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Scarecrow-88 Positively bizarre supernatural Japanese horror regarding killer hair extensions! A female corpse is found engulfed in hair, her organs removed by those black market surgeons, and becomes the immediate fixation of a nutty mortician who kidnaps her body taking it home with him. Enamoured with her hair, Gunji Yamazaki(Ren Osgui) begins furnishing salons "samples" with horrifying results. The film focuses on hair stylist Yuko Mizushima(Chiaki Kuriyama), a young apprentice in a salon whose cruel sister, Kiyomi(Tsugumi)drops in unannounced to cause disturbance, leaving behind an abused daughter, Mami(Miku Sato)while embarking in a relationship with a sleazy lover at night. Yuko and Mami form a bond as Kiyomi is away ruining her life, while the hair extensions used from the dead girl cause death to customers. The extensions carry the hostile feelings of the dead girl and those who happen to wear the hair are recipients of the vengeance she so desperately harbors. Soon Yamazaki will drop off samples at the salon for which Yuko works bringing the separate stories together. Also, Yamazaki, with an unhealthy obsession with hair, is drawn to Yuko and Mami and wishes to possess what they have..beautiful hair, of course. We also follow two detectives pursuing the one responsible for kidnapping the corpse and how their search will soon lead to Yuko and Yamazaki. Unsettling violence to human victims mainly displaying how hair bursts from body orifices and wounds, increasing in size as it flows out, often wrapping around arms and throats, out eye sockets, even bleeding when cut by scissors. The film really gets serious with Mami's neglect at the hands of a monstrous mother, whose presence yields nothing but anguish and misery. That bitch gets hers, though. Chiaki Kuriyama is a very likable lead with a wonderful smile that lights up the screen, and a pleasant disposition that is a direct opposite of her polarizing sister. The film grows darker and darker as Yamazaki becomes more and more unhinged, his home besieged by the corpses hair as it grows following fits of anger during violent acts towards victims. You just have to see this to believe it!

crossbow0106 This horror film is about cursed hair, that anyone who wears the hair extensions has something very bad happen to them. The hair is cursed because the women who had it were victims of organ harvesting. A morgue attendant brings a corpse which still grows hair and sells/gives the extensions. This is where the other part of the film comes in. Hair stylist apprentice Yuko (the pretty Chiaki Kuriyama) lives in a small apartment with a roommate Yuki. She also takes in her niece Mami (a very young girl played effectively by Miki Sato) who is suffering from abuse at the hands of Yuko's evil half sister. I like the way the film lives in two worlds and comes together. The special effects are pretty good and while there is violence there is little gore. This is a horror film with good production values and Ms. Kuriyama plays Yuko very well, very likable and sensible. If you like horror, especially J horror, you will like this film. While horror is not my favorite genre, I enjoyed this, it moved along well, never dragged and you care about Yuko and Mami. Thats enough of a ringing endorsement, and the film succeeds on many levels.

Onderhond Ever since the wave of Asian suspense films started in the late 90s, the horror genre regained its mainstream popularity. The Asian market spawned an overload of long-haired ghosts, the European market followed with some fine gorefests and nail-biters and across the ocean, Saw conquered the theaters and kick-started a whole circus of remakes, rip-offs and sequels. In short, horror is hot again.In between all this genre work are still a few films that dare to be different, coming from directors that are more interested in the genre itself than the hype surrounding it. From the beginning, Sion Sono was a director who failed to fit the specific horror mold. Even though his first fan favorite, Suicide Circle, was marketed alongside films as Ringu and Ju-On, he never quite fitted in with the typical J-Horror wave. Apart from the social themes found in his films, it's the general weirdness that separates him from the generic horror template. With Ekusute, his latest effort, he's back to take revenge.Ekusute is a film about hair. Long, dark, mysterious, Asian hair. One of the most commonly used elements in the Asian suspense wave. Needless to say, the storyline is as crazy as it is fun. When a girl is tortured and murdered for her organs, they also cut off her hair. Obviously, the hair doesn't agree and starts to grow back from her dead body. A local morgue attendant with an extreme fixation for hair finds out and takes her home with him. He starts using her hair for a hair extension business he's been running on the side, at which point the hair extensions go on a murdering rampage. Hell yeah! To make things "worse", Sono contacted Ren Osugi to play the part of the perverted hippie hair fetishist. I still remember the first time I watched Osugi in Hana-bi and Sonatine. Back then I figured he was a normal actor playing an uncharacteristically strange role. We are now several years later, and I know better. Osugi might look like a normal, older guy, in reality he is one of Japan's most insane actors, taking on whatever perverted, quirky and twisted role he can find. He goes completely over the top in Ekusute, giving the film its final nudge into insanity.Ekusute is for the biggest part a parody on Asian horror flicks, playing around with a bunch of clichés and plot points. The whole hairy background story is crazy, Osugi's performance completely off the charts. Sono manages to be quite creative with the elements at hand, coming up with some interesting death scenes and original plays. But beside all the madness, the film works on another level. Sono integrates a side story about a tormented little kid which gives the film some extra grit and depth. It's the mix of all these elements that makes Ekusute quite dark and unique.Visually, the film is quite unstable, with rather plain visuals in its dramatic moments. But whenever Sono plays the horror (or freak) card the visuals become top notch. The scenes in Osugi's room are marvelous, making excellent use of lighting and hair effects to create shots that linger on the eyes. In between scenes Sono even tries some Tsukamoto-like magic, with rapid-fire editing of images filled with hair and accompanied by distorted sounds. As a whole, the film is visually pleasing, though it would've been nicer if it had been a little more consistent in its style.The film remains a strange mix of elements. In the beginning it looks like a simple parody on the J-Horror genre, but after a while other elements creep in which make the film more disturbing than it should have been on first sight. It never plays on scares, but still manages to become a dark and brooding film, topped with some craziness and surreal moments (mostly those with Osugi). It's a bit hard to recommend, as Sono's characteristic blend is rather unique and contains many tricks that might put people off. Still, I enjoy his films as they always succeed in bringing something new to the table.Ekusute might feel like his most commercial film to date, but that is mostly a disguise. It's a fun, crazy and surprisingly eerie film. 4*/5*