Pamela Short Colleen Moore's performance as Ella Cinders, the slavey who is mistreated by her demanding step-mother and step-sisters, is pure genius and she literally steals every scene of the film.Made in 1926, the story is a modernized Cinderella tale, with Ella dreaming of a better life in Hollywood. Lloyd Hughes plays the towns ice delivery man who is Ella's devoted beau, Vera Lewis as Ma Cinders, Doris Baker, Emily Gerdes as Lotta Pill and Prissy Pill the spoiled step-sisters.Ella makes it to Hollywood, with some cute comedy adventures along the way, she does become a star, eventually beau Waite Lifter comes to California to find his sweetheart, he does and it's a fairy tale ending.Terrific trick photography, an amazing cameo performance with Harry Langdon, and even director Alfred E. Green making an appearance. Add the many comedic charms of Colleen Moore, all together makes this silent comedy a real winner. I don't want to give a full synopsis, as I urge the reader to watch and enjoy this surviving Colleen Moore gem.

Paularoc This Cinderella story stars the wonderful Colleen Moore as the much put upon Ella Cinders. Ella is the household drudge for her nasty step-sisters (Lotta and Prissy Pill) and step-mother. Ella's one pal is the iceman, Waite Lifter. Ella's chance to escape comes when the Gem Studio is promoting a movie contest ball. Among the funniest scenes in the movie are when Ella goes to a professional photographer to get the photo needed for the contest. As she's leaving her house, a title card informs us that "When Ella got into her good clothes, six moths laughed until they died." The session with the photographer does not go well for Ella (but it does for audience!)- thanks to a pesky fly. That and the bit Ella does with her eyes were amazing and funny. Much to the chagrin of her step-relatives, Ella wins the contest because the judges were sure Hollywood needed an actress who could cross her eyes while looking at a fly on her nose. Arriving in Hollywood, Ella does not have the reception she expected, but perseveres and through some clever studio gate crashing (and the amusing help from Harry Langdon), Ella lands a long term movie contract. But, she gives it all up to marry her Prince Charming, the erstwhile Waite Lifter (actually George Waite, the son of a wealthy businessman). Once a little boy iceman cometh, Ella's life seems a perfect Hollywood ending. Well, Ella certainly earned it. As every reviewer has commented, Colleen Moore was a joy to watch and makes it worth seeing this movie more than once.

lugonian ELLA CINDERS (First National, 1926), a John McCormick production, directed by Alfred E. Green, is a star vehicle for Colleen Moore, a popular silent screen flapper of the 1920s, in one of her more notable comedies of her career that has become forgotten through the passage of time. It's a Hollywood story taken from both comic strip character and Cinderella fairy tale, and reminiscent to Mabel Normand performance in THE EXTRA GIRL (1923). Similarities in theme makes it quite easy to confuse these two, especially when both characters are seen disrupting the studio when encountered by a lion. While THE EXTRA GIRL switches to melodrama from time to time, ELLA CINDERS is pure comedy that makes good use of Moore's comedic talents.Opening title card: "The Cinders residence in Roseville - where the first bowl of wax bananas appeared on an American sideboard." Ella Cinders (Colleen Moore) works like a slave for her wicked stepmother (Vera Lewis) and equally wicked stepsisters known as the Pills, Lotta (Doris Baker) and Prissy (Emily Gerdes), waiting on them hand and foot. Her one and only friend is Waite Lifter (Lloyd Hughes), a young man employed for the Union Ice Company, who in reality happens to be George Waite, a football hero and graduate from the University of Illinois as well as being the son of a millionaire (revealed on screen through a close up shot of a newspaper clipping)who disapproves of Ella. During a meeting of the Pollyanna Club held at the Cinders household every second Thursday of the month, where members get to "cheat at cards," Ella overhears her stepmother's intention on having Lotta representing Roseville by entering her in a movie contest sponsored by the Gem Film Company, with the prize being a trip to Hollywood and a chance to appear in a motion picture. Seeing this an opportunity in breaking away from the Pills, Ella earns the extra money needed for entrance fees and studio portrait taken of herself through babysitting. As she is poses to have her picture taken (one point being a strong resemblance of Lillian Gish), the photographer (Harry Allen) snapshots the very moment Ella becomes cross-eyed (like Ben Turpin) as she blows away a fly resting on her nose. It so happens that this is the picture that makes it to the judges. At the ball, where the winner's name is to be announced, to everyone's surprise, Ella's picture is the winner. After a merry send-off from the community (with the exception of the Pills) at the train station where the mayor (Jed Prouty) makes a speech, Ella takes off for Hollywood. Upon her arrival, she taxis over to the studio to find the Gem Film Company shut down and told by a guard that the contest was a scam and the "sharpies" arrested. Now stranded in the land of make-believe, and refusing to go back home in fear of being a laughing stock, Ella makes the best of her situation by "haunting the studio gates," sneaking past the guards and being chased around the lot, disrupting scenes currently in production and driving one of the directors (Alfred E. Green) out of his mind. With much more to follow, it gets better than this. Stay tuned and see what further develops for this Hollywood Cinderella.Amusing at times as it is familiar, ELLA CINDERS, if remembered at all, has all the ingredients for surefire material in the Betty Hutton or Lucille Ball tradition. Funniest scene comes early in the story where Ella studies the method of acting from "The Art of Motion Picture Book," going through the motions with her eyes. An excellent use of special effects done in split screen, her eyes move individually in all directions. This scene alone was certainly one that had audiences laughing out of their seats back in 1926. This is followed by another set in the California bound train where Ella falls asleep, with all passengers getting off and to be awaken later surrounded by Indians, actually actors dressed as Indians who had come on at an earlier stop, being lead to believe the train was attacked. She becomes ill after smoking a cigar offered to her by an "Indian chief." Another highlight is the unbilled guest appearance of comedian Harry Langdon whom Ella mistakes as a wanna-be actor avoiding capture from the studio guards. "There's after me, too," she tells Langdon as he holds on to the door during a movie rehearsal.Of a handful of Colleen Moore features produced during the silent era, ELLA CINDERS is best known due to availability on video cassette from various distributors and sporadic television revivals some decades ago, notably on the weekly public television series "The Toy That Grew Up," from the 1960s, complete with composed organ score, the same one used for the Grapevine Video Company with the running time of 70 minutes. While prints of ELLA CINDERS is in need of restoration, average or not so good prints in circulation don't deprive silent movie lovers from enjoying the misadventures of Miss Ella Cinders. (***)

David Atfield If you thought all silent comedies were slapstick see this gentle character based comedy. Colleen Moore plays a much abused small town girl with a simply awful family. She wins a beauty contest - the prize a trip to Hollywood and a studio contract!Colleen Moore is brilliant as Ella - funny, warm, beautiful, vivacious. The scene when she finds she has won the contest will move you to tears, and you'll roar with laughter when she practices eye movements for the camera. This is one of the great performances of the silent era. She can make the smallest thing funny, so it is interesting to see her work with Harry Langdon who could do the same. In one hilarious scene he plays himself.What is remarkable about Moore is that she can be very funny but still maintain the realism of her characterisation - there is a sadness here that makes the comedy so much more potent. Wait till you see her smoke a cigar, and spin-out! I have never seen a moment like this played better.Also very charming is Lloyd Hughes as her boyfriend. And the film's director Alfred E Green plays the director in the film!This film, in a good print from Video Yesteryear which has a fine organ score from Rosa Rio, is a true classic - not to be missed.