Fast Company

Fast Company

1938 "1938's PRIZE Mystery Novel! Now a Picture with twice the laughs and excitement!"
Fast Company
Fast Company

Fast Company

6.6 | 1h15m | en | Comedy

Married book-dealers Joel & Garda Sloane try to clear a friend in the murder of a rival book-seller.

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6.6 | 1h15m | en | Comedy , Mystery , Romance | More Info
Released: July. 08,1938 | Released Producted By: Metro-Goldwyn-Mayer , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Married book-dealers Joel & Garda Sloane try to clear a friend in the murder of a rival book-seller.

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Cast

Melvyn Douglas , Florence Rice , Claire Dodd

Director

Cedric Gibbons

Producted By

Metro-Goldwyn-Mayer ,

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Reviews

mark.waltz Watchable, light entertainment, this still has a feeling of haven't we seen this all before? And much better, too. The MGM gloss rules in this blatant attempt to be a new "Thin Man", but lacks originality. The idea of a married couple involved in murder through their antique book business sets up a potentially interesting story, but all that occurs other than a murder is the intrusion of a lot of very eccentric characters and a bit of convoluted story to follow. The film is at its best when it concentrates on the married couple, here played by Melvin Douglas and second string MGM lead Florence Rice. Likable but unremarkable, she is certainly no threat to Myrna Loy. In support are Shepperd Strudwick as an apparently innocent man accused of murdering fence George Zucco, Claire Dodd as a flirtatious socialite, and Nat Pendleton as a smarmy character whom Douglas and Rice encounter on the road to solving the crime. MGM didn't seem to have confidence in the series or its stars, replacing the leads in all three films. Certainly an adequate time filler, it just doesn't tell, especially when compared to Nick and Nora, them preparing their third teaming. Douglas is as dashing as William Powell, but wisely moved on after this.
csteidler Melvyn Douglas and Florence Rice are "Joel Sloane & Co. – Rare Books," as it says on their office door. The husband and wife team spends as much time flirting as detecting in this clever and very funny mystery.The plot involves a rival book seller (George Zucco) who has reported some valuable books stolen. Something is fishy….did he steal his own books and then frame his daughter's hot-tempered fiancé, who is in jail for the crime? Zucco is in cahoots with a counterfeiter who produces rare editions, and employs a clever secretary (the excellent Claire Dodd) who wears a mink coat that ought to be out of her price range….Anyway, it's not exactly a surprise when the shady Zucco is found murdered. There are multiple suspects, and Douglas sums up the general feeling when he tells the investigating police detective, "Well, if you're looking for a statement from me, I am not bogged down with grief."It's a very fast-paced picture. In one sequence, Douglas is kidnapped, tied up in a hideout, and escapes while Rice gets herself captured and the cops show up to the rescue—all in a matter of a couple of minutes. Witty dialog and the very attractive cast pleasantly overshadow the plot, which is rather complex but—in a movie like this—not all that important anyway.
calvinnme This is one of several movies - more than just this one starring Melvyn Douglas as the husband/sleuth - that were made in the 30's trying to piggy-back off the success of 1934's "Thin Man". This one is pretty good, but it lacks what nearly all of the other Thin Man knock-offs lack - any perceived chemistry between the husband/wife sleuth team. In fact, I thought Douglas' scenes with Claire Dodd were more believable than the rather forced attempts at getting sparks to fly between Melvyn Douglas as rare book dealer Joe Sloane and Florence Rice as his wife Garda.Apparently the Sloane book dealing business itself isn't doing that well,so Joe has been picking up extra bucks by finding stolen rare books and getting a 10% cut from the insurance company on what they would have had to pay had the books not been found. A friend of the Sloanes, Ned Morgan, has just gotten out of jail for stealing some rare books that were never recovered. He has always proclaimed his innocence, but after he's out of jail it seems the Sloanes and Ned's girl Leah Brockler are the only people who believe him - he can't find a job anywhere. Plus Leah's wealthy dad Otto Brockler (George Zucco) is threatening Ned with more jail if he doesn't leave Leah alone.Well, next thing Otto is found dead, bludgeoned to death in his office by a statue on his desk. Joel gets involved because the police are already measuring a missing Ned for the electric chair. There are a multitude of suspects including Claire Dodd as Otto's secretary who dresses in expensive fashions considering her small salary, plus a couple of rare book counterfeiters played to perfection by Louis Calhern and Dwight Frye.The pace is fast moving, the characters interesting, and Joel seems to move effortlessly through his sleuthing paces, just dripping with self confidence. This had me wondering - where did a rare book dealer come up with all of these detective skills? With a mystery film, the question I ask at the end is - would I watch it again, now that I know who did what? The answer in this case is yes - because the characters and just not the twists and turns of the plot make it memorable. Recommended.
Cutter-2 The first and, in my humble opinion, the best of the three Joel & Garda Sloane mysteries. Others have compared the three "Fast" movies to The Thin Man series. Its only real similarity is the snappy exchanges between husband and wife. Joel is gainfully employed with his own rare books business and well known locally as an expert in the field. Garda works with him. Neither Nick or Nora did much other than live off of Nora's inheritance. I particularly enjoyed Florence Rice more in the Garda role than either Ann Sothern or Rosiland Russell. She is fairly rarely the butt of Joel's "jokes" like Nora is. Douglas and Rice are a little more "down to earth" than the other two couples.If you are a mystery series fan this is well worth the hour and ten minutes and much better than most of the '30s and '40s mystery series. Don't expect to be culturally enriched but you will be entertained.