robertguttman
I'll never forget the review of this particular movie that I read in the N.Y. Times many years ago: "Ye Gods and little fishes, break out the gin for this one!" Now that I've finally gotten a chance to see it, I know exactly what they meant. I suppose the production of this film was intended to answer a question on the minds of many film-goers and gossip-column readers in the late 1960s; namely, what can the most famous and notorious couple in pictures possibly do to top "Who's Afraid of Virginia Woolf?". The answer: "Doctor Faustus". In this film Richard Burton barters away his immortal soul to Lucifer for a roll in the hay with Elizabeth Taylor. Top that for an ego trip!Admittedly, this film also includes a great deal of plummy Elizabethan language, and plenty of lurid, pseudo-psychedelic special effects. However, most of the movie consists of Dick spouting reams of incomprehensible gibberish (in both Latin and English) in that incomparable voice of his, and drooling, literally, over Liz. Liz actually had the much easier role in this movie. She wasn't required to recite a single line of dialog. All she had to do was simply stand there and BE, the effect of which was to seemingly mesmerize every male actor in sight. Come on, what actress wouldn't give anything for a role like that? And for the piece de resistance, at the end of the movie Liz, laughing maniacally, gets to drag Dick, kicking and screaming, down to Hell for his well-deserved reward. What wife wouldn't have a ball playing a scene like that with her husband? By that point in the movie, anyone who isn't rolling in the isles with laughter simply has no sense of humor!
NutzieFagin
you'll love this movie. Actually it was written by Christopher Marlowe a rival/friend of William Shakesphere. I first saw this film in English lit class when my teacher used this as an entertaining visual aid. I had always loved the Shakesphere plays...the lyrical poetry, the thoughtful plots and imagery. SPOILER---Richard Burton, who is an accomplished Shakespherian actor plays the role of Faustus with a moody, thoughtful & devilish character. Faust is a man who wants to reach heights above God and have "his cake and eat it too" In the end, due to his ignorance,sloth and pride he pays the supreme price by selling his soul by thinking he can outwit the devil. Liz Taylor, who oddly has no spoken lines in the movie,and parades around in various body paint at certain parts is STUNNINGLY BEAUTIFUL!! and is the most remembered character. The budget of the film is low, but it still gives off a nightmarish, dark moody atmosphere. Except for Burton and Taylor, it is a cast of unknowns and I find it a crying shame that most did not pursue future movie careers! I recommend this movie to lovers of the Elizabethean Theatre--two thumbs up!
lil_princess_08
The movie was one I watched because I was doing some project on it and found the movie at the library. So when I checked it out, I hoped to find a stunning movie about a man and his immortal love. Instead, I was distracted by wild images and scene changes. The plot line was choppy, and was not easy to follow. The end was disappointing. Overall, I rate this movie a three out of ten. It's just not worth it. The actors were good, but even the famous actors and actresses did not make this move a success. Although, I must admit, some of the most famous quotes did come from this movie--"Sweet Helen, make me immortal with a kiss!" I overestimated how much I would like this film. A nice history lesson but no movie in my opinion.
Deusvolt
The movie did draw in sizeable audiences in the Philippines although most of those who saw it were disappointed including the critics. I remember one shallow critic lamenting the baring of Elizabeth Taylor in one fleeting scene (rear view). He wished she had done it in her earlier years when she would have been more attractive. I must admit that at my age then of 17, she did look a bit too mature for me. But seeing her again on video with me pushing 50, I found that she looks great.I not only saw the movie, I acted in our school play albeit in a small role as one of the scholars who spoke with Faustus. Alas! the play did not open as our director resigned after he couldn't pull off the open arena presentation he envisioned. Blocking was such a problem.Seriously, the cinematic effects achieved by Burton who was both actor and director, deserve kudos considering the technical limitations of special effects at the time (1967). A striking scene was when he and Mephistopheles were walking in the night heavens discussing hell. They didn't look superimposed at all and on the full screen, with the two figures seeming to walk on the bottom of the frame across the blue black firmament among the stars, it gave one a feeling of both wonder and terror of being lost in the heavens. Looking back, it seems that Burton pioneered in achieving a surreal LSD effect which later became quite common. The lines of Mephistopheles describing the nature of hell is memorable. I quote him freely: "Think you not that I who had experienced the Beatific Presence am not constantly tortured since I have been deprived of it? Hell is where we (the devils) are and where hell is, there we are, for each of us carry our own hell." This would apply to humans and not only to devils. The Oxford players were great especially the actor who played Mephistopheles who was portrayed sympathetically in that he seemed to regret the Faust's loss of his immortal soul. The devil was shown weeping.
AD
