well have a cup of tea". Actually the film is not nearly as bad as its reputation. The film stock is excellent (at least judging by the 1990 Rhino VHS release) even if it does rely too much on wide master shots, with beautiful Hazel Court as one of the guests a few close-ups would have been nice. The production design and the special effects are more than adequate for the period of the film. As a radio play the story by necessity adopts the remote house with an unlikely group of strangers dynamic. But it explores new territory by making a woman the invincible extraterrestrial visitor. She is a woman from a planet of women who indulges herself and the viewer with lengthy very humorous lectures on the inferiority of Earthlings. And she even expounds at length about the fusion reactor (probably films first reference to this) that powers her ship. Then again, what do I know? I'm only a child.
CatSpringer This was actually a stage play first. Can you imagine? And I'm sorry Joel & the 'bots never got a chance to pick this one apart. The potential for near-off-color jokes is amazing. Nyah smirks, struts, shows Mr. Spock what the eyebrow is really for, prepares a sperm bank for Mars, shows little Tommy "wonders of the universe you've never dreamed of," all while her giant refrigerator robot is in tow, disintegrating trees. If she had only made it to London, she'd have ruled the discotheques without all the fuss. I should hope there's no such thing as reincarnation, as I might not love this camp classic in the next life. Anakin Skywalker, you're a wuss.