The Ghost and the Guest

The Ghost and the Guest

1943 ""
The Ghost and the Guest
The Ghost and the Guest

The Ghost and the Guest

4.6 | 1h0m | NR | en | Comedy

Newlyweds Webster and Jackie Frye spend their honeymoon in a sinister old country house. Before long, they are besieged by a gang of crooks, searching for a fortune in diamonds. With the help of chauffeur Harmony Jones, the honeymooners attempt to outsmart the villains.

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4.6 | 1h0m | NR | en | Comedy , Thriller , Mystery | More Info
Released: April. 19,1943 | Released Producted By: Alexander-Stern Productions , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Newlyweds Webster and Jackie Frye spend their honeymoon in a sinister old country house. Before long, they are besieged by a gang of crooks, searching for a fortune in diamonds. With the help of chauffeur Harmony Jones, the honeymooners attempt to outsmart the villains.

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Cast

James Dunn , Florence Rice , Robert Dudley

Director

William Nigh

Producted By

Alexander-Stern Productions ,

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Reviews

mark.waltz Fans of "George Washington Slept Here" and "The Egg and I" can skip this and go right to "Green Acres" for some intelligent humor in its similar tale of a New York couple who move into an abandoned farm house, apparently once a hide-out for criminals. James Dunn and Florence Rice, from the lower ranks of "A" studios, moved just to the lower ranks for this Z-grade groaner. They are joined by the talented but misused Sam McDaniel as Dunn's wise-cracking black chauffeur, an over-the-top Mabel Todd as a typical dumb Dora, and Robert Dudley as the ridiculous former hangman who still walks around with a noose, anxious to try it out on McDaniel in a really extreme bad taste joke. There aren't even any amusing farm clichés to be found, although McDaniel does get a few witty lines, mostly concerning his unseen wife, such as "She could give an aspirin a headache." Poor camera work and slow film editing make this dull, at even just under an hour.
csteidler Midway through this picture, there's a scene where the two leads (James Dunn and Florence Rice) find themselves momentarily alone in their room. It's their honeymoon, and they've had nary a second to themselves the whole movie, until now. But—before they even have a chance to breathe, people start pouring into their room, one at a time and in groups, until virtually all of the characters in the movie are right there in the same bedroom. –It ought to be funny, in a kind of Marx-Brothers-state-room sort of way….but somehow, it's just kind of flat. This whole picture is that way: full of scenes and gags that seems like they ought to be funny, but just aren't. The plot: Dunn and Rice inherit a house and decide to move right in, sight unseen. They bring along Sam McDaniel, who is apparently Dunn's valet and chauffeur. Mysterious doings are soon afoot; it seems the house was somehow connected with a recently executed convict and there may be some money around the place. Various characters turn up at the house to investigate, make trouble, or just hang around —a retired hangman, a police chief who writes detective thrillers, a dumb blonde and a sinister brunette, a couple of gangsters….the usual assortment.McDaniel, as chauffeur Harmony Jones, is the stereotypical frightened servant but somehow comes across as less dopey than any of the other characters; his wisecracks are occasionally clever. (He also advises Dunn on how to deal with married life: "Now take my wife, for instance. This morning I bawled her out for being so extravagant." What happened? Pause. "I'm giving up cigars.")Dunn and Rice as the newlyweds bicker and flirt and do their best to generate some energy but are largely defeated by dialog and plot that are woefully short on surprises. Certainly not the madcap laugh riot that it apparently aims to be, this picture is nevertheless mildly amusing and generally harmless enough. Call it a B picture that never rises above its budget.
Chuck Straub Although 'The Ghost and the Guest' is mistakenly described as a comedy/ horror movie, this film still has a lot going for it. I would say it is more a comedy/mystery movie. The setting is an old spooky house but there is never anything even remotely resembling terror. It's not hard to remember the date of this film. The terms used in the dialogue are from the 30s and 40s and I'm sure some of it will be lost with today's audience but much of it still brings a laugh. The film quality is not the greatest, and that does detract from the film. This movie does manage to keep your interest though and the comedy still comes through. The acting wasn't bad at all, and the strange assortment of characters was interesting. The plot is not believable but this is forgiven in the interest of comedy. It's a short, fast moving comedy that should be taken lightly and enjoyed for what it is.
Michael O'Keefe William Nigh directs this early 40's madcap comedy. Morey Amsterdam's screenplay is cleverly funny and somewhat witty. The 56 minute film is fast paced with hardly a scene wasted. Newlyweds Webster(James Dunn)and 'Jackie'(Florence Rice)spend their honeymoon in an old country home. Along with a nervous chauffeur(Sam McDaniel)the couple meets the town's executioner who has a fixation with nooses. Even before getting to settle in; a coffin arrives carrying the former owner and the spooked couple call the police. When the Police Chief(Jim Toney)arrives it is discovered the coffin is now empty. Before this situation can be dealt with along comes the believed "deceased's" next of kin and a gang of jewel thieves trying to find a fortune in diamonds hidden in the house. This all becomes fodder for Police Chief Bagwell's attempts at writing pulp fiction. Dunn's stupidity is somewhat funny; but McDaniel(the chauffeur)steals the show. Also in the cast are: Robert Bice, Eddy Chandler, Robert Dudley and Tony Ward.