nfiertel-137-596216
It was quiet, evocative, touching and felt like the prairies even today. The young people whose lives were forever changed by a distant war impending upon them was never art away and yet they manage to grasp a little life before the inevitable and unknown future. Some would think it sentimental. I think it was and is...life. The cinematic quality was a beautiful rendering. I am so glad to have seen this jewel for all of its qualities from play, acting and image. If it had been produced in a time where Canadian film was well distributed, it would have been renowned. It is instead a hidden jewel.
roo1
Stuck in a hotel in Kuwait, I happily switched to the channel showing this at the very beginning. First Pachelbel's Canon brought a lump to my throat, then the sight of a Tiger Moth (which my grandfather, my father and I have all flown) produced a slight dampness around the eyes and then Crowe's name hooked me completely. I was entranced by this film, Crowe's performance (again), the subject matter (and yes, what a debt we owe), how various matters were addressed and dealt with, the flying sequences (my father flew Avro Ansons, too), the story - and, as another contributor pointed out, Crowe's recitation of High Flight. I won't spoil the film for anyone, but, separated from my wife by 4,000-odd miles, as an ex-army officer who was deployed in a couple of wars and as private pilot, I admit to crying heartily a couple of times. Buy it, rent it, download it, beg, borrow or steal it - but watch it.PS Did I spy a Bristol Blenheim (in yellow training colours)on the ground? Looked like a twin-engine aircraft with a twin-.303 Brownings in a dorsal turret.
Laurie Edwards (endora60)
For the Moment is a two-hour trailer for a good movie. It's all lead-in; it never peaks, just slowly wanders along. There's tons of character background and lovely scenery--some good acting, too--but it never all comes together with any excitement whatsoever...and suddenly it's over without ever having gone beyond what should be the intro.Think: An expensively-made Hallmark Hall of Fame production. Plenty of longing looks between the two lovebirds, much dialogue that fills time but doesn't advance the story, some 90s political correctness to do with blacks and gays that never could have existed in 1942 rural Canada, guilt for everybody--and you know who the victims are going to be from the first time you see them.On the upside, Russell Crowe is beautiful.
aroseisarose
I have just seen this film, and fallen in love with it. There is a little bit of something for everyone, and its a particular free for all when it comes to the romance between Lachlan and Lil. When they are on the beach, I nearly cried... there is the unspoken realization that time is the most precious commodity and it is most evident when they are together. This idea taken from several angles, from marriage to sibblings to finding love in the least conventional of places. The film almost makes you long for that kind of desperation when you know that tomorrow could very well be your last. Crowe was particularly wonderful in his role of Lachlan. I've always had a soft spot for the accent, but I nearly melted with his portrayal of his character. The way this film was shot is also beautiful, with the music, backdrop of the open fields, and superb acting. All together, this is a wonderful film that tugs at all of human emotions.
AD
