mihaelstojanovic Very chilling horror movie unlike many others. I was greatly surprised with the synopsis and with the effects. It's a new technology of making a horror, I have never seen any movie technique with this one.The movie shows doctor who helps the people overcoming human eldest emotion. After dozes of years helping, a girl comes back to the clinic for an another experiment but the doctor refuses her request as it may be dangerous but the young woman persists with her request. The patients in the clinic are acquaintances who share the same fate. Later on the doctor starts experiencing creepy hallucinations after he tested the fluid which came out a woman who passed away in the clinic. Afterwards the young lady is not the only one who requests the second treatment and the doctor agrees to do it. Creepy things in the movie are happening during the story line and things are going even more twisted.

GL84 After an experimental phobia treatment is stopped, a group of people find their nightmares returning and seek the aid of their original doctor and his specialized machine, unaware of the dangers with starting it up again.This was a decidedly disappointing and uneven effort. What really tends to hold this one back is the overall lack of feeling like this one was a true horror film, as it's only in the final minutes where this one goes for that kind of feeling and really loses a lot of steam on the rest here without this one really going for the horror. The first half here is simply boring about the group finding their fears coming back and trying to cope with the reluctance to start using up the machine again, which is compounded by this one simply going off on useless tangents about the staff and the patients' lives that aren't in the least bit horror-based and let it really lose steam as it gathers along trying to gain some momentum about the machine but it just falls apart due it's decided non-use that keeps this one from really doing anything. This is due mostly to this one taking place more as a drama about the power of fears potentially taking over a person rather than actually doing anything horrific to showcase that, leading to more scenes here featuring everyone going around talking about how to get them over their fears or him trying to get the nerve to use his machine again rather than letting loose and really showing it off, which makes this one feel quite slow-paced and drawn-out. Likewise, the finale is pretty over-done with the rather lame and tedious CGI that comes barreling out of nowhere to look so out-of-place in what's going on that there's a real sense of being dragged out of time with it when the creature shows up which is so painfully obvious here it takes a lot of the potential fear out of it, along with the lame pacing of the scenes draining a lot of suspense taking forever to get going and a disorienting effect of flickering lighting throughout these scenes that makes it nearly impossible to focus on anything. These here are enough to drag this one down enough that the few flaws here aren't really given all that much weight. About all that works for this here is that utterly delirious final half when the fears come out to haunt the facility and there's plenty of suspense in trying to get out, some great action with the creature chasing them through the hallways and corridors and offering up some utterly schizoid images that makes for a truly thrilling time here. It's just too little too late against the other flaws here.Rated R: Graphic Language, Graphic Violence, Full Nudity, a strong sex scene and strong drug use.

ersinkdotcom Director / Writer Robert Hall gives fans of Robert Englund another impressive movie to add to their collection with "Fear Clinic." Based on the renowned web series, the concept carries over to a feature length film magnificently. I was first exposed to the excellent talent of filmmaker Hall at a screening of his new slasher classic "Laid to Rest." With his latest endeavor in terror, he far surpasses that simple, yet genre-bending work of art.In "Fear Clinic," five people with incurable phobias seek treatment in a machine that animates their fears. Unbeknownst to them, the machine's operator harbors an entity which feeds on terror.Robert Englund proves once again that his acting abilities stretch much further than what many expect from the man who created the character of Freddy Krueger in one of the most popular horror franchises in the cinema history. His role in "Fear Clinic" dares the audience to not have sympathy for him as he strives to rescue the human race from the terrors they suffer from. The rest of the cast are visibly invested in their parts as well."Fear Clinic" is rated R for bloody horror violence, disturbing images, language and some sexuality/nudity. Many of the dream sequences and flashbacks feature hallucinatory cinematography and choppy editing that give the viewer a sense of anxiety. It's nowhere near as graphic and gory as the "Laid to Rest" movies.Robert Hall has given horror fans a unique and engaging journey into the heart of our most dreaded nightmares. It's hard to compare "Fear Clinic" to any other movies out there. Imagine the artful abstract imagery from "The Cell" blended with a Lovecraftian creature feature and you'll halfway have an idea of what to expect. It also uses a familiar scenario which is becoming disturbingly more and more commonplace as its foundation.

Kolobos51 Fear Clinic, loosely based on a series of shorts that appeared on the now defunct Fearnet, stars horror legend Robert Englund in his best role in years as a once celebrated doctor obsessed with curing humans of fear. But when an early, seemingly successful test group comprised of traumatized survivors of a mass shooting begins to not only regress but get worse, he begins to seriously doubt the validity and even safety of his methods.However, this doesn't stop his test groups' faith in him. They all return to his clinic for further treatment, being locked up in a weird, sensory deprivation tank and forced to face their fears. But something evil, even supernatural, is lurking in the abyss he thrusts his patients into. It is fear itself, hence the title.Feart Itself is fairly above average for low budget horror, but you really have to be patient with it. In fact, I have to say the filmmaker, the man behind the middling Laid to Rest movies, requests an unreasonable amount of patience from his viewers. It does not help that movie's production design is atrocious, all neon green lights and phony looking scientific equipment that reminds of the worst elements of 80's horror.That's the bad part. The good part is that movie has a really good cast behind it. Robert Englund, in a role very different from his mad scientist portrayal in the original Fear Itself series, does a really good job as the benevolent but uncertain doctor. The female lead, Fiona Dourif (who was last seen costarring with her father Brad Dourif in Curse of Chucky) is an outstanding and unconventional horror heroine, more believably smart and capable than most of the female leads in these types of movies. Thomas Dekker also does a fantastic job portraying a troubled young man with a traumatic brain injury. Rounding out the cast are mostly adequate, if not entirely impressive, supporting players like Kevin Gage (Strangeland, Heat) as a crotchety maintenance man, Corey Taylor (that's right, the lead singer of Slipknot and Stone Sour in his first film, and he probably shouldn't quit his day job) as the hotheaded chief orderly, and several vaguely familiar actors as the other patients.The cast, along with a really solid third act that includes a genuinely surprising twist and some cool creature FX from Robert Kurtzman, make this worth watching for horror fans, but just barely. The movie has major pacing problems, a weak first half, and can never overcome its low budget trappings but it shows glimmers of promise from almost everyone involved making this a more or less entertaining, watchable low budget horror movie.