Final Cut

Final Cut

1998 "The camera never lies... it's a pity about friends"
Final Cut
Final Cut

Final Cut

5.9 | 1h33m | en | Drama

A group of friends gather for a wake, and are shown a video shot by Jude and starring them before he dies. Things go rapidly downhill.

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5.9 | 1h33m | en | Drama , Thriller | More Info
Released: November. 13,1998 | Released Producted By: Fugitive Features , Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

A group of friends gather for a wake, and are shown a video shot by Jude and starring them before he dies. Things go rapidly downhill.

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Cast

Jude Law , Sadie Frost , Ray Winstone

Director

Sabina Sattar

Producted By

Fugitive Features ,

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Reviews

TBJCSKCNRRQTreviews Jude is dead(and not in this all that much). At his funeral(note that there are almost no real introductions, you're just there and you gradually figure out what is going on, what you're seeing), his widow Sadie asks that the group of friends and couples sit down and watch the movie he was working on, and that they allow themselves to be filmed(and for some reason, while they do behave like there's a camera near them some of the time(and these operators appear to not know how to zoom, so they shove it into their subjects face instead), about half the time, they apparently completely forget it; yeah, some of this utterly falls apart beyond restoration when you stop to think about it). It turns out to be a documentary, assembled largely from footage captured with hidden recorders(there are a few interviews), and that is what we follow, as well... the two layers of fiction pretending to be fact. It'd probably work better if there were more reaction shots. Anyway, secrets come out and we see how their relationships are(are they playing themselves? Possibly). I should clarify something; this didn't bother me from the cruelty of the stunt, and the "different" style didn't ruin this for me... make your piece however you feel it should, and don't let people complain just because it isn't mainstream. The thing is, this really had potential... and still does. I'm sure this wanted to make some significant point, though it didn't get there. Yes, this is nihilistic and cynical... I didn't mind that. Others will. The pace is uneven and this comes off rather unfocused. You know, what little exposure to reality shows(yes, I hate them; that wasn't my issue with this) I've had, they actually do have plot lines and encourage continued viewing... this comes off as not wanting you to watch. I mean, you feel bad about it. OK, maybe that was the idea. If it was either real, or credible through the entire thing, maybe it would still work. Or if it didn't eventually go for a coherent story structure, at the end when it also stops being believable(and don't get me started on the anti-climax). The "twist" is so predictable you're sitting there wondering if they're serious. Winstone dominates this unchallenged... and yes, he(and the other men in this) delivers a great performance(good thing, because the women do *not*). The man is quite imposing... but you need counterweight. Some of these characters *really* don't need to be there, you could cut them out and you wouldn't miss them at all. None of them are wholly likable. This has a lot of improvisation and they used the first takes(they would add content if something was reshot... it shows). The editing is reasonable. This has odd framing and this feels "natural"(...a bit of the way, at least), with fast talking and slang(you'd better be British or have better subtitles than the copy I got as a gift did). There is a ton of strong language, a little bloody violence, disturbing content(this is gross at times) and sexuality and brief male nudity in this. The DVD comes with 8 trailers for different flicks, one of them for this. I recommend this low-budget 87 minute(sans credits) indie to those who merely want to see the concept of witnessing humanity's true ugliness... regardless of how well-executed it is. 6/10
junk-monkey Several vile people meet at the funeral of the utterly repulsive Jude to watch a film he has been secretly making of their lives. Many "revelations" later, and after every cast member has said "Fu*k!" about 300 times each, one of the assembled 'friends' is revealed to be Jude's murderer. The final puzzle of how the hell such an impressive cast was conned into making this piece of garbage is left unresolved.I learnt several things from this film: Ray Winston can say "Fu*k" more often and with more different infections in one movie than the average person will say in their whole lifetime.Sadie Frost couldn't act her way out of a wet paper bag. Her final piece to camera is just embarrassingly awful. She is as about convincing as a distraught and grieving woman as Mother Theresa would be playing King Kong.But most impressively, I learnt you can rip 35mm film out of a camera, drag it half-way up a London street, then have armed policemen jump up and down on it - and still be able to develop it! (How else to explain the existence of the shot of Winston's character reaching toward the camera just before leaving the flat when in the next shot, from a different angle, we see the film containing that shot being ripped out of the camera).Avoid this movie.
Billy Worth This film is utter, utter tripe.Self indulgent nonsense - how on earth did they get anyone to finance this? Or did they do it themselves? I would guess the latter - if anyone other than cast has invested in this rubbish then I would imagine they are, quite literally, sick as a dog.I can just imagine them all sitting down together saying 'Oh, we're the cream of the British film industry - let's do something all together! Don't care about script or plot - let's make it up as we go along! As long as Jude and Ray are in it, the public will pay to see it!'And Law and Winstone really do give the only half-decent performances in this crap. Winstone almost looks embarrassed - as he well should.0 out of 10.
oballot I recently watched Final Cut on video. I thought that some of the camera work was very clever and, to me, original. I was very intrigued by the premise of somebody making a film by manipulating friends as well as recording them on a candid camera. However I was hugely disappointed. The idea of letting the actor's improvise is very good, if the director/writer are able to distill that into a sharp image for the audience. I felt that that was where Final Cut falls down heavily. Ray Winstone was forced? /allowed? to dominate the film in a way which ended up as being very unbalanced.On the other hand it appeared that others were left to flounder and turn in some very hackneyed work. Some scenes worked while a large number were, for me completely irrelevant. In a number of areas my impression was that a very good and interesting premise was ruined by a lack of discipline on the part of those behind the fim.