fishermensmell I've waited over ten years since hearing about this film to get around to finally watching it. I grew up as a fan of Bottom and The Young Ones and the occasional Comic Strip Presents, then dived headlong into The Dangerous Brothers, Kevin Turvey and then the complete Comic Strip box set, so I had high hopes despite the tepid reviews for Eat the Rich. It was God-awful. What was presumably devised as a satire of Thatcherite Britiain could almost have been a satire of 80s alternative comedy, it was that reliant on lazy tropes and shots at easy targets. It was as if written by schoolboys. None of the characters are fleshed out enough to be anything more than stereotypes of the sorts of characters that litter the Comic Strip - which isn't such a bad thing for the generic yuppies, but the lead protagonists had nothing going for them. The plot was flimsy and fumbled with very strange pacing and the whole thing felt like it was going nowhere. For reasons unknown most of the Comic Strip regulars only appear in fleeting cameos, and whilst fun to see, make little impact having no real material to work with. None of the leads are well known for being comic actors, and handled their roles pretty poorly, unable to wring any laughs from the weak script.It felt like the writers came up with the idea of yuppies eating themselves (again, not a particularly innovative allegory for the 80s, since we saw it in 'The Cook, the Thief...' and the cannibalism angle also in 'Consuming Passions') and then put the absolute minimum effort into crafting a plot around that conceit. To cap it off the whole thing looked dirt cheap.It gets 2 stars for the enjoyable array of cameos and the Motorhead soundtrack.Do yourself a favour and watch some of Peter Richardson's better Comic Strip films. There's a reason this has languished in obscurity for so long...

lost-in-limbo "The Comic Strip Presents..." a lively, rowdy and bawdy cult black comedy gourmet with a novel one-joke premise like something John Watter's would churn out. Even that of Alex Cox's chaotic "Straight to Hell" shot to mind. This amusing oddball independent British feature kicks you in the guts with its heavy-handed approach from its acting to its dialogues and prominent surrealistic visual styling. No one is safe from the insults. It's sick and twisted with real ugly streak, but quite enjoyable as its anarchic messages are just so knee-jerk, the clever humour can be sneaky in its jabs and its episodically loose writing is just so random with its comic shocks. Interesting to see some familiar faces (Angie Bowie, Bill Wyman, Miranda Richardson and Paul McCartney) popping up with the likes of "The Comic Strip" being involved along with Motorhead contributing to the frenetic rock soundtrack. Even the bassist / singer Lemmy gets a part in the film. Al Pillay and Nosher Powell (looking great in green business suits) are the two who steal the limelight with their electric performances, one deadpan while the other maniac in delivery. Bombastic fun!"Here have a toffee".

mentalcritic ...after all, who wouldn't with that high, squeaky voice and that plump, rounded body? If you think the confusion about this movie stops there, then you're going to be in for a nasty surprise. Everything from unemployment and terrorism to the callousness of the English upper class is satarised here with as much subtlety as a sledgehammer. Numerous cameos are made by members of the hard rock community (Brian Johnson of AC/DC fame being my personal favourite), while one of the hardest rockers of them all, Motörhead bassist/vocalist Lemmy Kilmister, has a starring role.My favourite moments in the film? (Some plot spoilers ahead.) Well, the robbery of the DHSS office to the beat of Ace Of Spades is a great one, as is the sequence where Spider and his boss cycle through the countryside while Orgasmatron plays in the background. I find it so amusing that radio stations here claim to know what driving music is when Motörhead has never made it into their playlists. Then again, you sort of expect this kind of stupidity from radio stations these days. Another favourite of mine is the dinner party, where we get to see all of Motörhead as they play Doctor Rock. Check out Rik Mayall dancing in the crowd, it's a riot.Main star Lanah Pellay takes ham-fisted acting to a whole new level when he/she/it and friends take over the restaurant, subtly known as B***ards before the gang change the name to Eat The Rich. "B***ards, can I help you?" is now my favourite way to answer a phone. There has never been a funnier way to answer the phone, in fact. If you ever go to a restaurant where one of the main menu items is Manager With Chips, whatever you do, don't order that one. All in all, I give Eat The Rich six out of ten. It is crude, it is crass, it is exceptionally vulgar, but it's the funniest thing I've seen about fine dining.

Dotman An indictment on everything wrong with the thatcherite thinking of the day, this film explores the deepest recesses of the mind - probing into areas previously thought taboo by mainstream cinema.Hilarious & sad - Ugly & Bad.You have go to see this!(even if just for the Motorhead soundtrack)